MR. BLAKE AT YOUR SERVICE (2025)

October 3, 2025

Greetings again from the darkness. When we first meet Mr. Blake, he’s tidily packing a small suitcase and informing an anxious phone caller that he will not be attending the ‘Man of the Year’ award ceremony, even as he’s being introduced as the guest of honor in the background. We realize Blake is leaving London because he takes one last forlorn glance at his long-time apartment before heading “back to where it began.” It’s rare for the author of the source novel to adapt and direct a film, but that’s the situation here with Gilles Legardinier and his 2012 book, “Complètement cramé !” Co-writer Christel Henon helped with the screenplay.

The always interesting John Malkovich plays against type and stars as Andrew Blake in this French (with subtitles) comedy originally titled “Well Done!”. Having retired as a businessman, Blake is mourning the death of his wife (40 years) Diane, and heads to the stunning French estate where they first met. It’s there where he receives a less-than-warm welcome by Odile (a terrific Emilie Dequenne, CLOSE, 2022), the manager of the inn. A misunderstanding between the two, lands Blake in a cramped room and a ‘trial’ as the home’s butler. He does meet the estate’s owner, Nathalie Beauvillier (French acting legend Fanny Ardant), who has also lost her spouse and finds herself speaking to a mannequin wearing her husband’s suits, as she navigates her way through severe financial challenges.

Other key players include the parttime groundskeeper Philippe Magnier (Philippe Bas) and the parttime maid Manon (Eugenie Anselin). In a film where everyone gets their moment, Magnier and Blake playfully banter (Blake calls him a grumpy frog) after near-violence marks their initial meeting. Manon heeds Blake’s fatherly advice when she finds herself in a situation with a less-than-supportive boyfriend. There is also the irritating Madame Berliner (played by co-writer Christel Henon) as Nathalie’s quasi-friend, and finally, Mephisto, the chunky house cat to whom the hard-driving Odile shows some affection.

This is a whimsical, feel-good movie that never delves too deeply into the characters. However, that doesn’t mean they aren’t relatable, as we do find ourselves pulling for each of them. At its best, this is a story of turning grief into something positive during the next phase of life. Mr. Blake becomes a most unexpected uniter – a man whose advice, guidance, and good intentions not only help each of these characters with their own situation, but also instigate a bonding within the staff. This becomes a ‘one good deed leads to another’ scenario, although the final Christmas setting and reunion feels a bit syrupy. On a sad note, Emilie Dequenne passed away earlier this year from cancer. She was only 43.

Will be released in UK and Irish cinemas on October 3, 2025

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CLOSE (2022)

January 27, 2023

Greetings again from the darkness. Coming of age stories are immensely popular in literature and cinema. And why not? We all go through the stages (some more effectively than others). Writer-director Lukas Dhont is no stranger to backlash and criticism after his 2018 feature film debut, GIRL, and the approach he took on transgender issues. This time the topic is different, yet his approach still opens him up to additional criticism. However, if the viewer isn’t on a quest for controversy, this story from Dhont and co-writer Angelo Tissens is quite touching.

Leo (Eden Dambine) and Remi (Gustav De Waele) are 13-year-old best friends. The thing we notice immediately is that their bond is unusually close, even for adolescent buddies. They each seem complete only when in the presence of the other. Remi is a very sensitive young man who excels at playing oboe on the school stage as he’s cheered on by Leo.

Of course we all know that 13-year-old classmates are not known for tact and diplomacy, and soon the biting comments find flesh (so to speak). Remi mostly pays no mind to the cracks, but Leo starts to question the friendship. He seeks out other connections, and even finds a way to appear more macho, despite his androgynous appearance and mannerisms.

Remarkably, both of these young men are first time actors. Mr. Dambine has an especially appealing screen presence. Also effective are Emilie Dequenne and Lea Drucker as the boys’ mothers, yet mostly the focus here is on the boys and how pure their emotions are until corrupted by others. Also at the forefront is a theme of learning to deal with loss and guilt, even at a young age. It can be easy to dismiss such films as manipulative, yet sometimes the writing and acting are such that the story strikes the right note. That’s what filmmaker Lukas Dhont has done here, and he’s rewarded Belgium with an Oscar nomination for Best Foreign Language film.

Opening in limited theaters on January 27, 2023

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