THE FRENCH ITALIAN (2025)

October 27, 2025

Greetings again from the darkness. Are you a good person? It’s really not that difficult to determine … although it does require a bit of honest self-reflection. The debut feature film from writer-director Rachel Wolther (co-written with Jesse Millward) is clearly meant to be comical satire, and even more clearly does not include me in the target audience. It seems to me the window for putting whiny, entitled complainers in the spotlight has closed, and these folks are more sad and annoying than funny. Still, since I’m likely in the minority, I’ll strive for objectivity here.

Valerie (Catherine Cohen, DATING & NEW YORK, 2021) and Doug (Aristotle Athari, MOLLI AND MAX IN THE FUTURE, 2023) are thirty-somethings living in New York City in a rent-controlled Brownstone. Their careers are stagnant (his) and borderline non-existent (hers). She doesn’t seem to have a clue about how to take responsibility at work, or even how to fulfill the basic duties. When girlfriend Mary (Chloe Cherry) moves in with usually quiet downstairs neighbor Jordan (Jon Rudnitsky, STEALING PULP FICTION, 2025), she brings along her karaoke machine, and immediately Valerie and Doug are annoyed with the sound pollution and constant “La Bamba”, and begin creating scenarios that might explain their neighbors.

Once they escape to the suburbs, the childish couple began strategizing to get revenge on the old neighbors, and with the help of equally unstable friend Wendy (Ruby McCollister), they decide to take advantage of Mary’s pursuit of acting. Their ‘ingenious’ plan involves putting on a fake play and inviting Mary to audition for the part. The plan makes little sense and ends up drawing in another actor named Joe (Ikechukwu Ufomadu, JUDAS AND THE BLACK MESSIAH, 2021) in what ends up being a quite fortunate move.

While this movie didn’t scratch an itch for me, I certainly appreciate the performances. Ms. Cohen and Mr. Athari nail characters who are impossible to like. Why they decided to relocate and gain revenge without ever bothering to meet the neighbors is quite a statement. Ms. McCollister brings some much needed quirky energy to the proceedings. Ms. Cherry transitioned from years in the adult film industry to more conventional acting with “Euphoria”. Her take on Mary in this film is definitely interesting and unusual. While I appreciated the “Atlas Shrugged” spoof, I found this satire to be less of a comedy and more of a generational snapshot for dummies (like me).

Available on VOD beginning October 28, 2025

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DATING & NEW YORK (2021)

September 9, 2021

Greetings again from the darkness. One must presume that many Millennials in their mid-to-late 20s will recognize and relate to the characters and situations in this indie Romantic Comedy from writer-director Jonah Feingold. For those born prior to 1980, that’s likely to be more challenging, and in fact, some of the conversations may more closely resemble a foreign language than familiar human exchanges. We can almost picture the emoji’s as these characters speak.

Milo (Jaboukie Young-White) and Wendy (Francesca Reale) are two single New Yorkers who match on the cleverly-named dating app, “Meet Cute”. Of course, that’s also the cinematic description for most every Rom-Com initial introduction since the days of Howard Hawks, Frank Capra, and Ernst Lubitsch. After a perfect first date-turned one-night stand, Milo and Wendy ghost each other. Three weeks later they have a café meeting where Wendy presents a “Best Friends with Benefits” contract. He wants more, while she just wants this. BFWB is a step beyond FWB since it’s more than sex. The two will regularly hang out and offer each other life and relationship advice – but definitely no “I love you” or PDA. Even their friends Hank (Brian Muller) and Jessie (Catherine Cohen) recognize this for the bad idea it is … but Hank and Jessie are too distracted developing their own bond to care too much.

Feingold utilizes some very cool water colors over the opening credits, and Grant Fonda’s score is spot on throughout. There will be comparisons to FRIENDS WITH BENEFITS and NO STRONGS ATTACHED, two movies released in 2011. However, a better and more interesting connection is to see how Feingold was influenced by WHEN HARRY MET SALLY… (1989) and ANNIE HALL (1977), two of the very best romantic comedies. Just keep in mind that this film is for those born in this modern era, where the rules of dating are determined by social media and dating (hook-up) apps. We are told that Millennials are “cursed with choices”.

Feingold’s characters discover break-up email templates (these people can’t subject themselves to face-to-face conflict), the real world expense of wedding planners, the confusing dynamics of haggling over who pays for dinner and drinks, and of course, the importance of guacamole. The characters are believable and seem like folks we could know … except when they speak. Jerry Ferrara (Turtle in “Entourage”) plays doorman Cole and also serves as the film’s narrator, a welcome guide through the reasons behind the actions.

Cinematographer Maria Rusche effectively captures the familiar sites of NYC, as well as the food and drink moments that go with dating. Director Feingold comes up short in his cameo, although in a humorous way. The four lead actors are not yet household names, and probably won’t be recognized by most viewers – though expect them to be part of the next wave. Mostly Feingold keeps things light and cutesy, and whether intentionally or not, reminds us that social media can be manipulative and controlling. Those pushing 30, especially New Yorkers, will likely enjoy seeing their life on screen, while the rest of us simply wonder how hooking up and hanging out isn’t considered a serious relationship.

In select theaters and available on digital beginning September 10, 2021

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