JACK GOES BOATING (2010)

October 3, 2010

 Greetings again from the darkness. We all recognize the genius of Philip Seymour Hoffman the actor. This gives us one more example of his immense talent, but also puts his eye as a first time director on display. Not surprisingly, the result is a terrific “little” film.

Based on the play by Bob Glaudini, three of the four main characters reprise their role from the stage production. Mr. Hoffman as Jack, John Ortiz as Clyde and Daphne Rubin-Vega as Clyde’s wife, Lucy. The newcomer is the fantastic Amy Ryan (“The Office”, “Gone Baby Gone”)as Connie. Jack and Clyde are good friends and work together as limo drivers. Lucy and Connie work together for some odd funeral home specialist who markets a type of  program that I never quite understood.

All that really matters is that Clyde and Lucy arrange to have Connie and Jack meet. The apparent reason is that neither of them have any friends or social skills and therefore, must be the perfect match! What we then learn is that all four of these people are fractured. Scene after scene shows off the power of friendship and/or the frailty of on-the-job relationship therapy brought about by cheating, holding grudges and keeping secrets.

For the most part, the film has the feel of a stage production and moves very slowly as these type of people would. There are moments where individual weakness gives way to outbursts of emotions – and not all in a positive way. What is clear is that they each want the best for each other, but have no real feel for what’s best for themselves.

I thought the film made some excellent points, but I was a bit disappointed in the hookah scene. That was the only scene that went too far and my guess is it worked better on stage. On the bright side, there are some tender, poignant moments and the acting is truly superb throughout the film. It is obvious that these four actors care very much for the story and these characters.  The soundtrack is a bit unusual, but fits very well with these characters.  One reggae song, “The Rivers of Babylon” plays a vital role in the film’s lone light-hearted moment.

SEE THIS MOVIE IF: exceptional, nuanaced acting is your cup of tea OR you are a fan of Philip Seymour Hoffman

SKIP THIS MOVIE IF: low budget indies tend to bore you OR watching Philip Seymour Hoffman learn to swim could give you nightmares

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Posted by David Ferguson

THE SOCIAL NETWORK (2010)

October 2, 2010

 Greetings again from the darkness. This is a film with good genes. It’s based on Ben Mezrich‘s novel “The Accidental Billionaires”, screenplay by Aaron Sorkin (West Wing, A Few Good Men) and directed by one of the best directors working today, David Fincher (Fight Club, Zodiac). The film is dialogue driven and my advice is to shift your ears into turbo-mode to keep up. These Harvard types never stammer and are quite speedy in making their oh-so-clever points.

This film is not so much the history of Facebook as it is a glimpse into the individuals behind the idea. Foremost, of course, is Mark Zuckerberg (played with rapid-fire tunnel vision by Jesse Eisenberg). The programming guru behind the code, Zuckerberg is depicted as a guy who is not just socially inept, but also unaware of social mores and code. I am not sure if he is best described as a prodigy, genius or even (possibly) a sufferer of Asperger’s Syndrome. Whatever he is/was, he became a billionaire in his early 20’s by proving he could put together the world’s dominant social network while having no redeeming social or relationship skills of his own. Fascinating.

Zuckerberg’s best and only friend (and business partner) is Eduardo Saverin (played by the next Spider-Man, Andrew Garfield). Saverin fronted the money to get Facebook started and was one of the parties who brought suit against Zuckerberg, claiming he was cheated out his place in the company.

The third key player is the infamous Sean Parker (played by Justin Timberlake). Founder of Napster and Plaxo, Parker manages to get his hooks into Zuckerberg and apparently was behind the snubbing of Saverin. This is the most charismatic role in the film (and real life), yet also the role that may have the most dramatic license taken in the film.

The story is told in non-linear form, weaving multiple depositions from different lawsuits. One includes the Winklevoss twins from Harvard who claim Zuckerberg stole their idea. They later settled for millions.

As I said, this is not so much a history of Facebook as it is a display of the characters involved. These are all brilliant people who are also ignorant to the ways of the world. It seems they all have significantly different goals, yet never really stop to agree on strategy. Instead, the site growth is non-stop, as is the back-stabbing.

Interestingly, the film uses a girl (Rooney Mara) in the opening scene as the single biggest influence on Zuckerberg’s brainstorm. Her rejection of his self-centered speed-talking kicks his creative wheels into motion and his relentless energy never slows for the rest of the story. One thing is clear, Zuckerberg did not single-handedly create Facebook and there is little doubt some key people were given short straws along the way. No way to discern what really happened as all that was battled out behind closed doors in sealed records and settlements. What we do know is that Facebook now has over 500 million users worldwide.

This is an extremely well crafted movie, though in my opinion, none of the acting is up to the script. It’s a film that provides enough insight into the players and enough entertainment for the ticket. That’s really sufficient. Some are proclaiming this as a Best Picture contender.  It may very well get enough momentum to be nominated, but here’s hoping this isn’t the year’s best.  Coming next … David Fincher is set to direct and Rooney Mara is cast as Lisbeth in the Americanized version of the fabulous Swedish hit, The Girl with the Dragon Tattoo. So enjoy this one and look forward to that!

SEE THIS MOVIE IF: you are one of the 500 million Facebook users OR you thrill to the challenge of high-voltage, college-genius dialogue that always instantaneously delivers the single best comeback possible.

SKIP THIS MOVIE IF: you think every person has redeeming value OR you have to ask “What is Facebook?”

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Posted by David Ferguson

IT’S KIND OF A FUNNY STORY (2010)

September 30, 2010

 Greetings again from the darkness. Attended a screening last evening and came away a bit surprised. The preview, thanks in part to Ida Maria’s blaring song “Oh My God”, had me convinced this was going to be a typical slapstick teen comedy. Instead, co-writers and co-directors Anna Boden and Ryan Fleck deliver a black comedy-drama that has appeal to both teens and grown-ups. (based on the Ned Vizzini novel)

The story revolves around Craig, a 16 year old who is feeling depressed and suicidal given the pressures of a relentless father, looming college entrance exams and a screwed up social life. You are right if you are thinking this sounds like just about every 16 year old on the planet. The difference here is that Craig checks himself into a psych ward … he ends up in the adult wing, since the teen wing is undergoing renovations. Craig is played by Keir Gilchrist (The United States of Tara), who I can best describe as a young Keanu Reeves clone, only too smart rather than too clueless.

Since this is part comedy, you can imagine the characters who fill the ward. Craig bonds with Bobby, played by Zach Galifianakis, who seems happy to play the mentor role (quoting Dylan) for Cool Craig, but just can’t seem to find the strength to live his own life. Of course, we also get the emotionally damaged hot girl played exceptionally well by Emma Roberts (daughter of Eric, niece of Julia; Nancy Drew). The film accepts its own stereotypes for the other characters with labels such as “the schizophrenic”.

The message of the film seems to be that we all go through stages of doubt and uncertainty, and the best “cure” is to somehow remove the stress and discover our real talents and personality. You may end up creating art in the form of a brain map, or even a music video of Bowie/Queen’s “Under Pressure” (an elaborate inset to the film).  Just live.

The filmmakers evidently struggled with where their line was for the direction of the story. With previous serious films Half-Nelson and Sugar, my guess is their vision was a much more complex and darker script rather than the final version which has more mass appeal. The Zach Galifianiakis character specifically, seemed poised to make a real statement. Instead we are left with his reserved, knowing smile as Craig presents him a gift and the hope of getting together for ping pong. Also, not much story is given to Emma Roberts and her penchant for cutting herself. She seems magically cured after a roof top encounter with Craig. Anyway, the comedy sections are more successful than the drama sections, provided you are able to find humor in the illness and weakness of others.

This is certainly not at the level of One Flew Over the Cuckoo’s Nest, but it is an entertaining film from a comedic perspective. It will probably be remembered as Zach Galifianiakis fist role where he flashed some real acting chops, and hopefully as Emma Roberts breakout role.

SEE THIS MOVIE IF: you enjoy humor derived from the darker elements of life OR you want to say “I was there” when Zach Galifianakis proved he could do more than smirk.

SKIP THIS MOVIE IF: you think a movie should be either a comedy or drama, not both OR hearing the opening riff to “Under Pressure” causes flashbacks to Vanilla Ice explaining how he didn’t sample the song.

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Posted by David Ferguson

NEVER LET ME GO (2010)

September 26, 2010

 Greetings again from the darkness. Let me say that it’s great to have Mark Romanek back directing films. His most recent feature was 2002’s One Hour Photo which I found masterful. Here he has source material from the acclaimed novel of Kazuo Ishiguro (The Remains of the Day) and does an admirable job depicting this underground world of test tube-grown replacement parts. Despite the numerous opportunities for moral and philosophical statements, the film does a nice job of staying true to the novel and avoiding the soapbox.

We are introduced to Kathy, Tommy and Ruth. They are 3 friends being raised at Hailsham – a cross between an orphanage, boarding school and laboratory. The kids have no idea of their purpose in life and just go about their days as instructed – never really finding a need to question their existence … though many “stories” of the place have evolved over the years.

One day, a teacher played by Sally Hawkins breaks the code and explains to the children that their sole purpose in life is to be harvested for body parts. Sure this theme has been explored previously, but not really from the kids’ perspective. Ms. Hawkins’ character is instantly relieved of her duties by the cold-natured head mistress played perfectly by Charlotte Rampling.

Flash forward a few years and the three are played by Carey Mulligan (Kathy), Andrew Garfield (Tommy) and Keira Knightley (Ruth). We see a romance develop between Ruth and Tommy, though it’s obvious the real connection is between Kathy and Tommy. As they move to “the cottages” (a middle step in development), they learn a bit more about the curious real world.

It’s not until a few years later when we see how two of them have fulfilled their obligation, while one has delayed by playing a “carer” to donors, that we see just how bleak this existence is. The real questions are raised by Kathy as she wonders just how different their lives are than those in the real world. It seems both sides have regrets, unrealized dreams and a shortage of time. Here endeth the lesson.

This film is gathering a bit of Oscar buzz from the critics, but I must admit that I found it leaving entirely too much up to the audience. There are too many gaps to fill and not really much conflict or drama. It is finely made and well acted, but comes up short of what I would expect from a true Oscar contender.

SEE THIS MOVIE IF: you read the novel and/or are intrigued by the idea of creating replacement parts for humans OR you just want to see the guy replacing Tobey Maguire as Spider-Man.

SKIP THIS MOVIE IF: you prefer your films on the cheery side of the emotional scale

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Posted by David Ferguson

WALL STREET: MONEY NEVER SLEEPS (2010)

September 26, 2010

 Greetings again from the darkness. The much anticipated sequel to the 1987 original has Oliver Stone back in the director’s seat for one of the most iconic characters in movie history, Gordon Gekko.  Michael Douglas is back as GG and the film opens as he is being released from prison … with no one there to pick him up. He is truly on his own.

Skip ahead a few years and we see Shia LeBeouf as Jake, a Wall Street hotshot working for Frank Langella, a Wall Street legend. It is very obvious that this legend, and Jake’s mentor, is in deep trouble and the entire market is pretty wobbly. Sound familiar? Yep, it’s 2008. Ahh yes, the juicy part … Jake is getting engaged to the lovely Winnie (Carey Mulligan) who just happens to be Gordon Gekko’s estranged daughter. Now we’re rolling!

Turns out, the dirty tricks and back room deals didn’t stop while Gekko was incarcerated. Josh Brolin plays a high roller for a thinly disguised firm that most will recognize as Goldman Sachs. Brolin thinks he was wronged a few years back by Langella, and can’t wait to get even when the opportunity presents itself in a meeting with the Treasury Secretary. Sound deliciously nasty? Well not so fast.

The movie steers away from much of the back-stabbing and dirty deal making that was so prevalent in the original. It even avoids much commentary on the scuzzy financial services industry leaders who managed to profit while all of our retirement plans and home values were plummeting. Instead, we get an overabundance of melodramatic, sappy conversation about feelings and family and time. Apparently Gekko found a semblance of a soul while in prison. He’s certainly not perfect, but this is not the wheeler-dealer that was so much fun to hiss in part one.

Oliver Stone tosses in some touches that help: Charlie Sheen reprises his Bud Fox role for a brief encounter with Gekko, there are some terrific shots of NYC and we get Sylvia Miles back as the Realtor – this time helping Jake dump his loft in a soft market. We even get 95 year old Eli Wallach whistling his way through a power role, complete with Jake’s ringer playing the theme song to The Good, The Bad and the Ugly. All fun aspects, but they don’t offset the inordinate number of times we must endure people choking up and crying. Had to check the credits to see if Nora Ephron was co-director.

Bottom line, if you enjoyed the original, you probably owe it to yourself to see how Gekko has come full circle. The ride is fine, just not at the same level as we were treated 23 years ago.

SEE THIS MOVIE IF: you enjoyed the 1987 original OR you have been waiting to see Shia LeBeouf play grown-up

SKIP THIS MOVIE IF: you are seeking tips on stocks or revenge OR your idea of fun is a steady stream of plastic surgery and “money room” jewelry

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Posted by David Ferguson

BURIED (2010)

September 25, 2010

 Greetings again from the darkness. My comments about last week’s Devil dwelled on the aspect of claustrophobia in being stranded in a stuck elevator with strangers. Forget all that! In this compelling film, Ryan Reynolds wakes up in an enclosed coffin. With a head injury. Buried. In Iraq. With a cell phone. And a lighter. This takes claustrophobia and anxiety attacks to a whole new level.  If you have read Edgar Allan Poe‘s “The Premature Burial”, you have a sense.

Somehow writer Chris Sparling, director Rodrigo Cortes and Ryan Reynolds all bought off on the idea that the ENTIRE FILM should be shot from WITHIN THE COFFIN. Yes, that’s correct. There are no flashbacks to Paul’s (Ryan Reynolds) home life or the convoy ambush. There are no scenes of the FBI working the phones on his behalf. There are no scenes of the kidnappers in some darkened basement. None of that. Just Reynolds. In his wooden coffin. From all angles. In the past, I labeled Ryan Reynolds as just another plug-in for rom-coms.  While his rom-coms rarely appeal to me, I have come to respect him for stretching himself as an actor in other genres.

Paul Conroy, an American contractor working in Iraq, wakes up in a coffin. His kidnappers have provided a cell phone and inform him that he will be released only if they are paid “5 million money”. Paul spends the rest of the film frantically trying to arrange for the ransom by contacting his family, his employer, the FBI and the State Department. I will say no more other than I found my breathing getting quick and shallow and my palms sweaty just watching the plight of this unfortunate man.

There are no outside scenes, excluding a very short, disturbing video the kidnappers send him through the cell phone. The phone conversations are fascinating. You will voice-recognize the great Stephen Tobolowsky as the personnel director performing some quick legal ass-covering. You might also recognize the voice of Tess Harper as Maryann – presumable the mother of Paul’s wife as he tries to make contact. Neither of these are warm fuzzies, but both add to the heightened stress level and desperation.

This is not really a film we would want to watch a second time, but interestingly enough, I could see it becoming a cult fixture similar to “Rocky Horror”. The audience could show up with their cell phone, a lighter, a flask and a couple of other props that I won’t disclose here. Sometimes the best way to handle fear is to laugh in its face. Oh, and answer your cell when loved one’s call. Lastly … I don’t want to be buried alive.

SEE THIS MOVIE IF: you enjoy anxiety attacks

SKIP THIS MOVIE IF: you freak out in a traffic jam OR expect to see Reynolds’ abs.

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Posted by David Ferguson

SECRETARIAT (2010)

September 21, 2010

 Greetings again from the darkness. The story of Secretariat is legendary in the world of thoroughbred racing. Being a sports fan, it is always fascinating to witness domination by a singular athlete – Michael Jordan, Tiger Woods, Roger Federer. Secretariat was the Michael Jordan of racing. In 1973, Big Red dominated racing like no other.

What makes this even more amazing is that Secretariat is actually the second most interesting story … his owner, Penny Chenery Tweedy (played here by Diane Lane), was his match in competitive spirit. This Disney movie actually spends as much time on Ms. Tweedy as it does the fabulous horse.

Disney does what Disney does best. This is an all out feel-good, rah-rah movie in the vein of Seabiscuit, The Rookie, Rudy and even Hoosiers. Don’t expect in-depth analysis of the racing world, horse training or even horse farm operations. This movie is made to deliver a warm fuzzy via the perseverance of a strong-willed lady and an incredibly majestic animal.

Expect some over-the-top touches such as John Malkovich‘s portrayal of trainer Lucen Laurin, horse-whispering by Ms. Lane, and plenty of heart-string tugging as is customary from the fine folks at Disney. Expect historical facts to be treated a bit lax in some scenes (no mention of 1972 Derby winner Riva Ridge, also from the Chenery stables). Expect none of that to matter as this is a crowd-pleaser, not a documentary.

In addition to Mr. Malkovich and Ms. Lane, there is some fine support work from (former Senator) Fred Thompson, James Cromwell and Nelsan Ellis (so great as Lafayette in True Blood). Directed by Randall Wallace, whose most recent directorial effort was 2002’s We Were Soldiers, this is entertainment for all ages and an easy introduction to the champion that was Secretariat.

SEE THIS MOVIE IF: you enjoy strong, smart female characters (Diane Lane, not Secretariat) OR you thought Seabiscuit should have won an Oscar

SKIP THIS MOVIE IF: you look to John Malkovich for fashion tips OR you think pari-mutuel betting is allowed at the cineplex

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Posted by David Ferguson

THE TOWN (2010)

September 20, 2010

 Greetings again from the darkness. Ben Affleck proved himself to be a talented director with Gone Baby Gone. Here, he once again shows he is best suited behind the camera. He has a real feel for setting, scenery, actors and camera angles. Unfortunately, this story based on the Chuck Hogan novel Prince of Thieves is just a bit too formulaic to stand out from the crowd.

We are told upfront that the Boston neighborhood of Charlestown has more bank robbers than any other … in fact, in some families it is a proud tradition, passed on to the next generation. Ben Affleck got the guide book from his dad – an incarcerated Chris Cooper who has only one scene, though it’s very dramatic. Affleck’s lifelong pal and crime partner is played by Jeremy Renner. Renner’s character, Jem, is downright psychotic next to the meticulous Affleck’s Mr. Sensitive. If after Hurt Locker you have a difficult time imagining Renner as a bad guy, you should check out North Country. That’s a very bad man.

As seen in the preview, Affleck’s merry band of bank robbers take a hostage played by Rebecca Hall (Vicky Cristina Barcelona). Affleck, in the course of duty, falls for Hall. She is the light that shows him the way to a better life. The film’s best scene is at a sidewalk cafe where Renner suprises Affleck and Hall with a visit.  The scene dramatizes just how delicate the line is for Affleck between his old life and the new one he dreams of.  Unfortunately, that story line leads us right back to more crime … with FBI mad man Jon Hamm hot on the heals of the local bad boys.

The neighborhood crime lord, played superbly by Pete Postlethwaite, controls the every move of the gang and takes his “fair” share while leading through intimidation – all while trimming roses! Renner’s sister and Affleck’s previous squeeze is played alarmingly (and surprisingly) well by Blake Lively. She appears to have a nice little career ahead of her.

The frustrating thing with this film is that we have seen it all before, just without the heavy bean-town accents. Tons of automatic weaponry lead to very few actual injuries or deaths – always the sign of a cheesy shootout. The finale for Renner, Hall and Affleck are all advertised well in advance of the actual occurrence, which pretty much ends the suspense. On the bright side, the film is well made and entertaining enough. For a much better film on the culture of local/family crime check out this year’s Animal Kingdom.  Here is my review of that film: https://moviereviewsfromthedark.wordpress.com/2010/08/29/animal-kingdom/

SEE THIS MOVIE IF: you grew up in a rough neighborhood within a large city OR you want a peek at the bowels of Fenway Park.

SKIP THIS MOVIE IF: you think everyone should speak with the flowery cadence of Cary Grant OR you believe automatic weaponry is actually dangerous

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Posted by David Ferguson

EASY A (2010)

September 18, 2010

 Greetings again from the darkness. This is an obvious (and proud of it) homage to the great teen films of John Hughes. It is updated for this generation of teens – replete with FaceBook, texting and webcam. While this one may not have the fully realized characters of the best Hughes films, it actually takes things a step further in its commentary on many topics: family life, parenting, religious zealotry, rumor-mongering and the public education system.

Writer Bert V. Royal‘s script delivers an intellectual and comedic look into high school life … told through the eyes of the smart, “invisible” girl. Director Will Gluck shows promise with this one … here’s a brief overview so as not to take away from the multiple layers.

PET PEEVE ALERT!!  High School students played by actors in their early-to-mid 20’s.

Emma Stone (Zombieland, The House Bunny) delivers a star-making performance as Olive. Forced into a faux-confession by her best friend, Olive experiences the efficiencies of digital gossip spreading as word leaks regarding the apparent loss of her “V card”. Even though this one is based in Ojai, California, it’s nice to know that high school promiscuity is still met with a certain stigma. Here that stigma is compared to Hawthorne’s expert novel, The Scarlet Letter.

This sets into action a series of unforeseen events. The school’s religious nuts, led by Amanda Bynes, take Olive’s situation as a personal affront and spend a great deal of effort trying to punish her for her sins. At the same time, the geeks and dweebs view Olive as their savior and proceed to take advantage of the opportunity.

While she is presented as a very sharp-witted, well-grounded teenager, Olive experiences the enormous power of a reputation. All of this is balanced out by her extraordinary relationship with her free-spirited, yet wise parents played by Patricia Clarkson and Stanley Tucci.

I can’t possibly do justice to the script or the numerous topics broached, but I will say that it’s a welcome new approach to teen movies. The usual schlock sex is replaced by sharp quips and real pressures. Do note that the dialogue is filled with much harsh language that wouldn’t be welcome in an environment other than a high school campus. Further support work is offered by Penn Badgley as the good guy, Thomas Haden Church as a new world cool teacher, Malcolm McDowell as an old school principal and Lisa Kudrow as a guidance counselor (in a role that gives me permission to feel the disgust I usually feel when she is on screen).

Don’t be scared off thinking this is another lousy teen flick. It is instead an insightful comedy that plays well for adults and teens. While you may not agree with all of the social observations, I believe you will agree the film is presented in a most entertaining and insightful manner.

SEE THIS MOVIE IF: You have a severe disdain for gossipers, religious zealots and judgmental types OR you want to see the type of movies John Hughes would make were he still alive.

SKIP THIS MOVIE IF:  high school over-swearing gives you a headache OR if you have seizures whenever Lisa Kudrow is onscreen.

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Posted by David Ferguson

DEVIL (2010)

September 18, 2010

 Greetings again from the darkness. For those of us who enjoy trying to make sense of the unexplainable, M. Night Shyamalan is one filmmaker for whom we always hold out hope. Wisely backing away from the director’s chair this time, Mr. Shyamalan created the story and produced the film. While not extraordinary, it is one of his best in quite awhile.

The beauty of the story is its simplicity. It is actually presented to us in the form of folk legend through the narrator. Basically, the devil sometimes takes human form and proceeds to steal souls … often in the process, innocent (and not so innocent) people are killed. Here five seemingly random people end up in the same elevator and all hell breaks loose (literally). The detective called to the scene is battling his own internal demons and, of course, that plays a major role in how the story develops and ends.

A mechanic (Logan Marshall-Green), a young woman (Bojana Novakic from Drag Me To Hell), an old woman (Jenny O’Hara), a security guard (Bokeem Woodbine) and a mattress salesman (Geoffrey Arend) are joined together in the claustrophobic nightmare of a stuck elevator. One by one, each is affected. All the while, distrust abounds. Chris Messina plays the talented detective trying to rescue them and fruitlessly apply logic to the unexplained happenings occurring right before his eyes.

The film begins with an extended, disorienting upside-down view of downtown Philly, and then proceeds to take us through some unusual camera angles into the building, down the elevator shaft and into the lobby. This is our initial intro to the unlucky five. It’s a very interesting start to an entertaining thriller.

The director is John Erick Dowdle (Quarantine) and he does an effective job of creating fear within the confined space of the elevator. He manages to create camera angles despite the lack of space. The use of the security camera and booth is brilliant and allows the viewer to be both inside and outside … both are frightening in their own way. Welcome back, Mr. Shyamalan!

SEE THIS MOVIE IF: You can suspend disbelief and enjoy a creepy thriller OR if just the thought of being stuck in an elevator makes you queasy and weak in the knees.

SKIP THIS MOVIE IF:  Your idea of a great weekend is a documentary festival OR if just the thought of being stuck in an elevator makes you queasy and weak in the knees.

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Posted by David Ferguson

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