MONTANA STORY (2022)

May 27, 2022

Greetings again from the darkness. Watching two of our most talented young actors do their thing within the framework of old-fashioned storytelling and a breathtaking geographic setting is just about as good as it gets in independent filmmaking. The pacing may be a bit slow for some viewers, but the joy here is in watching two actors own their characters and battle through the emotions that tore apart a family.

Co-writers and co-directors Scott McGehee and David Siegel previously collaborated on WHAT MAISIE KNEW (2012) and BEE SEASON (2005), and are joined this time by co-writer Mike Spreter. We certainly can debate the script’s handling of specific moments, but Haley Lu Richardson (OPERATION FINALE, 2018, the underrated COLUMBUS, 2017, SPLIT, 2016, and THE BRONZE, 2015) and Owen Teague (best known for the two recent IT movies, and he’s also delivered in two recent films, TO LESLIE and THE COW) are the reason we buy in quickly and stay engaged to the breakthrough.

Cal (Mr. Teague) returns to the ranch where he grew up when he’s notified his father has had a stroke and is in a coma on life support. Cal readies the ranch for a bankruptcy sale and tends to the other business issues while Kenyan nurse Ace (Gilbert Ouwor) takes care of the father. Longtime housekeeper Valentina (Kimberly Guerrero, Winona from “Seinfeld”) helps when she can, but the ranch itself, including some chickens and an arthritic 25-year-old horse, Mr. T, aren’t much better off than Cal’s comatose dad. Cal is shocked when he sees that his estranged sister Erin (Ms. Richardson) has returned in order to say goodbye to their dad.

The film is at its best as Cal and Erin (I’m sure it’s a coincidence that the EAST OF EDEN siblings were named Cal and Aron) strain to avoid the discussion of what caused the split. It takes a while for us to get the details, but the scene is devastating for both characters, and the actors pull it off beautifully. A single night, seven years ago, blew up a family and led to broken trust and pent-up anger and animosity in Erin, and near debilitating guilt and sadness in Cal. Doing the right thing plays a recurring role here in regards to Erin’s high school article, Cal’s decision on Mr. T, and their dad’s job and actions.

Family relationships can be tainted and forever altered by a traumatic event, and rebuilding that trust requires raw pain and emotion … and even then, there are no guarantees. Additional supporting work is provided by Eugene Brave Rock and Asivak Koostachin, each of whom bring a touch of humor to their character (“sentimental horsey girl”) – or perhaps it just seems that way due to the intensity of Erin and Cal. There is a terrific scene where Cal and Erin ‘negotiate’ her spontaneous purchase of a pickup and trailer, and the meaning is hard to miss as Erin educates Cal on Dante’s circles of Hell in “Inferno”. Kudos to rising stars Haley Lu Richardson and Owen Teague for capturing a strained sibling dynamic and showing how trauma can have varying effects. Thanks also to cinematographer Giles Nuttgens (HELL OR HIGH WATER) for the sprawling Montana landscape and mountain vistas. This is a “western” only in the sense that it takes place out west and in near isolation, with most folks only speaking when necessary. It is a kind of showdown between brother and sister, but the weapons are words and memories, not pistols.

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THERE ARE NO SAINTS (2022)

May 27, 2022

Greetings again from the darkness. If you’ve ever wondered what it would look like if the often-great Paul Schrader wrote his version of the Liam Neeson action-revenge film, TAKEN (2008), well here is your answer. Okay, so it’s not the exact story line, but it’s close enough for conversation, and director Alfonso Pineda Ulloa seems happy to work with a script that is not Schrader’s best, yet clearly bears his stamp. The esteemed screenwriter has had recent success with THE CARD COUNTER (2021) and FIRST REFORMED (2017), both of which he also directed. And his track record of screenplays includes such remarkable work as TAXI DRIVER (1976), HARDCORE (1979), AMERICAN GIGGOLO (1980), RAGING BULL (1980), and AFFLICTION (1997).

Jose Maria Yazpik stars as Neto Niente, known on the street as “The Jesuit”. We first see him being released from prison in Huntsville, Texas after serving only four years as a convicted murderer. As Neto is leaving, the jailer says, “I’m sure I’ll see you again.” Neto’s sleazy attorney (played by Tim Roth) recommends he leave town and stay away. Of course, Neto says he first needs to see his young son. Julio (Keidrich Salladi, “The Americans” son Henry) is happy to see his beloved father, but Neto’s wife Nadia (Paz Vega, SEX AND LUCIA, 2019) is frightened for their safety because her boyfriend, Vincent (Neal McDonough, fun to watch in two of my favorites “Justified” and “Boomtown”), is a psychopath criminal kingpin, and his reaction to Neto’s visit is murder and kidnapping.

Before learning that his son has been kidnapped, Neto tries to calm the waters with those pursuing him. This includes the local police and the Mexican cartel that he once worked for. We see flashbacks of Neto’s work and it’s obvious the film’s title fits. During all of this, he meets Inez (Shannyn Sossamon) a capitalistic strip club worker. The two team up to track Julio to Mexico, but not until Neto has had a few brutally violent run-ins with the cartel and a gun dealer who goes by the name Jet Rink (James Dean’s character in GIANT was Jett Rink). The gun dealer is played by Tommy Flanagan (“Sons of Anarchy”), and their meeting is yet another brutally violent scene.

Neto is a tough, confident, man, who despite his particular set of skills, remains mostly quiet; however, he is consistently involved in brutally violent interactions, which is why I keep referring the film’s brutal violence. I’d like to say this is an exaggeration, but it’s not. And just in case some viewers need more, Act 3 ratchets things up a notch. Ron Perlman (a hardworking actor recently seen in last year’s NIGHTMARE ALLEY) shows up as Sans, some kind of crime lord who has a dungeon perfectly set up for torture and imprisonment, and director Ulloa takes full advantage.

The film’s opening quote, paraphrased from the book of Exodus, reads “The sins of the father shall be visited upon the sons.” This is a B-movie packed with thrills, adrenaline, energy, and yes … brutal violence. It’s a world of payback and retribution that never offers Neto the chance for the spiritual new beginning he hopes for. Schrader’s script lacks the character depth of his best work, and seems to be aimed at a group of viewers with a very particular set of tastes.

In theaters, On Digital, and On Demand beginning May 27, 2022

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TOP GUN: MAVERICK (2022)

May 22, 2022

Greetings again from the darkness. Heavy on melodrama. Heavy on cockiness. Heavy on fighter jets. Heavy on nostalgia. Check. Everything that we want and expect in the long-awaited sequel to the 1986 film is present. It’s a movie spectacle featuring one of the few remaining bonafide movie stars front and center, as well as breathtaking action sequences that beg to be experienced on the largest screen possible and with the highest quality audio available. Jim Cash and Jack Epps Jr are credited for the characters, while the new screenplay involved collaboration from Ehren Kruger, Eric Warren Singer, Christopher McQuarrie, Peter Craig, and Justin Marks. The original film’s director, Tony Scott, passed away in 2012 at age 68, and Joseph Kosinski (OBLIVION, 2013, also starring Tom Cruise) takes the helm.

Callbacks to the original are plentiful, and we get our first in the opening title card – the same one used in 1986 to explain the “Top Gun” training center. Of course, there is one reason we are here, and that’s Tom Cruise. He was only 24 years old in the original, and now lives and exudes the swagger of Pete “Maverick” Mitchell. When the film opens, Maverick is an extreme test pilot pushing himself and an experimental aircraft to Mach 10, and yes, this goes against the wishes and order of the program’s Rear Admiral in charge played by a curmudgeonly Ed Harris. It’s a shame that Harris only has a couple of brief scenes, but he is the one that informs Maverick of his new orders to return to Top Gun immediately. His new commanding officer is Beau “Cyclone” Simpson (Jon Hamm), who is none too happy about Maverick being back. However, the order came directly from Maverick’s old nemesis/friend, Tom “Iceman” Kazansky (Val Kilmer), now a highly decorated Admiral in failing health.

Maverick is disappointed to learn that he has been brought in, not to fly, but to teach a group of Top Gun graduates how to execute an extraordinarily dangerous mission involving extended high speeds at a low altitude, dropping bombs on the uranium enhancement plant protected by a mountain range, and then immediately elevating to a nearly impossible level to avoid a crash – all while being targeted by the enemies radar and defense system. The enemy goes unnamed so that the movie can remain timeless and avoid any type of political backlash. Plus, this film is about thrills and action, not a political statement.

Being back means Maverick crosses paths with Penny Benjamin (Jennifer Connelly), who was mentioned briefly in the first film as an Admiral’s daughter. She now owns the local bar, has a daughter, races sailboats, and still carries a bit of a torch for Maverick, although she’s quick to bust his chops whenever possible. However, it’s the pilots he’s charged with training that cause the biggest issue for Maverick. One of them is Bradley “Rooster” Bradshaw (Miles Teller). Rooster is the son of “Goose” (played in the original by Anthony Edwards), who flew with Maverick as his Radio Intercept Officer (RIO) and died in an ejection mishap. Rooster holds Maverick responsible and Maverick is still haunted by his friend’s death. Goose is seen in photos and via flashbacks, and Rooster emulates his dad at the bar’s piano. The conflict between Rooster and Maverick adds complications to the mission – and a bit of melodrama to the entire film.

The newbies (and the Navy) consider Maverick a relic of a bygone era, so of course, ‘instructor’ Maverick takes to the sky to strut his pilot stuff. In addition to Rooster, the standouts in the new group include Phoenix (Monica Barbaro), Bob (Lewis Pullman), and Hangman (Glen Powell), the latter of whom, along with Rooster, tries to recreate that symbiotic relationship we originally saw with Iceman vs Maverick. Teller and Powell are both solid, but this aspect never really clicks like the Rooster vs Maverick piece.

We can’t help but notice that the dramatic elements seem to be more of a focus this time around. The biggest impact comes from the scene where Mavericks visits Admiral Kazansky (Iceman) at his home. Despite his well-known physical limitations, Val Kilmer delivers a memorable performance, and the two actors seem to relish this opportunity. The situation is handled with grace, and we are appreciative of Cruise standing firm in his demand for Kilmer to appear in the film. As for the love story between Penny and Maverick, it had to be a bit frustrating for Ms. Connelly to work so hard on an underwritten role, while Jon Hamm’s constant furrowed brow and barking leaves him coming across as little more than jealous of Maverick.

Obviously it’s the fighter jets and aerial sequences that folks will come for, and spectacular and exhilarating are the best words I can find to describe what we see. I was fortunate to see his in IMAX, and if you have one near you, it’s certainly the preferred viewing format. Thanks to the Navy and the training and equipment received by the cast, there is an authentic feel that’s almost throwback in this day and age of CGI. We sense the speed and gravity pulls, even if we are never in peril. The aircraft carrier sequences are mind-boggling, though it’s jets in the air that provide the energy jolt.

Wise-cracking and heartstring-tugging moments fill the screen, and you can relax knowing Kenny Loggins’ “Danger Zone” is back, while Berlin is thankfully not. Sand volleyball has been replaced by some semblance of shirtless and sweaty beach football as a team-builder, and yes, we get the patented Tom Cruise sprints – three times: on a treadmill, during beach football, and in a forest. The familiar sounds of Harold Faltermeyer’s original score are back, this time enhanced by Hans Zimmer and an ending song by Lady Gaga. Those from the original who are absent this time are the great Tom Skerritt, James Tolkan, Kelly McGillis, and Meg Ryan (whose character is mentioned as having passed away). Producer Jerry Bruckheimer is back, though his partner on the original, Don Simpson, died in 1996 at age 52. Deserving of kudos are cinematographer Claudio Miranda, film editor Eddie Hamilton, and those involved with sound, visual effects, and music. For those feeling the need for speed, this sequel delivers; just embrace the cliches and familiarity, and predictability.

Only in theaters (as it should be) Friday May 27, 2022

Here is my link to my 2013 article when I revisited the original TOP GUN

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MEN (2022)

May 20, 2022

Greetings again from the darkness. This is only the third feature film directed by Alex Garland, but his creativity and innovative nature in the first two (EX MACHINA, 2014 and ANNIHILATION, 2018) established him as a writer-director to follow. His latest is certainly deserving of those descriptions, yet it’s also less assessable while being more open to interpretation and worthy of discussion. Reactions from viewers are sure to be varied.

Jessie Buckley, one of the finest actors working today, takes on the lead role in yet another of her unconventional projects. We absolutely respect and admire her risk-taking, and each project benefits from her presence. Some of her recent work includes THE LOST DAUGHTER (2021), I’M THINKING OF ENDING THINGS (2020), WILD ROSE (2018), and a great arc in the “Fargo” series (Season 4). Here she stars as Harper, a Londoner heading to holiday in the English countryside after the death of her husband. When she arrives at her bucolic Airbnb manor, the serenity is apparent … right up until she meets Geoffrey, the landlord. He’s played by Rory Kinnear (Tanner in the recent James Bond movies, and excellent in the “Penny Dreadful” series and its spinoff). Geoffrey’s awkward social skills involve colloquialisms and country charm to ensure that Harper knows she’s no longer in London.

The country manor is walking distance to town (which apparently consists of a church and pub), and sits alongside a forest, seemingly perfect for nature hikes. Harper’s first walk in the woods has a fascinating scene as she experiments with the echoes of a tunnel by singing notes in harmony with herself. This simple pleasure ends when she notices a nude man apparently stalking her. After calling the local police, she heads to the church where she encounters a rude boy and a vicar who is unsympathetic to her plight. All of these interactions could fit into an interesting story, but filmmaker Garland takes things to another level. Geoffrey, the stalker, the cop, and the vicar are all played by Rory Kinnear … even the boy! Later, we see that Kinnear even plays the pub’s clientele. Since it’s obvious to us, and she doesn’t seem to notice, we can assume this is a major clue for how we are to interpret what’s happening with (and to) Harper.

Flashbacks are employed so that we are able to piece together the strained relationship between Harper and her husband, James (Paapau Essidieu). Her emotional turmoil plays into what’s happening during this rural getaway meant for relaxation, yet often this has a surreal or dreamlike feel, making it challenging to know what is real or what she is imagining. Harper holds the occasional FaceTime with her friend Riley (Gayle Rankin), and the broken signal on these calls may or may not be real … like so much of what we see. Garland’s third act goes a bit bonkers, and includes some icky body horror effects ala Cronenberg. The mythology of Sheela la nig and The Green Man (rebirth) are part of the numerous uses of symbolism throughout.

The film is beautiful to look at thanks to the cinematography of Rob Hardy, and the frequent use of vibrant green jumps off the screen during many scenes. The atmosphere created is primed for something that may or may not pay off by the end, but it’s certainly another artsy creep-fest in the A24 universe. Ms. Buckley proves again what a talent she is, and Mr. Kinnear joins Peter Sellers (“Dr. Strangelove”), among others, in mastering multiple roles. Lesley Duncan’s spiritual and melancholic “Love Song” is the perfect accompaniment for Harper’s drive, and Kinnear’s frequently appearing face enhances the myth that men are all the same – a constant threat lurking for women. Folk horror resurgence continues, and viewers will have to decide if they can reconcile the abundance of symbolism.

Exclusively in theaters on May 20, 2022

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EMERGENCY (2022)

May 20, 2022

Greetings again from the darkness. When we discover someone in the midst of a medical emergency, most of us wouldn’t hesitate to call 911 for assistance. In this film, developed from their Sundance award-winning 2018 short film, director Carey Williams and writer K.D. Davila remind us things aren’t always quite so simple. Two best friends and college students, return home to find a white girl passed out in their living room. Since the two young men are black, and their roommate is Latino, their discussion revolves around how the situation will be viewed by paramedics and law enforcement. It’s a terrific premise, and one handled deftly by the filmmakers and cast.

The first act is outstanding as we quickly get a feel for the friendship between Sean (RJ Cyler, “I’m Dying Up Here”) and Kunle (Donald Elise Watkins, “The Underground Railroad”). Sean is the fun-loving one who is constantly vaping for effect, but also paranoid and aware. Kunle is the strait-laced son of two African immigrant doctors. Kunle has been accepted to the PhD program at Princeton, while Sean’s big plan is ensuring he and Kunle become the first black students at Buchannan to attend that evening’s ‘Legendary Tour’ … seven invitation-only frat parties held over the course of one night. Kunle wants to hang with his buddy – just as soon as he finishes with his bacteria specimens (his “babies”) in the campus laboratory.

The early buddy-comedy banter is spot on, and leads us to make assumptions about the type of movie this will be. It’s only after Sean and Kunle stop by the house and discover the girl, that we realize this is a rare buddy-comedy loaded with social commentary. Their gamer-obsessed roommate Carlos (Sebastian Chacon, “Penny Dreadful: City of Angels”) joins the mission on how best to handle the situation. Carlos catches grief for his fanny pack, which is always filled with granola bars. Sean enjoys teasing Kunle, calling him an “Oreo” for being too white inside, and we hear Kunle described as “Black excellence”. As these three men of color debate the next step – how to provide care to the girl (who has since thrown up on their floor), while also protecting themselves from possibly dangerous racist reactions.

What they don’t know is that while they are arguing, the unconscious girl’s big sister (Sabrina Carpenter) has rallied two friends to go searching. Rather than improve the situation, racial profiling plays a part at just about every turn. The tone of the film shifts when Emma (Maddie Nichols) wakes up and freaks out at the situation. It becomes a comedy of errors in the mode of ADVENTURES IN BABYSITTING (1987), only with fear and risk involved. Two sequences in particular standout: when they stop at Sean’s brother’s house to borrow a car, and when they do finally encounter the cops. Both scenes present the paranoia and constant uneasiness felt in these situations.

When utilizing comedy to express social commentary, there is a fine line between effective messaging and too-obvious. Both of these occur during the film, but for the most part, Williams and Davila and the cast are superb in making their points without preaching. The commentary on friendship and racism blends well into entertainment, despite the messages never leaving the screen.

In Select Theaters May 20th

Available worldwide on Amazon Prime Video May 27th

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TAKE ME TO THE RIVER: NEW ORLEANS (2022, doc)

May 20, 2022

Greetings again from the darkness. Most anyone who enjoys various types of music has at least some basic knowledge of the New Orleans music scene. The film’s director is music producer Martin Shore, who also directed TAKE ME TO THE RIVER, a 2014 documentary on Stax Records and the Memphis music scene. Shore mostly sticks to the same format here by blending the past generation with the new, while mixing in tidbits of history from the area.

Narrator John Goodman opens by attributing the uniqueness of New Orleans to the convergence of cultures from Europe, the Caribbean, and Africa. Our first studio sequence pairs up the great Irma Thomas with Ledisi, two powerful singers. Including a clip of young Irma with Dick Clark on “American Bandstand” in 1964 was a terrific lead-in to the duet, and this segment also features the amazing bass work and musical instincts of George Porter Jr. This is also when Shore directs the conversation to passing the musical torch from one generation to the next.

Shore hits multiple recording studios around town, and exposes us to many local and influential musicians. The segments come and go very quickly, which is somehow both the film’s strength and weakness. We get a taste of many, but a full serving of few. Multiple New Orleans drummers take us through the tradition, as does the Dirty Dozen Brass band. Congo Square and Preservation Hall are visited and discussed briefly, though most of the screen time is spent with collaborators in studio. One of the best is the jam with Ani DiFranco and “Wolfman” Washington.

Many styles of music have roots in New Orleans, including: Jazz, R&B, funk, zydeco, and even gospel and rap. Shore gives us almost nothing, or at least very little, on such key players as Louis Armstrong, Fats Domino, Al Hirt, Pete Fountain, and the Marsalis family; yet, he covers The Meters and has a nice tribute to Allen Toussaint. The rap session is probably a bit too long, and focuses on Manny Fresh, G-Eazy, and Snoop Dogg. Two highlights of the film are one of Dr. John’s final recording sessions of “Jock-A-Mo” (the Iko Iko song), and the amazing recording session after the reunion of the Neville family (extra special considering the recent losses).

During this year’s SXSW I watched the documentary, JAZZ FEST: A NEW ORLEANS STORY. That film focused on the festival itself and what it has meant to music and the city. For this film, Mr. Shore touches on Mardi Gras Indians, The Wild Tchoupitoulas, and the aftermath of Hurricane Katrina, which cost the city many of its local musicians. One of those in the film mentions that in New Orleans “we look back to go forward”, and that respect for history and roots of the music being played is crucial for the next generation.

Opens in theaters on May 20, 2022

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HOLD YOUR FIRE (2022, doc)

May 20, 2022

Greetings again from the darkness. Common sense tells us that attempting to resolve conflict by talking through the issue is far superior to jumping right into violence or other extreme measures. Of course we all know that common sense doesn’t always win, and it certainly didn’t in 1973 when four young Black Muslims attempted to steal guns from a Brooklyn store called John & Al Sports. It’s been 50 years since the incident, but director Stefan Forbes allows some of the key players to give their perspective and recount the unfolding of events.

It was not a good plan. In fact, it was barely a plan at all. Shu’aib Raheem was 23 years old and living in fear in his own community. Cops were slow to respond to calls in his neighborhood, so he wanted protection for himself, his family, and his friends. He was joined by fellow twenty-somethings Dawud Rahman, Salih Abdullah, and Mussidia in waltzing into the store and loading a bag with guns. We know this because Raheem is one of the many interesting interviews conducted. We hear from others including police officers that were on the scene that night, the owner of the store, Raheem’s cohort Dawud Rahman, and hostages that were detained. This event became the longest hostage situation in New York City history.

It’s the hostage element that brings us to one of the most important developments of the event. Heroes come in all shapes and sizes, and looking back, the hero was a Jewish intellectual named Harvey Schlossberg. Harvey passed away after giving his interview for the film, and he is the man credited with starting hostage negotiations, and was later instrumental in the capture of Son of Sam. It’s inconceivable to think one of the first responses from the cops was to fire into the front of the store despite knowing full well hostages were present. Raheem recalls never even being offered a chance to safely surrender.

Surely one of the things that will stand out to anyone watching this is the blatant racism expressed by the cops all these years later. They admit to assuming the four burglars were part of the Black Liberation Army, and proceeded accordingly. However, these four were really average locals with jobs and families, looking for a way to feel safe. This division between the cops and the neighborhood locals was clearly an issue, and seems all too familiar even today. This is not to defend the criminal act of these four men, but it does highlight how law enforcement can escalate, rather than de-escalate a situation. These four deserved to go to jail, but the actions of the police force dragged the situation out, further endangering the hostages.

Thanks to Schlossberg’s approach, this standoff became known as ‘the birthplace of hostage negotiation.’ He spearheaded the advancement of training for conflict resolution and de-escalation. This was a significant cultural shift within the New York Police Department, and the cops we hear from (some with disturbing views on race) make that very clear. One of the interviewed (former) officers says, “we over-define racism as something bad.” I re-played this part to make sure I heard it correctly, and then paused it to try and understand.

This was a chaotic scene and when it was over, one cop had been killed. Director Forbes has accumulated an impressive array of archival footage and photos to go with the insightful interviews. It’s fascinating to hear the conflicting recollections, but it seems clear that aggressive action was not the best strategy in this case. At times this feels similar to DOG DAY AFTERNOON, but the images are real, not dramatized. We can only hope training continues and law enforcement consistently reacts in a way to de-escalate criminal situations whenever possible. The stress is indescribable, but the reward for talking before shooting can often be saved lives.

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Cooperstown or Bust! (an epic 2022 road trip)

May 19, 2022

Greetings fellow movie lovers! Today’s entry is no movie review. In fact, this much-too-long composition includes only a couple of minor movie blips. Instead, it’s a recap of the recent two-week, epic road trip vacation where Mary and I drove a total of 3713 miles through 18 states. For you mathematicians, statisticians, and data analysts, that’s 37.5% of the 48 continental states recognized by Rand McNally. I’ll admit this recap is over-the-top indulgent, however, it’s being written for two specific reasons. First, we want a travel journal-type remembrance of the trip, and secondly, we wouldn’t mind inspiring a few others to hit the road and experience some of the wonders (natural and otherwise) offered by our country.

Let’s start with a little background information. The initial onset of the pandemic (can you remember back that far?) squashed the trips we had planned, and only recently did we decide it’s time to try again. Our upcoming 40th anniversary was the motivation. Well that plus three years passing since our last vacation. Since I’m not personally ready to be one of the sardines compacted into a confined space on a commercial flight with 187 other passengers, we opted for the great American road trip, once so popular for family vacations (now considered a nightmare by many). Sure, the skyrocketing price of gas gave us pause, but protecting our sanity and the desire for temporary escape overrode the hesitancy that accompanied inflation and the increased carbon footprint associated with driving a non-electric vehicle that many miles. Another concern, to put it bluntly, was the overall uncertainty of the times … a war in Ukraine coupled with the most combative domestic political environment of my lifetime. Being spoiled, entitled Americans, we forged ahead.

So here is one way to know you married the right person. Mere weeks away from our anniversary, Mary determined our trip should center on a destination that has been a dream of mine ever since I sprinted home from school to watch the 1968 World Series between the St Louis Cardinals and the Detroit Tigers: Cooperstown. Whether or not you are a baseball fan, you likely know that this small village in central upstate New York (200 miles from Manhattan) houses the National Baseball Hall of Fame … and has done so since 1939. I figured there are two possible motivations for her to encourage this as a destination. Either she felt like this was the only way I would agree to a long driving trip, or she sincerely wanted to make sure this bucket list item was checked off before it was too late. Knowing her as I do, I’m going with “B”, while acknowledging “A” likely played a supporting role. Either way, how many wives not only encourage at trip to the Hall of Fame, but also want to come along?

We were determined to keep the agenda very loosie-goosy – no specific time or day to be any particular place. For a planner like yours truly, this was a bit challenging, yet an approach that was quickly embraced. All we knew for sure was that we were going to visit with old friends on the front end, tour the Hall of Fame in Cooperstown, and spend time with some other old friends on the return. By pacing this over two weeks, we hoped to minimize most extended drive times. And you know what?  It all worked out pretty darn well. Below is a synopsis of our daily shenanigans.

Monday, April 25, 2022

We expected to leave the Dallas area early Tuesday, kicking things off with our longest single drive day. Yes, this means that the loose plan we had was tossed before it ever started. Instead, we wrapped up worked meetings, and hit the road at 1:00pm on Monday. After picking up warm pecans from Buc-cees in Terrell (birthplace of Eric Marion Bishop and yours truly), we headed east on I-20 and drove approximately 365 miles through Louisiana and on to Vicksburg, Mississippi. This still ended up being our longest drive day, and sitting for so long motivated us to walk down the street from our Marriott Courtyard to the local McAlester’s for a dinner salad. This was a very uneventful first day, but it served the purpose of cutting about 5 hours off our expected Tuesday drive. We did drive through some beautiful areas of east Texas and Louisiana, and what became very evident was that we were going to have to share the interstate with A LOT of trucks. Given the ‘supply chain’ issues we hear so much about, we were taken aback by the sheer volume of 18-wheelers on the road. They couldn’t all be empty! Beginning mileage 52,255, Ending mileage 52,622

Tuesday April 26, 2022

Our hotel was just a couple of miles down the road from the Vicksburg National Military Park. We purchased a National Parks pass and watched an informative film in the Visitors Center. The film outlined the 47-day siege in 1863 that ultimately cost the south control of the Mississippi River. Driving through the park, we saw the bunkers and battlefields which are now hosting more than a thousand state memorials and markers commemorating the many who died here during the Civil War. Unfortunately, we were unable to see the USS Cairo, a restored US gunboat, as that section of the park is under construction. The park is now a serene reminder of a vicious battle fought by a divided country. We couldn’t help but wonder if such a travesty could happen again. A stroll through the gift shop gave the appearance that gray rebel caps were outselling blue Union caps at about a 12 to 1 rate. After the tour, we had lunch at the Klondyke Trading Post. Founded in 1896, it’s a former gas station converted to a rustic eatery catering to those who enjoy home-cooking in an especially non-fancy environment. Those joining us for lunch included construction workers, law enforcement, and locals (mostly for takeout). There was little doubt that we were the only tourists, as well as the only first-timers. Multi-colored metallic floor-to-ceiling ribbons served as the backdrop for a single-microphone on the corner stage. Since we couldn’t locate the schedule for upcoming performers, we finished our lunch and drove on to Birmingham, Alabama. Once there, we checked in to the historic downtown Tutwiler Hotel, which opened in 1914. We walked a couple miles to the newly renovated Uptown area, which includes a Convention Center and the shiny new University of Alabama Birmingham football stadium. Across the street are multiple restaurants and bars. We chose the Southern Café, which was a typical sports bar exhibiting none of the character we had experienced earlier that day at Klondyke. Beginning mileage 52,622, Ending mileage 52,905

Wednesday April 27, 2022

After a quick hotel breakfast, we walked down the street from The Tutwiler to the Birmingham Art Museum. Although admission is Free, we gladly made a donation. It seemed as if an inordinate number of new exhibits were in the midst of installation, and thereby inaccessible; however, there was still plenty of art to take in. The featured exhibit was the work of Manjari Sharma and her presentation of nine significant deities of the Hindu pantheon. The colors and images were quite vibrant and unlike what is typically on display in art museums. Other exhibits included Wedgwood, ancient Asian art, African art, and various eras of European art. As our culture cup runneth over, we headed back on the road – this time to Rome, Georgia. A happy reunion occurred at the Rome Mellow Mushroom, where (over pizza) we met up with my old college buddy, Lawrence, and his wife Colleen. Lawrence and I have been friends since 1978, and our history includes flag football for “Killer Toes” at the University of Texas, a shared love of oldies music, Sunday dinners ravaging the Sirloin Stockade salad bar, marathon tennis matches in the Texas summer heat, spending hours flipping through vinyl at Inner Sanctum, dodging tar balls on the Gulf shoreline, and many ‘philosophy of life’ conversations through the years. He is a renowned professor and academic writer and speaker, and we simply don’t see each other often enough. I am honored to be Godfather to their amazing son, Robert. The two couples chatted through dinner, trying to catch up on the important stuff, and then Lawrence and Colleen treated Mary and I to a driving tour of the stunningly beautiful Berry College campus, a school founded on Christian values in 1902 by Martha Berry. After the tour, we were invited back to the house for some wine, chocolate covered blueberries, and more fun conversation. Mary and I crashed for the night at a local hotel managed by Berry College.  Beginning mileage 52,905, Ending mileage 53,063

Thursday April 28, 2022

This was Day 4, and we finally turned north … you know, the general direction of Cooperstown. In Chattanooga, Tennessee, we waltzed across the Walnut Street Bridge, the world’s longest ‘walking bridge’ over the Tennessee River (and back). While in downtown Chattanooga, we had lunch at the Frothy Monkey, located in the restored Train Depot. This was our tribute to Glenn Miller: “Pardon me boys, is that the Chattanooga Choo-Choo”. The song was first heard in the 1941 film, SUN VALLEY SERENADE (but did not play for us over lunch). We drove on to Knoxville to spend the night and made our first misstep of the trip by choosing the local Mexican food restaurant with the best reviews. Rio Grande Mexican restaurant is not one we would recommend. Fortunately, the only ramification was disappointment. That’s not always the case with subpar Tex-Mex.  Beginning mileage 53,063, Ending mileage 53,270

Friday, April 29, 2022

We lollygagged this morning and were a bit slow departing Knoxville (fortunately unrelated to the previous evening’s dinner platter). We drove for a while just enjoying the scenery (other than the big rigs) and ended up enjoying exquisite cuisine at Mrs. Rowe’s Family Restaurant and Bakery in Staunton, Virginia. It’s a family restaurant founded in 1947 that specializes in home-cooked meals and pies. Everything, including my Reuben sandwich was delicious, and I couldn’t help but top it off with what was likely the best coconut cream pie I’ve ever tasted. Mary’s lunch was a half-dozen vegetables, and although she was quite happy, this was a clear lunch victory for yours truly. What an incredible bit of luck we had finding this place. The food was so good we even put up with the grouchy 87-year-old woman complaining non-stop to her very patient 86-year-old friend at the table next to ours. A small price to pay for a scrumptious lunch! We finally rolled into Hagerstown, Pennsylvania at 6:00pm, and I’m embarrassed to say, we had wine (yes, just wine) for dinner at the local Red Robin. We simply didn’t want to taint the lunch served at Mrs. Rowe’s earlier in the day.  Beginning mileage 53,270, Ending mileage 53,725

Saturday, April 30, 2022

We walked to the nearby Valley Mall Diner and had the single best breakfast of our trip. My ‘over-medium’ order for eggs actually came out over-medium. That NEVER happens! From the outside, this place was sterile like an old Blockbuster Video, but the service and food were top notch. And we didn’t even get booted out after a misfire of a squeezed lemon for tea hit our waitress in the face. After reflecting on how we had two outstanding meals in two days, we headed back on the road to Hershey, Pennsylvania where we took in the candy factory tour and gawked at the largest candy and gift shop we had ever seen. The tour is very efficient and informative, but likely not as popular with kids as the gift shop or the full amusement park (similar to Six Flags) next door. We made the decision not to load up on candy as gifts since we still had a week of driving and chocolate doesn’t tend to react well to the warm air of a parked car. Of course, upon our return home, the grandkids saw the Hershey/Reese’s bag and were kinda disappointed in their logo soccer ball and basketball, neither of which was edible nor contained sugar. At least the granddaughters were good with their Hershey’s Kisses birthstone necklaces. Almost made up for the lack of candy. After the tour, we continued on to Scranton, Pennsylvania to check out a few sites from “The Office” (which was mostly filmed in California). A late lunch at Cooper’s Seafood was definitely the right call. An octopus on the roof, a pirate at the door, and the place was jam packed with all types of memorabilia, plus offered Scranton’s best gift shop dedicated to Dunder Mifflin and “The Office.” The seafood was excellent and we spent an inordinate amount of time perusing the gift shop and laughing. It should also be noted that Cooper’s had the best restrooms we saw on the trip. Elvis pictures and music filled the ladies’ room, while The Beatles took over the men’s. It was 6:00pm when we arrived in Binghamton, New York – our final stay before Cooperstown.  Beginning mileage 53,725, Ending mileage 53,996

Sunday, May 1, 2022

It was but a short drive to Cooperstown and we arrived by 10:00am. Downtown is a picturesque throwback with many shops, cafes, and other small businesses. We parked by Doubleday Field, and a high school game was already underway. The walk was only a couple of blocks to the National Baseball Hall of Fame and we excitedly made our way in. Well, one of us was excited. Mary was kind enough to join me, and even showed interest in a few of the displays. For a lover of baseball, this truly felt like hallowed ground … the keeper of the game’s sacred history. It’s okay if you don’t understand, but for me, it was a dream come true – and I was thrilled to share the time with Mary. The key is to start on the second floor and work your way up, before finishing on the ground level where the iconic plaques are displayed in a single hall. Having studied the history of the game, the oldest items and details proved the most fascinating to me. There is even an explanation of how Cooperstown managed to land the HOF in the first place … a case study of marketing and self-interest. After a couple of hours, we took a break and had lunch at the Stagecoach Coffee House, a local café that specializes in organic meals and coffees. Since I’m no fan of coffee aroma, we grabbed a table on the patio and enjoyed our lunch in the picture-perfect weather. It was then back to the HOF for another 2-3 hours of walking, touring, and absorbing. This is likely the only place where you can see Babe Ruth’s bowling ball, or a collection of game hats from each of Nolan Ryan’s seven no-hitters. Seeing the old bats and gloves are a stark reminder of how fortunate today’s players are from an equipment standpoint. There were individual displays of many of the great players, as well as tributes to the Latin America influence and women in the game. There is even a ‘Baseball in Movies’ section! After going through all of the plaques, we did manage to nab a few items at the gift shop before heading to The White House Inn, our Bed and Breakfast spot for the night. Of course, after a dream-fulfilling day at the HOF, we needed to top it off with a tremendous dinner at Nicoletta’s, a long-standing Italian restaurant in the village. The wine was good and the food even better. It’s difficult to imagine a better day. Beginning mileage 53,996, Ending mileage 54,078

Monday, May 2, 2022

After a tasty breakfast at the Cooperstown White House, we headed toward Niagara Falls, which took us through Syracuse. We arrived at the park around 1:30pm and immediately noticed the drop in temperature and increase in wind. It was quite chilly as the heavy mist from the falls mixed in, and since we missed a boat departure by one minute, we spent 45 minutes trying to find a proper blend of enjoying the majestic sight of the Falls while trying to maintain a life-sustaining body temperature. Once aboard the Maid of the Mist (the tour boat on the U.S. side), the wind somehow managed to increase and the mist shifted to something akin to a brisk morning shower. All passengers are provided blue plastic ponchos (similar thickness to Saran Wrap), which does help with the wetness, but doesn’t do much for the wind. It’s a remarkable experience to ride in a boat so close to the Falls – feeling the immense power and hearing the roar. It’s a beautiful site and quite a wonder to take in. Afterwards (still shivering), we grabbed an early dinner at the Griffon Pub before heading to the Hyatt Place. The contrast is a bit startling between the beauty of the actual Falls and the depressed look of the town of Niagara Falls. Glancing across the river, it seems Canada has done a better job of creating an environment for tourists. That said, this is an experience everyone should consider at least once.  Beginning mileage 54,078, Ending mileage 54,340

Tuesday, May 3, 2022

Back on the road this morning as we head south/southwest through Buffalo and towards Cleveland. It was only a week after our trip ended when the tragic shooting in the Buffalo supermarket occurred. Our mission on this day was the Rock and Roll Hall of Fame, located on the shore of Lake Erie in Cleveland. The HOF opened in 1995, and it has since morphed into something much broader than rock and roll. The inducted artists and music celebrated are quite diverse, and most people will find something to enjoy. To save time, we lunched at the HOF café, which is on the main floor, and then we headed to the lower level, which is where they suggest each visitor begin. The displays do a nice job of traveling through the early influences and influencers. We immediately notice that music is playing constantly … sometimes multiple songs are going at once, though the music for specific areas is easy to hear over the “main” system. It’s a beautiful and modern building, and listening stations with headsets are included so that everyone can hear the music of their favorite artists, discover new artists, or both. There is an entire section of the HOF devoted to Peter Jackson’s new documentary, THE BEATLES: GET BACK, that details the recording sessions for the “Let it Be” album. If you haven’t watched, I highly recommend. For music lovers, the Rock and Roll Hall of Fame is an interesting tour featuring clothes, instruments, photographs, and videos of some of the true legends of the past 80+ years. Once we finished our tour, we drove just a few miles into the city so that we could take the tour for the house used in the classic A CHRISTMAS STORY (1983). It’s surprising that this terrific little movie has spawned a tourist attraction that includes not just the house where Ralphie lived, but also the Bumpus house, a huge gift shop, and a museum with artifacts from the film. Additionally, both houses are available for overnight stays and are frequently booked. Ralphie’s “official Red Ryder, carbine action, 200-shot, range model air rifle, with a compass in the stock and this thing that tells time” is on display in the museum, and the gift shop is stocked with new models … in case you want to warn your kids not to shoot their eye out. The “Fra-Gi-Le” shipping case and the infamous lamp are on display, as is a bar of Lifebouy, should you happen to mutter … “Fuuudge”. We also saw the actual school blackboard with A++++ scrawled across. The movie has long been a holiday favorite, and it was enjoyable to experience this. After the tour, we continued south to Mansfield/Ontario to get a jump on the next day’s driving. Beginning mileage 54,340, Ending mileage 54,637

Wednesday, May 4, 2022

Today’s drive took us through Columbus, Ohio and Cincinnati. We spent very little time in either on our way to Louisville. Yes, it was ‘Derby Week’ and we arrived in Louisville just a few days before the scheduled Kentucky Derby. We don’t gamble, follow horse racing, or wear elaborate hats, so our attention turned to the Louisville Slugger Factory and museum. For baseball fans, this is a very interesting place and a gem that shouldn’t be missed. A museum gallery features the bats used by some of the all-time greats like Babe Ruth, Ted Williams, and Hank Aaron. It’s the factory tour that makes this a must-see as we got to walk through and witness firsthand where the bats are formed, including explanations of how wood is divided into two categories – that used for major league bats, and that used for the rest of us mere mortals. Now I understand why I was never able to hit like Stan Musial – his bats were made from better wood!  Still a family business, legend has it that the first bat was made by a young Bud Hillerich in 1884 for Pete Browning (nicknamed the Louisville Slugger). In 1916, the company name was changed to Hillerich & Bradsby, and many of us are familiar with seeing that company name on Louisville Slugger bats. Serving the country during WWI and WWII, the company made gun stocks for the troops, though they never stopped bat production. It was fascinating to learn that the old equipment used to form the bats has been out of production for decades, and has been re-purposed for one thing – making bats. The giant bat in front of the facility makes a unique landmark and photo opportunity, and the racks of bats in the shop are awaiting shipment to their final destination. It was in Louisville where we splurged for one of our few luxury hotel stays. The first Galt House opened in 1862, and the current location was part of the revitalization of Louisville’s waterfront district in 1972. It’s obviously a popular spot for Derby attendees and we were probably the only hotel guests not in town for the race. People watching while standing in line to check-in was about as entertaining as any stop on our trip. We headed to the Conservatory on the walkway between towers – it’s an all-glass lounge with nice views of downtown. As a tribute to the Kentucky Derby, Mary ordered a Mint Julep. You can imagine her disappointment and shock when the bartender explained they had not yet received their shipment of mint. My gardener wife got a kick out of this, describing mint as little more than a weed that grows uncontrollably. So, we settled on wine of such quality that one glass was sufficient. On the bright side, our view of the river from our room was simply spectacular – we could also see the Muhammad Ali Center next door. Beginning mileage 54,707, Ending mileage 54,922

Thursday, May 5, 2022

This was mostly a driving day, and our highlight was stopping in downtown St Louis for lunch at Bally Sports Live! right next to Busch Stadium, where the St Louis Cardinals play. As a Texas Rangers fan, I still have nightmares caused by the Cardinals snatching a World Series victory away from my team in 2011. As a baseball fan, I tip my cap to their traditional uniforms and contributions to the sport. With Stan Musial and Bob Gibson and Lou Brock as franchise icons, respect has been earned. World Series banners hang outside right next to a giant World Series trophy (which makes for a nice photo op). Even the Cardinals’ “Live!” facility beats the Rangers’ “Live!” And adding to the insult was the Bally Sports sponsorship – the overly-greedy company behind my inability to watch most Rangers’ games on TV. We stayed the night in Fenton, Missouri. Beginning mileage 54,922, Ending mileage 55,221

Friday May 6, 2022

After making fun of the sheer number of Cracker Barrel billboards we passed on the trip, we broke down and had breakfast at one. It’s always nice to feel young again. Speaking of billboards, on the drive to our next destination (Springfield, Missouri), we couldn’t help but notice a couple dozen billboards advertising Uranus Fudge. Their slogan, “the best fudge comes from Uranus” was effective in keeping us speeding right past that exit. Knowing that our trip would not take us through Darwin, Minnesota for the world’s largest ball of twine, we were filled with excitement to see one of Springfield’s attractions: the world’s largest fork! Yep, it was a really big fork near the entrance to an office building. And yes, we took a selfie with the fork. We also stopped into the tourist center to get some background on the old Route 66 which once ran right through Springfield. They claim to be the birthplace of Route 66, but when you question that, they quickly admit that Chicago was actually the beginning. Regardless, the area offers some travel history of long-ago days, when Route 66 was a key throughfare for those traveling across the Midwest. We ate dinner at the “World Champion” BBQ spot called The Whole Hog. Plenty of trophies are on display touting their success in competitions, and since this is Missouri and not Texas, we went for the pork instead of the beef. The food was delicious (except for that mayo-based potato salad) and the accompaniment for our dinner was provided by the grizzled man holding court a couple of tables over. After proclaiming that most truck drivers are “extremely smart”, he dazzled those at his table with tales from the road, stopping periodically to mix in jokes that were, at best, politically incorrect, and often racist or sexist or both. The man had no filter. One final note regarding Springfield: as we drove through the downtown area, we were struck by the dozens of parked trailers at the events center. Upon closer inspection, Mary noticed that folks were setting up displays for the taxidermy festival. Stuffed animals were everywhere – only not the kind you typically gift a toddler. Sadly, we couldn’t find the time for The World Taxidermy & Fish Carving Championship. Beginning mileage 55,221, Ending mileage 55,461

Saturday, May 7, 2022

A short drive took us to Bentonville, Arkansas … yes, the home of Wal-Mart. Five or six years have passed since our last trip to the area, and we were stunned at the growth and development that has occurred over that span. Having been away from home for two weeks, we were craving Torchy’s queso, and Rogers, a neighboring town to Bentonville and another booming area, has recently opened the largest Torchy’s we have seen. After our queso fix, we headed to Crystal Bridges Museum and Park, a truly inspiring and beautiful facility that is a pet project of Alice Walton, whose father, Sam, founded Wal-Mart. There is no admittance fee to tour the art museum or the grounds or the walking trails through nature. Some elements, like the tour of the Frank Lloyd Wright house, do have a fee, but one could spend many hours over many days enjoying the free sites. Some of the trails feature large scale sculptures, and the varieties of plants and trees and flowers seem endless. After a few hours of culture and nature, we headed to the hotel to prepare for the evening. We were so excited to see our friends Regan and Jeanne. It was the wedding of their youngest daughter that last brought us to Bentonville, and this time it was simply a reunion of the two couples who first took a Caribbean vacation together approximately 35 years prior. We met at their beautiful home for champagne and appetizers. Catching up on family developments was enlightening, and what stood out was how quickly we all fell back into a conversational comfort zone. Regan is perhaps the most upstanding man I’ve crossed paths with in my entire life, and I regret that we haven’t visited more often over the years. The four of us jumped in the car and took a backroads journey to make our dinner reservations at LakePoint Restaurant in Bella Vista. As the sun set, the view of Loch Lomond was lovely. There was a scary moment when a 58-year-old man sitting across the dining room passed out and crumbled to the floor. After being tended to, the man appeared to recover as he walked to the door with the paramedics. Our after dark drive back home was a bit slow as those pastoral roads became horror-movie settings with no streetlights for illumination. It was such a pleasure to catch up with old friends and good people. Beginning mileage 55,461, Ending mileage 55,626

Sunday, May 8, 2022

Captain’s log: our final leg home. Left Bentonville at 9:00am and drove south to Fort Smith, then took a hard right turn west into Oklahoma, before finally heading south towards DFW. Since we have friends from Oklahoma, I will not mention how the terrible conditions of the state’s highways never cease to amaze me. Eastern Oklahoma is a much prettier drive than what you might have experienced driving north or south on I-35 between Texas and Kansas. Rather than head directly to our house, we veered off towards our favorite Tex-Mex restaurant (Jhonny’s in St Paul) for one final moment of pleasure before admitting that our two-week adventure had reached the finish line.

The trip was long and quite an atypical vacation for us. Of course, the highlights were seeing old friends and touring the main sites. There were other pieces that generated much conversation. Many of the rural area we drove through were simply gorgeous. Towering trees, thick forests, rolling hills, and tended farms and ranches were all treats for these two city folks. Other things that stood out included what we thought was an abnormally high number of “God” billboards, rebel flags (mostly, but not only Mississippi, Alabama, Georgia, Tennessee), and gun-toters (and we are from Texas). Also abnormal was the fact that I went two weeks without watching a movie … something that hasn’t happened since a two-week grounding in junior high school. I couldn’t have asked for a better travel buddy (or life partner). Mary and I had fun, learned a few things, and cleared our minds so that we could be ready to go back to work possessing a bit more respect for this great country of ours – and it is great, even though each day seems to bring more questions and uncertainty. So the message we would like to leave you with is to consider taking a road trip at some point. It’s not as fast as an airplane, but you get a real taste for the countryside and the varying cultures within different regions. It’s quite a treat!

Total miles driven: 3713   Overall MPG: 26.2   Highest price gas: $5.149/gallon (premium)

The states we drove through on the trip: Texas, Louisiana, Mississippi, Alabama, Georgia, Tennessee, Virginia, Maryland, West Virginia, Pennsylvania, New York, Ohio, Indiana, Illinois, Kentucky, Missouri, Oklahoma, Arkansas.


THE INNOCENTS (2022)

May 12, 2022

Greetings again from the darkness. Norwegian filmmaker Eskil Vogt wrote the screenplay for last year’s terrific THE WORST PERSON IN THE WORLD, and that’s just one of his collaborations with fellow countryman Joachim Trier. The two seem to enjoy, or at least have a knack, for creating films that take viewers out of their comfort zone. This is Vogt’s second feature as director, and you will likely find yourself questioning your ideals of the complexities of childhood and debating what makes a kid “good” or “bad”.

A family moves to a new apartment so that their eldest daughter Anna (Alva Brynsmo Ramstad) can receive the best possible treatment for her non-verbal autism (seemingly trapped inside her own body). Anna’s younger sister Ida (Rakel Leonora Flottum) spends an inordinate amount of time on her own as their mother (Ellen Dorrit Petersen is also Rakel’s real life mother; THELMA, 2017) focuses on Anna. Immediately we are struck by how cruel Ida is to Anna, obviously envious of the time her parents devote to the child in need. The film moves meticulously as Ida befriends Ben (Sam Ashraf), a young boy from the same apartment building. Ben has an ability to move things with his mind. His telekinesis is in the early stages, and Ida pushes him to develop his powers. One particularly disturbing sequence involves the two kids and a local cat at the top of the building’s stairwell. Aisha (Mina Yasmin Bremseth Asheim), another young girl from the building starts hanging out with Ida and Ben. This also draws in Anna, as the sweet Aisha has a connection with her and a way of communicating telepathically. It’s at this point where our brains shift into overdrive as we realize there is something supernatural going on.

As Ben’s ability grows, so does his sadistic nature. He reacts (often violently) to situations where he feels disrespected. At the same time, Anna and Aisha grow closer, and Ida and her parents are thrilled with Anna’s improved demeanor. As viewers, we come to realize that director Vogt has made the apartment building a character itself. Is the building behind the special abilities shown by these kids?  Or is it the ominous nearby forest? Why are the powers strongest when the kids are together? For a film that mostly progresses very slowly, there is much for us to take in – although we do wish more time had been spent on the makeup of all four kids. We are only teased with what other kids in the building are experiencing, but the supernatural aura is clearly in play.

None of the four child actors have any previous feature film experience, yet each is superb in their own way. They perfectly capture the curiosity and confusion that goes with childhood, and there is an insightful “kid” moment when Ida shows her one ‘talent’ to Ben. We are left to wonder if the film’s identical title to the 1961 classic is coincidental or purposeful. It’s not a remake, but it works as an homage. The staircase shot is even similar in the two films. Filmmaker Voigt excels at ensuring we believe something evil is just around the corner, yet he never rushes to the next moment. An eerie, ominous atmosphere is perfectly complemented by these four kids. Vogt’s dark film sticks the ending, and stays with us for a while.

Opening May 13, 2022

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TANKHOUSE (2022)

May 12, 2022

Greetings again from the darkness. A couple of months ago I reviewed Tim Federle’s new movie, BETTER NATE THAN EVER, and described it as a real treat for young theater students. Now, just a few weeks later, comes the first feature film from writer-director Noam Tomaschoff and co-writer Chelsea Frei … one for the grown-ups still trying to make a go of it on the live theater scene. It’s sometimes funny, sometimes motivational, and sometimes painful to watch. While the film really boils down to finding one’s place in life and staying true to your own dreams, it takes quite an unusual path with oddball characters.

Sandrene St Jean (Tara Holt) and Tucker Charlemagne (Stephen Friedrich) lead a group of avant-garde performers in a display of rooftop immersive art. Things go swimmingly right up until a tragedy that results in the couple being booted from the company by their mentor, Burford Slezinger (Christopher Lloyd), and blacklisted from the NYC theater scene. Making things seem more hopeless for Sandrene and Tucker, a dinner with her parents (Andy Buckley from “The Office” and Joey Lauren Adams and her distinctive voice) leaves their free-wheeling artistic lifestyle lacking further funding.

The pretentious Sandrene and the brash Tucker admit they can’t possibly get “real jobs”, so they head to her hometown of Fargo, where a contest will decide which performance group will win the rights to takeover the historic downtown theater. The competition boils down to an established group led by Morten (Richard Kind), Sandrene’s former high school drama teacher, or the quickly assembled troupe of oddball locals she and Tucker cobble together from the local pub. Recruits are drawn in by Tucker’s proclamation of a “theatrical revolution” … one of his many articulate statements that carry no significant heft.

Most of the story takes place in Fargo, with the rivalry between the two theater groups driving things forward. There is a terrific parody of the WEST SIDE STORY gang face-off that involves high-speed dueling “Modern Major General Song” (from Pirates of the Penzance) versions – accompanied by finger-snapping! What we witness is how one person’s passion and commitment can both unite and divide, and how individual dreams should be pursued when the opportunity presents. Richard Kind’s Morten is a fine example of how bitterness can leech in when someone doesn’t achieve their goals and struggles, and still find happiness with the hand dealt. All of these life lessons are wrapped in a comedy with oddball characters that will likely appeal most to those who have chosen the theater life. In fact, the story is semi-autobiographical for writers Tomaschoff and Frei. While we would have liked more development for the supporting characters, this ‘personal’ aspect for the writers explains a great deal. Whether you view this as a parody or cautionary tale, it does remind us that each person must seek their lot in life.

Available May 13, 2022 on VOD

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