HERSELF (2020)


 Greetings again from the darkness. We are getting more films these days with stories about strong women, and it’s quite inspirational. This one is courtesy of director Phyllida Lloyd (THE IRON LADY 2011, MAMMA MIA! 2008) and co-writers Malcolm Campbell and Clare Dunne, the latter of whom also stars in the film. We’ve all seen the reports that domestic abuse has increased during the pandemic, so the film is timely, as well as disturbing to watch at times – and also informative, hopeful, and uplifting.

Sandra (Ms. Dunne) lives a dangerous home life in Ireland with her husband Gary (Ian Lloyd Anderson) and their two daughters Molly (Molly McCann) and Emma (Ruby Rose O’Hara). The danger isn’t derived from a shady neighborhood or faulty home wiring, but rather the explosive temper of Gary, and his tendency to physically abuse his wife. One particular incident traumatizes the youngest daughter and pushes Sandra to take the kids and escape. What follows is a look at the bureaucratic and legal challenges faced by a woman in this situation, as well as the grit and determination of a mother who believes she and her kids deserve a better life.

State-sponsored housing consists of a motel where Sandra and her daughters are forced to use a back entrance so as not to inconvenience the paying customers. Sandra’s flashbacks and visions of being abused by the father of her children are never absent for long. The mandated drop-offs so dad can spend time with the kids go beyond awkward and are filled with a dread that only a parent can fully understand.

When red tape and policy offer little hope of an improved life, Sandra turns to Google and YouTube, and soon she is recruiting folks to help her build a home on the cheap. One of her part time jobs leads to a generous offer that kicks things into gear. Peggy (Harriet Walker) is a retired doctor who Sandra is contracted to clean house for – just as Sandra’s mother had done. Peggy offers some of her unused land, and next thing we know, Sandra is urging a local building contractor, Aido (Conleth Hill) to spearhead the effort. He’s initially reluctant to join the cause, but his heart is bigger than his tough-guy exterior leads us to believe.

Director Lloyd’s film serves up some clichés, and struggles to maintain a balance between a heart-warming story of a tenacious mother and commentary on a system that has no place for those so independent minded. However, the performance of Ms. Dunne is so strong and creates such an easy bond with viewers, that we find ourselves feeling defensive towards her during her legal and emotional battles, and happiness as her community comes together to build. A couple of twists/surprises prevent the film from ever devolving into heavy melodrama, and there is a clever use of music throughout. An early glimpse of a Lego house is a nice touch. Anyone so determined to dig out of a bad situation and re-boot their life, and the lives of their kids, deserves just what they are after … a better life.

Amazon Studios will release HERSELF in select theaters December 30th, 2020 and on Prime Video January 8th, 2021

WATCH THE TRAILER

2 Responses to HERSELF (2020)

  1. montrealray says:

    I will have to muster a bit of determination to watch this subject matter, for I know a woman who has had such experience, minus the burden of having children. I experienced seeing her break down in tears when she revealed that part of her life, one she had kept to herself for too long. I can appreciate that reality from this experience, and it is why I expect to be moved by the film as you described it.

    Nevertheless, I feel compelled to see it because, as usual, you sold me on the movie. If it helps me be more sensitive to my friend’s reluctance to trust men, and contributes to my better dealing with how she tends to repress her past and stifles her emancipation, then it will be worth it.

    I gather from the title of the movie, this was the goal of writing and producing it. Thank you for the review. Stay healthy and safe my friend.

    • Ms. Dunne, the co-writer and star, says she was compelled to move forward with the story after a friend of hers had the experience. It’s less about the abuse, and more about the fight to rebuild a life (building the house is an obvious metaphor). I found it well done. No one should go through what your friend experienced, yet far too many do.

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