INFINITUM: SUBJECT UNKNOWN (2021)

August 5, 2021

Greetings again from the darkness. In 2015, director Sean Baker’s use of an iPhone to film TANGERINE was viewed as experimental or rogue. Since then, other filmmakers have utilized this method, though it’s only been during the pandemic when filmmakers, desperate to create, have used the iPhone out of necessity. Such is the case with Matthew Butler-Hart, who not only utilized the mobile device for the majority of scenes, but also directed a couple of cameos remotely via Zoom. Co-written with his wife Tori Butler-Hart, who also stars, the film takes full advantage of empty streets and the absence of other people during the lockdown.

Ms. Butler-Hart stars as Jane, whom we first see as she awakens alone in the attic of a house. She’s gagged and bound to a chair, with no recollection of how she got there. She also experiences visions in flashes – some type of memories – as she looks for an escape route. She notices that she’s under surveillance, but after her initial stage of fright, she becomes quite determined to free herself. And that’s where things get really interesting. In the mode of GROUNDHOG DAY (1993) or HAPPY DEATH DAY (2017), only without Sonny and Cher music or a homicide, Jane is constantly re-awakening to find herself back in the same attic, in the same chair, with the same constraints.

Sir Ian McKellan plays the founder of Wytness Research Centre and Conleth Hill (“Game of Thrones”) plays a scientist. These two talking heads (filmed via Zoom) serve up the Quantum science overview that provides the structure of Jane’s situation, and also offer a couple of short breaks for Jane, who appears in nearly every other scene. The Wytness Centre holds the key to her situation, and we are informed that the work there is “propelling human evolution to a staggering new dimension.”

Jane stays focused on solving the puzzle that will allow her to escape the house (mysterious staircase and all) and track down what is causing her to experience these events time and time again. There is a video game feel to this as Jane frantically tries to reach the next level of escape, only to be zapped back to the starting point with each failure. Although time is relative and a parallel universe is in play here, we can’t help but notice Jane seems to lack the food, water, and basic hygiene one would require. That point has little impact on the creativity of the story and situation. Rorschach tests appear in certain places, as does a mint condition VW van. What we don’t see are people, though Quantum science does hold infinite possibilities.

Ms. Butler-Hart delivers a strong performance and keeps us interested in her character as she carries the film. Mr. Butler-Hart delivers excellent “camera” work, and the ultra-low budget film shows what can be accomplished. The lockdown has caused isolation and uncertainty for many, and mind games can certainly affect one’s perspective. The Butler-Harts have plans to convert this little film to a graphic novel and TV series, and it appears the “time” is right for both.

Coming to Theaters and VOD on August 6, 2021

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HERSELF (2020)

January 4, 2021

 Greetings again from the darkness. We are getting more films these days with stories about strong women, and it’s quite inspirational. This one is courtesy of director Phyllida Lloyd (THE IRON LADY 2011, MAMMA MIA! 2008) and co-writers Malcolm Campbell and Clare Dunne, the latter of whom also stars in the film. We’ve all seen the reports that domestic abuse has increased during the pandemic, so the film is timely, as well as disturbing to watch at times – and also informative, hopeful, and uplifting.

Sandra (Ms. Dunne) lives a dangerous home life in Ireland with her husband Gary (Ian Lloyd Anderson) and their two daughters Molly (Molly McCann) and Emma (Ruby Rose O’Hara). The danger isn’t derived from a shady neighborhood or faulty home wiring, but rather the explosive temper of Gary, and his tendency to physically abuse his wife. One particular incident traumatizes the youngest daughter and pushes Sandra to take the kids and escape. What follows is a look at the bureaucratic and legal challenges faced by a woman in this situation, as well as the grit and determination of a mother who believes she and her kids deserve a better life.

State-sponsored housing consists of a motel where Sandra and her daughters are forced to use a back entrance so as not to inconvenience the paying customers. Sandra’s flashbacks and visions of being abused by the father of her children are never absent for long. The mandated drop-offs so dad can spend time with the kids go beyond awkward and are filled with a dread that only a parent can fully understand.

When red tape and policy offer little hope of an improved life, Sandra turns to Google and YouTube, and soon she is recruiting folks to help her build a home on the cheap. One of her part time jobs leads to a generous offer that kicks things into gear. Peggy (Harriet Walker) is a retired doctor who Sandra is contracted to clean house for – just as Sandra’s mother had done. Peggy offers some of her unused land, and next thing we know, Sandra is urging a local building contractor, Aido (Conleth Hill) to spearhead the effort. He’s initially reluctant to join the cause, but his heart is bigger than his tough-guy exterior leads us to believe.

Director Lloyd’s film serves up some clichés, and struggles to maintain a balance between a heart-warming story of a tenacious mother and commentary on a system that has no place for those so independent minded. However, the performance of Ms. Dunne is so strong and creates such an easy bond with viewers, that we find ourselves feeling defensive towards her during her legal and emotional battles, and happiness as her community comes together to build. A couple of twists/surprises prevent the film from ever devolving into heavy melodrama, and there is a clever use of music throughout. An early glimpse of a Lego house is a nice touch. Anyone so determined to dig out of a bad situation and re-boot their life, and the lives of their kids, deserves just what they are after … a better life.

Amazon Studios will release HERSELF in select theaters December 30th, 2020 and on Prime Video January 8th, 2021

WATCH THE TRAILER