BOOKSMART (2019)

May 23, 2019

 Greetings again from the darkness. Every generation tends to get the high school movie (the movie about high school life) they deserve. Going back to James Dean in REBEL WITHOUT A CAUSE (1955) and Sidney Poitier in TO SIR WITH LOVE (1967), what followed were such memorable films as CARRIE (1976), GREASE (1978), FAST TIMES AT RIDGEMONT HIGH (1982), most every John Hughes movie from the 80’s, FERRIS BUELLER’S DAY OFF (1986), SAY ANYTHING (1989), DAZED AND CONFUSED (1993), CLUELESS (1995), 10 THINGS I HATE ABOUT YOU (1999), MEAN GIRLS (2004), HIGH SCHOOL MUSICAL (2006), JUNO (2007), and SUPERBAD (2007). It’s that last one on the list that this directorial debut from Olivia Wilde is likely to draw the most comparisons to.

Kaitlyn Dever (“Justified”) and Beanie Feldstein (LADY BIRD, and sister of Jonah Hill) star as Amy and Molly, two best friends and high school seniors who have sacrificed a social life (i.e. partying) for academics in order to position themselves for the best colleges. Amy has decided to take a gap year doing charity work in Botswana, while Molly wears her intelligence and class ranking on her sleeve and sits in judgement of her less disciplined classmates. She is headed to Yale with her ultimate life goal being an appointment to the Supreme Court (she has an RBG poster up in her room).

Imagine their shock when, the day before graduation, Amy and Molly discover that many of their less-disciplined (i.e. hard partying) classmates will also be attending elite schools. The besties immediately scheme to make up for 4 years of nose-to-the-grindstone by attending the biggest party of the year … and showing others how much fun they can be. Plus, the party affords each the opportunity to pursue their crush: skater-girl Ryan (Victoria Ruesga) for Amy, and athlete Nick (Mason Gooding) for Molly.

Although (full disclosure) I was never a high school girl, the one thing that stands out about the film is how the kids seem like real kids. That’s not to say most every aspect isn’t slightly exaggerated, because it is. The level of gayness in the Drama club is a bit difficult to take, and the teenage body is objectified in more than one shot; however, director Wilde has a knack for making high school look cinematic. Two sequences are particular standouts for the way they are filmed: the swimming pool scene with Amy underwater, and the house party as the characters weave in and out of rooms in the large house

Supporting roles add depth to the comedy thanks to Jason Sudeikis as the school Principal/Lyft driver; Billie Lourd (daughter of Carrie Fisher) as Gigi, who is always popping up and stealing scenes; Lisa Kudrow and Will Forte as Amy’s parents; Molly Gordon (“Animal Kingdom”) as the misunderstood ‘Triple A’; the aforementioned Victoria Ruesga and Mason Gooding; and star-in-the-making Diana Silvers as Hope – the aptly named rebel who clicks with Amy.

Co-written by Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, the film presents a realistic friendship between two teenage girls, and mines some common and recognizable personalities for comedy gold. Smart and funny female characters are interesting at any age, and “no one knows me” is the anthem of most every high school student since caveman days. The inevitable comparisons to SUPERBAD will likely be favorable to this film, and it will probably be the perfect fit for this generation – even if we hope most students avoid many of the happenings. With Will Ferrell and Adam McKay as producers, you should prepare for the harsh language high school kids are known for, as well as that ‘brazen, yet insecure’ blend so common to the age. Of course, we can’t help but find the timing of release quite interesting, given the recent college admissions scandal. It won’t replace AMERICAN GRAFFITI for me, but with Olivia Wilde having been known as an actress, we now recognize her as a legitimate director.

watch the trailer:

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LADY BIRD (2017)

November 15, 2017

 Greetings again from the darkness. Joining the likes of Woody Allen, Mel Brooks and Ben Affleck, Greta Gerwig proves her significance and brilliance is most apparent behind the camera, rather than in front. Her first feature film flying solo as writer and director is without a doubt, one of the year’s best. Surely she has benefitted from having a very talented live-in muse and mentor and partner in Noah Baumbach, but this extraordinary film is clearly Ms. Gerwig’s passion project … and it’s a thing of beauty (character warts and all).

Ultra talented Saoirse Ronan plays Christine, aka “Lady Bird”. She claims it’s her given name – a name she gave herself. Entering her senior year of Catholic High School in Sacramento, she’s the typical blend of teenage insecurity, bravado and restlessness. Her never quite satisfied mom is played by Laurie Metcalf, in what is probably her career best performance, and definitely worthy of Supporting Oscar consideration. A brilliant opening scene finds mother and daughter sharing a cry, which quickly devolves into one of the endless stream of arguments that make up half of their relationship. Their scenes together are sometimes caustic, always realistic, and likely to hit home to many mothers and daughters watching.

Lady Bird is convinced she must escape 2002 Sacramento and live on the east coast, where she assumes culture thrives. This is the age where every teenager is convinced an amazing destiny awaits them … not stopping to contemplate what talent they possess that might actually contribute to society. Lady Bird is an average student who seems to dream not of greatness, but rather of some vision of life where she will be appreciated for simply being herself. So much of what happens is grounded in the reality of high school life, friendships, and family. She jumps at the chance to be friends with the “it girl” who controls the “in crowd”. Leaving her lifelong best friend Julie (Beanie Feldstein, Jonah Hill’s real life sister) in the dust, Lady Bird finagles her way into Jenna’s (Odeya Rush) inner circle of rich kids, including the cooler-than-cool Kyle (Timothee Chalamet, CALL ME BY YOUR NAME). He’s the bohemian-wannabe type we’ve all come across. Her attraction to Kyle results in confusion over her relationship with nice guy Danny (Lucas Hedges, MANCHESTER BY THE SEA).

The film touches on many familiar topics, and the script elegantly handles each piece of the puzzle and gives each character their due. Lady Bird’s middle class family is going through some financial difficulties after her dad is laid off. Tracy Letts is superb as the dad who is beaten down by a life that’s nearly passed him by, but he staves off his own depression just enough to provide the basic strength needed by his wife and spirited teenage daughter. Mr. Letts and Ms. Metcalf aren’t TV sitcom parents carefully positioned as punchlines for clever kids, like what we typically see. The emotional bond between parents and offspring is perfectly awkward and deep. Mother and daughter have their shared escapes, while father and daughter share some secrets. There is also a complex sister-brother dynamic, as well as the common issues of school days – teenage girl self-respect, class warfare, teacher crushes, and the pressures of extracurricular activities. Lois Smith has a couple of outstanding scenes as a wise and observant nun who sees Lady Bird for who she is, and provides the necessary guidance. Welcome comedy relief is combined with an editorial statement on the ongoing reductions in funding for the arts, as the football coach (Bob Stephenson) is put in charge of the drama department.

Ms. Gerwig’s excellent (quasi-autobiographical) film defies traditional categorization. It’s part teenage comedy, coming of age, family drama, and character study – yet it’s also so much more. Have you seen much of this before? Absolutely, and it’s likely at least some of this has occurred in your own life, though you may not always enjoy being reminded. What is enjoyable is watching the work of a skilled filmmaker and exciting new cinematic story teller.

watch the trailer: