THE STAND IN (2020)

December 11, 2020

 Greetings again from the darkness. Few would understand the pressures of celebrity better than Drew Barrymore. She’s 45 years old and has been in front of the camera for 40 years. Most of us recall her as young Gertie in Spielberg’s ET: THE EXTRATERRESTRIAL (1982), and of course, her family tree spans much of Hollywood’s history – for instance, she’s the great-niece of Lionel Barrymore who played Mr. Potter in the Christmas classic, IT’S A WONDERFUL LIFE. This time out, she takes on dual roles, but Drew’s fan base deserves fair warning … it’s not the fluffy, light-hearted comedy you might be expecting.

Director Jamie Babbit (known mostly for her TV work, including “Silicon Valley” and “Gilmore Girls”) and screenwriter Sam Bain (creator of “Peep Show”) explore career success and fulfillment in life, especially as it relates to balancing celebrity status and having a meaningful personal relationship. Ms. Barrymore plays Candy Black, a pratfall comedy actress who has made a career with her catchphrase, “Hit me where it hurts”. Simultaneously, and under pounds of makeup, Drew also plays Candy’s stand-in/double, Paula, who dreams of one day being an actual actor in her own right. Candy is a high-strung addict who barely functions, while Paula is a wallflower whose income is dependent on Candy’s career.

One day on the set, Candy throws a tantrum. It’s a complete meltdown that results in an injury to a fellow actor. Of course it’s caught on video and goes viral. Just like that, Candy’s career screeches to a halt, and so does Paula’s. We then flash forward 5 years, and Candy has isolated herself inside her mansion, taking up woodwork and anonymously bonding online with fellow woodworker Steve (Michael Zegan, “The Marvelous Mrs. Maisel”). After being charged with tax evasion, Candy is sentenced to a rehab facility and cons her trusty stand-in Paula to go in her place. Once released, Candy’s much nicer stand-in continues the gig on an “apology tour” where soon she is welcomed back into the industry’s good graces (as Candy), and slowly takes over Candy’s life, including a non-virtual meet up with Steve.

Supporting work is provided by TJ Miller, Holland Taylor, Elle Kemper, Andrew Rannells, and Lena Dunham (in what’s basically a quick cameo). Things get a bit convoluted with the old Candy, the new Candy, and Steve, the guy stuck in the middle – who has secrets of his own. Despite the relatively few laughs in what is billed as a comedy, there are some pointed observations and commentary on the industry and for those whose ambition is to be famous. Soul searching and ‘finding one’s true self’ is never easy, and often our dreams may not be in sync with who we are. Drew Barrymore does a nice job in both roles, but it’s likely her fans will be expecting a different style movie. It’s also likely the message here could have been better delivered by choosing either a comedic approach or a dramatic one, as the blend doesn’t quite work on either front.

AVAILABLE IN SELECT THEATERS, ON DEMAND, AND DIGITAL ON DECEMBER 11, 2020

watch the trailer

 


21 JUMP STREET (2012)

March 20, 2012

 Greetings again from the darkness. The original 1987-91 TV series “jump” started Johnny Depp‘s mega-superstardom career, and yes, he is a generous enough to appear in a brief cameo in this updated film from co-directors Phil Lord and Chris Miller. The script from co-writers Michael Bacall and Jonah Hill makes little effort to stay true to the source material and that works in the film’s favor.

We first meet Schmidt (Jonah Hill) and Jenko (Channing Tatum) as polar opposites at the same high school. One of them is a pudgy, nerdy looking guy trying hard to throw down an Eminem look, while the other is the ultra-cool jock who is skating by academically. Guess which is which? Flash forward seven years and these two are still misfits … this time at the police academy where one aces the physical fitness tests and bombs academically and the other is just the opposite. Guess which is which? So these two decide to become buddies and help each other live the dream as badass cops.

 Cut to the next scene where they are patrolling a park on bicycles and visualizing their first big bust. When things go wrong … SURPRISE! … they are assigned to Captain Dickson (Ice Cube), an angry man who runs the Jump Street undercover unit out of a Korean church. Since neither Hill nor Tatum look anything like high schoolers, the absurdity is written into the script. They become the most mis-matched brothers since Schwarzenegger and Devito in Twins.

Their mission is to discover the dealers and source for a new drug making its way through a local high school. The drug has already killed one student and it takes these two “brothers” about 5 minutes to uncover the dealers, a group of popular rich kids. The supplier is a bit slower to come and the process involves numerous comedy skits involving Tatum as a science geek and Hill as Peter Pan.

 The comedy skits involve nice work from Elle Kemper, Nick Offerman, Rob Riggle and Chris Parnell. The cool kids are played by Dave Franco (James’ brother) and Brie Larson. Car chases, a keg party, science experiments and the prom all play a role, as do white tuxedos and one of the oddest shootouts ever filmed. What seems like 1200 rounds are fired in a hotel room before someone is actually hit.

In addition to Depp’s pretty cool cameo, there are also appearances from Peter DeLuise and Holly Robinson Peete, both of whom starred in the original TV series. Of course the story is ridiculous and the film never really takes itself seriously, but I was actually somewhat impressed with Channing Tatum’s ability to play deadpan to Jonah Hill’s slapstick. The two worked pretty well together and there are enough laughs to make this one worth seeing.

SEE THIS MOVIE IF: you want to see Channing Tatum generate some laughs (purposefully this time) OR you just need some mindless giggles

SKIP THIS MOVIE IF: you are expecting a tribute to the original TV series OR you are a fan of realistic police dramas

watch the trailer: