CITY OF DREAMS (2024)

August 29, 2024

Greetings again from the darkness. The mistreatment of kids is something that causes a physical reaction for me. It’s not just the intellectual and emotional effects – my entire body reacts by shifting into some mode that’s a cross between aggression, sickness, and denial. No matter how much we wish child trafficking wasn’t occurring, we know that it is … and reminders are crucial in keeping the awareness and discussions (and kids) alive. That’s the role of the first feature film from writer-director Mohit Ramchandani.

Jesus (Ari Lopez) is a young boy in Mexico dreaming of a future as a star soccer player. His mother died giving birth to him, and his father seizes the chance to let his son pursue his dreams in the “new world” by attending a soccer camp. Everything has been arranged by a shady, Mustang driving character who most of us would never trust. However, Jesus’s father is desperate for his son to have an opportunity for a better life.

A non-verbal Jesus is excited right up until he’s frightened. He’s dumped at a ragged house and led to the room lined with others of all ages who are slumped over sewing machines. This sweat shop is run by El Jefe (Alfredo Castro) and his foreman Cesar (Andres Delgado). To ensure we don’t miss the “sweat” shop label, the actors are often coated in absurdly giant beads of fake sweat. It’s the closest to comedy we get.

What occurs in the dark, dank world of sweat shops and child slave labor is portrayed here as indescribable misery. We see the long and unbearable working conditions of the kids, along with the harsh punishments that occur if one steps out of line. Elena (Renata Vaca) flirts with Jesus as teenagers do … until she’s whisked away and sold into child sex slavery. The only ray of hope we as viewers see is Officer Stevens (Jason Patric, an actor I erroneously predicted stardom for after watching THE LOST BOYS in 1987), a renegade local cop who senses criminal activity in the home, despite his superiors continually telling him to back off.

Inspired by a true story (actually too many similar stories), Ramchandani’s film portrays the disgusting side of migrant child labor, child slavery, sex slavery, human trafficking … whatever term you prefer. He tells us 12 million children have been victims of slavery.  There are also a couple of other interesting factors: the bad guys aren’t all Caucasian, greed is a driving force, and all involved (not just the kids) have dreams. El Jefe dreams of an acting career. We see Cesar studying his SAT prep book, and Jesus juggles visions of glory in soccer with nightmares of some evil tribal figure. The list of Executive Producers includes Tony Robbins, Linda Perry, and Thomas Jane. The brutal loss of childhood innocence is difficult to watch and concludes with a plea for action from young actor Ari Lopez.

In theaters August 30, 2024

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NO MAN’S LAND (2021)

January 21, 2021

 Greetings again from the darkness. The title is drawn from what the locals call the gap between the Texas-Mexico border and the fence/wall that must be crossed for those looking to make their way. The film is directed by Conor Allyn and was co-written by his brother Jake Allyn and David Barraza. Jake is also the lead actor.

Bill Greer (Frank Grillo, THE GREY, 2011) and his wife Monica (Andie MacDowell) live on a border ranch with their eldest son Lucas (Alex MacNicoll, ALL ROADS LEAD TO PEARLA, 2019). It’s not an easy life, as the illegal aliens who cross their land sometimes cut the barbed wire fence for access, allowing the Greer’s cattle to escape. Their son Jackson (Jake Allyn) is home from college. He’s a baseball prospect with a trip to New York scheduled to meet with the Yankees (it’s funny how baseball players in the movies so frequently play for the Yankees). While home, Jackson rides his beloved horse Sundance, and helps chase the illegal aliens off the ranch.

One night things go horribly wrong, and Jackson accidentally shoots Fernando, a young boy who is crossing with his father Gustavo (Jorge Jimenez). As viewers, we’ve seen the caring father, referred to as “The Shepherd”, protect his son from the drug dealers and coyotes. Jackson’s dad tries to take the blame for the shooting when interviewed by Texas Ranger Ramirez (George Lopez in a rare dramatic turn for the comedian), but Jackson can’t keep quiet and he bolts across the Rio Grande on Sundance.

As Jackson makes his way deeper into Mexico, he crosses paths with a heavily-tattooed blond coyote named Luis (Andres Delgado) – one who had previously tried to scam Gustavo and Fernando. In fact, Luis shows up more often than a bad penny throughout the story. He’s the one true villain, yet even he thinks he’s doing the right thing (at least sometimes). Jackson is mostly impressed with how nice everyone is, and he ends up working for Victoria (Esmerelda Pimentel) at her father’s horse ranch. It turns out, Jackson is a horse-whisperer, in addition to being a talented baseball pitcher.

Jackson decides he must beg forgiveness from Gustavo, not knowing Fernando’s father is simultaneously tracking him down in a quest for vengeance. Mr. Jimenez gives the film’s finest performance as he flips the switch (quietly, but effectively) from protective and loving father to vengeful man on a mission. The script is filled with clichés and contrivances, with Jackson playing the role of white guilt with an emphasis on cross-cultural empathy. Mexico, and its people, are not like what he expected or had been led to believe. An elevator ride, The Adventures of Huckleberry Finn, and a rendezvous at a funeral are examples of scenes that induce cringes from us as viewers, but nothing too outrageous is included, and we are engaged enough to continue along on Jackson’s trip.

This IFC Film opens January 22, 2021

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