SICK (2026, Poland)

September 19, 2026

Fantastic Fest 2026

Greetings again from the darkness. My decision to review this movie was based on one thing: it’s the feature film directorial and screenwriting debut of Agata Trzebuchowska, who starred in Pawel Pawlikowski’s excellent IDA (2013). That was the extent of my research for this film from Poland, and now after watching it, I am at a loss on how to review without spoiling anything about it. Simply stating that the twists will surely surprise you is not enough – and it helps if you are unaware, as I was, of the film’s genre prior to watching.

It starts out as a ‘normal’ family situation. Sixteen-year-old Maks (Konrad Kakol) travels to a rural home to care for his ailing grandmother (Monica Niemczyk). Maks is a typically awkward teenage boy who spends his time reading comic books and looking at girls online. He is soon joined by his nineteen-year-old sister, Emma (Katarzyna Lubik). She’s perturbed she has to be there and spends entirely too much time drinking and sunbathing, leaving much of the work to Maks.

Emma’s tough façade hides the depression she’s fighting, while Grandma appears to be battling multiple ailments – both physically and mentally. All I can add here is that things get creepy. And then things get creepier. The film takes us in a couple of different directions initially and then stuns us with a twist that shifts everything. The climax is something else totally (with only a few subtle hints along the way). It’s a summer Maks will never forget. Any deeper description would take away from your own bewilderment at the progressions. The twists are such that most will not ‘figure out’ where it’s headed, and viewers are better off just letting it unfold. It will be interesting to see where Ms. Trzebuchowska takes her next feature film.

The film has its World Premiere at Fantastic Fest on September 18, 2026

WATCH THE TRAILER


IDA (2014, Poland)

June 29, 2014

Ida Greetings again from the darkness. Writer/director Pawel Pawlikowski (My Summer of Love, 2004) films in his homeland of Poland (set in 1962) and presents a familiar topic from a most unusual perspective. This film has been very well received on the festival circuit and it’s easy to see why: it’s beautifully photographed, very well acted, includes terrific music and presents an emotional story for thoughtful viewers.

We first meet Anna as a novitiate nun on the verge of taking her vows. Her Mother Superior has one requirement: Anna must visit her lone surviving relative. Her Aunt Wanda is everything Anna is not: worldly, cynical, direct. In the first few minutes of their visit, Wanda (Agata Kulesza) informs Anna (Agata Trzebuchowska) that though she is a nun-to-be, she was born Jewish with the name Ida, and she was sent to a Catholic orphanage when her parents were killed.

After this bombshell, the two set out on a journey to discover the truth and trace their family roots. It’s a journey of discovery not just for Ida, but also for Wanda, who carries her own burden. Questioning one’s faith and one’s true identity is nothing new, but this makes for quite an unusual buddy road trip. Wanda is rarely without a drink in hand and Ida has had no previous exposure to the real world outside the convent.

This is the debut of Agata Trzebuchowska and her porcelain look and big eyes convey a quality with which we find ourselves comfortable with, while Ms. Kulesza evokes empathy from the viewer despite her harsh edge and beaten down outlook on life and people. Hers is a standout performance.

Two exceptional pieces of music are used to perfection: Coltraine’s “Naima” and Mozart’s “Jupiter” symphony. The storytelling and look of the film might be austere (stunning black and white photography) but this music hits us hard in two separate scenes. For those who appreciate dramatic art films, this is one to see .

**NOTE: there is an appearance from real life singer Joanna Kulig

watch the trailer: