THE BATTERED BASTARDS OF BASEBALL (2014, doc)

July 28, 2014

battered Greetings again from the darkness. What an excellent documentary on yet another in the seemingly endless string of baseball stories that are both fascinating and true. Don’t make the error of assuming one must be a baseball fan to enjoy this … it works just as well as a story of the little guy sticking it to the man (the man in this case is the court-protected giant known as Professional Baseball).

An original production of Netflix, it’s directed by Chapman and Maclain Way, brothers and grandsons of Bing Russell. You may or may not be familiar with Bing. He is the father of actor Kurt Russell, a well known character actor (a recurring role as Deputy Clem in “Bonanza“), and the driving force behind the Portland Mavericks. The Mavericks were an Independent Professional Baseball team from 1973 to 1977, and this is their story.

As a kid, Bing hung around St Petersberg, where the New York Yankees held spring training. He ended up friends with Lefty Gomez, and hung around many Yankee greats. Bing had a true passion for baseball. He loved the game, the players, and the way of life. He even used to test young Kurt on the intricacies of the game, and later created some very in-depth teaching videos.

Bing’s real impact on the great game came from his stint as creative force and owner of the Mavericks. The film does a terrific job with interviews, archival footage and other recollections of Bing and the rag-tag group of players that disrupted the industry that does not like to be messed with.

Not only was the team successful on the field, but they also set attendance records and inspired true fan loyalty. They were the last independent league allowed to play in the minor leagues, and their legacy continued even after the team was shut down: two of the pitchers invented Big League Chew, one pitcher was nominated for a Pulitzer Prize, the team hired the first female GM in professional ball, and they even had a left-handed catcher. Their bat boy (Todd Field) went on to become an actor and Oscar nominated director and writer (In The Bedroom). “Ball Four” author Jim Bouton made his comeback with the Mavericks, which led to his making it back to the big leagues, and even Kurt Russell spent some time playing during the Mavericks’ first year.

It’s a shame this film didn’t make the festival rounds, as it would no doubt have been well received. I expect every baseball lover will get a kick out of this, and I certainly hope others give it chance. Bing Russell’s vision and passion are to be admired and respected, regardless of the industry. He was a “can do” guy who followed his bliss and made a difference.  The film is also a reminder that sports were once played for love of the game, rather than love of the dollar.

watch the trailer:

 

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Posted by David Ferguson

LUCY (2014)

July 28, 2014
lucy Greetings again from the darkness. Writer/Director Luc Besson has a track record of mixing stylistic visuals with more traditional action: La Femme Nikita, Leon: The Professional, The Fifth Element. This time he tries to mix those components with fantasy, sci-fi and neuroscience. His hope was that Scarlett Johannson in a snug t-shirt and Morgan Freeman as an on screen narrator (guiding us through the maze of info) would sufficiently distract viewers from the international drug-muling mess.  Scarlett’s new found expertise as action hero (thanks to The Avengers) has her cast here in a role that previously would have gone to Anjelina Jolie.
We have all fantasized about expanded brain power, and many films have touched on this: Transcendence (Johnny Depp), The Matrix franchise, and Limitless (Bradley Cooper) to name a few. Omnipotence may not be everyone’s goal, but it sure seems to be difficult to pull off in in movies. This time around, there is a Korean drug syndicate led by Choi Min-sik (Oldboy) who has synthesized a drug that takes the human brain to a new level. To buy into this, you have to accept the premise that humans only use 10% of their brain … a claim long ago disproved.  Still, it’s a movie, so let’s roll with it.
There are some nice moments in the film, but the pieces just don’t fit smoothly together. Circumstances are such that Scarlett finds herself experiencing the effects of the drug – first by dancing on the ceiling ala Lionel Ritchie or Linda Blair (your choice), and then with the most awkward phone call to mom in film history. Soon enough her telekinetic powers are so advanced, she mows down the heavily armed bad guys with a flick of the finger. If that makes no sense to you, you’ll have to follow along with Professor Morgan Freeman’s charts and graphs. His lecture spells out each of the steps that Scarlett will go through and the interconnected scene cuts makes sure all movie goers can keep up … even those who don’t use 10% of their brain.
My biggest complaint is that if a movie about extraordinary intelligence is to be made, then the movie itself should at least be  smart … or witty. What the movie tells us is that expanded brain access allows us to medically diagnose our friends through a hug,  instantly change hair color while strolling through the airport, and create invisible force fields to trap our enemies. We also learn that really smart people drive the wrong way on one-way streets. In Dallas, we typically refer to those people as idiots … or at least horrible drivers. Evidently the joke is on us – those are the enlightened ones!
This movie should have been a lot more fun than it was. A tip of the cap to Mr. Besson for casting Choi Min-sik and Amr Waked (Salmon Fishing in the Yemen), and for the global trek from Taipei to Berlin to Paris to NYC … and finally two things rarely seen in the same movie … a dinosaur and a flash drive. It was kinda nice to see the script attempt to make the point that smart people use their minds, while lesser beings resort to violence … though it could have been interesting to see good vs bad while ON this fancy new drug. Although Scarlett’s character remembers the taste of her mother’s milk, I expect the memory of this film will fade quickly.
SEE THIS MOVIE IF: a couple of impressive Scarlett action sequences and some Besson visuals are enough to carry you for 90 minutes
SKIP THIS MOVIE IF: you have difficulty buying Scarlett’s vacuous facial expression as an indication of extraordinary brain power
watch the trailer:
https://www.youtube.com/watch?v=MVt32qoyhi0

5 Comments | Action, Fantasy, Sci-Fi | Tagged: , , , , , | Permalink
Posted by David Ferguson

A MOST WANTED MAN (2014)

July 26, 2014

a most wanted man Greetings again from the darkness. If you aren’t an avid reader of John le Carre’ spy novels, perhaps you’ve seen movie versions such as Tinker Tailor Soldier Spy, The Constant Gardener, or The Russia House. If not, how about director Anton Corbijn’s previous film The Amercian (2010 with George Clooney)? The more you’ve read and seen these, the more you are prepared for this latest.

Mr. le Carre’ was actually part of MI5 and MI6 (British Intelligence) and uses his experiencefrom so many years ago to provide the type of post 9/11 anti-terrorism spy thriller that doesn’t focus on explosions and gun play, but rather the subtleties of communication when very smart people go up against other very smart people who may or may not share their goals. Secrets and misdirection abound. Traps are set, and sly maneuverings are pre-planned.

As if all that weren’t enough, how about yet another mesmerizing performance from the late Philip Seymour Hoffman? He is a master at the top of his craft here. Sure, maybe the German accent is a bit distracting at first, but it was necessary because movie audiences needed a constant reminder that he is not playing an American! I cannot explain how this chain-smoking, mumbling schlub can so dominate a scene and disappear into a character, but Hoffman most certainly does both.

In addition to a very cool script, excellent support work comes from Grigor Dobrygin as Issa, the central figure in Hoffman’s character’s work, Willem Dafoe as a somewhat shady banker, as well as Robin Wright, Daniel Bruhl, Nina Hoss, Homayoun Ershadi, and Rainer Bock. The only miscast is Rachel McAdams as rich girl turned terrorist sympathizer.

Parts of the score were excellent – the droning, ominous piano notes set the right mood. The composer was Herbert Gronemeyer, a German rock star (you’d never know from the score). This is a delicious, challenging look at international spies and how one never knows where they fall on the food chain … minnow, barracuda, shark.

**NOTE: Philip Seymour Hoffman was such an impressive talent, and after this, there are only a couple of projects remaining where you can see his final work: God’s Project (from Sundance Film Festival) and the last of “The Hunger Games” series.  At some point, I will do a retrospective of his career, but not until his final works have been released.

watch the trailer:

 

2 Comments | Thriller | Tagged: , , , , , , , , , , , | Permalink
Posted by David Ferguson

LIFE ITSELF (2014, doc)

July 26, 2014

life itself Greetings again from the darkness. Director Steve James is well known for his heralded documentary Hoop Dreams, released 20 years ago. Film Critic Roger Ebert was one of that film’s earliest and loudest champions. Now, Mr. James returns the favor with a tribute to the life of Roger Ebert, based on the memoir of the same name.

James struggles a bit with the film’s structure because there is so much story to Ebert’s life, and the director’s access to the challenges faced by Ebert during his last months of life make for a story unto itself. No punches are pulled, and this is one of the most head-on presentations of illness and dying that we have ever witnessed on screen. Ebert’s cancer took his jaw and his recognizable voice, but this man would not be silenced. He passionately embraced social media and blogging to become even more relevant than ever.

It’s fun to see the love-hate relationship between Ebert and his TV co-host Gene Siskel. This was the best kind of rivalry – one that brought at the best in both. I was fortunate enough to be exposed to them via PBS in 1975, their first year broadcasting together. I’ve said it before, but these two guys taught me how to watch a movie … how to appreciate what story was being told, and how it was being told. Their brief verbal jousts showed me that opinions can vary widely on movies and that it’s not just OK, but actually fun to debate the merits.

As much fun as their show was, what I really enjoyed was reading their full reviews in the Chicago newspapers. My trips to the library were often for the sole purpose of digging out the latest reviews (this was prior to internet). Whle I more often agreed with Siskel, it was Ebert’s stunning writing skills that really hit home with me. It wasn’t until many years later that I learned he won a Pulitzer at age 26, and had grown up as a journalist. His words could translate what his senses took in.

Because of all that, this documentary is very personal to me … as I’m sure it is to the entire community of film lovers that Siskel and/or Ebert inspired. The interviews with Werner Herzog, Martin Scorsese and Errol Morris (plus others) clearly display the impact of Ebert. But as personal as it is to these men as filmmakers and to me as a movie blogger, that’s nothing like the personal level we witness between Roger and Chaz, his wife. Roger’s health issues and numerous operations and rehabilitation stints show the courage and love of these two. This was heart-warming and gut-wrenching all at the same time … the kind of movie that Roger would have given a big thumbs up.

Here is what I posted the day after Roger Ebert died:  https://moviereviewsfromthedark.com/2013/04/05/

watch the trailer:

 

 

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Posted by David Ferguson

AND SO IT GOES (2014)

July 26, 2014

and so it goes Greetings again from the darkness. It’s very painful to witness the aftermath of an artist who has surrendered all creative efforts. Rob Reiner seems to be the director’s version of actor Nicolas Cage … just keep churning out projects that require no effort, yet provide a paycheck. Pride be damned!

This movie is clearly aimed at the over 55 group, and falls into the genre I fondly call “gray cinema”. Although a more fitting description of this movie’s specific genre would be “insipid cinema”. It’s one of those movies that assumes anyone watching it has no interest in thinking, and only goes to the theatre for air conditioning and popcorn.  It’s not condescending, as that would imply it thought itself to be sharper/wittier than the audience.  Instead, it treats the audience as if we have reverted to the level of adolescence for comedy, romance and dialogue.

Michael Douglas stars as Oren Little, a selfish, racist, bitter, lonely Realtor faced with the insurmountable life decision of leaving Connecticut for his lake house in Vermont. The only thing left is selling off his $8 million family house … that is, until his estranged, former drug-addicted son shows up on his way to jail and drops off Oren’s 10 year old granddaughter (Sterling Jerins). Fortunately for the little girl, Oren’s neighbor is the kindly Leah (Diane Keaton) who embraces the girl despite Oren’s aloofness.

Enough about the story … though it is written by Mark Andrus who also wrote the decent As Good As it Gets. If you were to subject yourself to this movie, you would see: Michael Douglas and Diane Keaton alternating between scripted, lifeless flirtations and scripted, lifeless bickering; a pathetic attempt at slapstick by having Oren deliver another neighbor’s baby on his sofa; the running gag of Ms. Keaton’s character breaking into tears while singing during her nightclub act; and a paintball gun used to ward off a dog doing business on the manicured lawn. If you don’t overdose on lameness with those scenes, you should be warned that somehow a little boy’s penis is the subject for multiple one-liners. Somehow this even overrides Oren’s racism for levels of inappropriateness (without the laughs).

Mr. Reiner has directed 3 classic films: This is Spinal Tap, The Princess Bride, and When Harry Met Sally. He also has some other entertaining films to his name including A Few Good Men and Misery. All of that just makes his last decade the more disappointing ( a very kind word for it). I will never be convinced that “gray cinema” cannot be entertaining and thought-provoking. Douglas and Keaton shouldn’t have to limit themselves to supporting roles only in order to part of a quality film. However, if this is all they get offered, I recommend working personally with writers to develop projects that don’t embarrass themselves or the audience.

Other than the obvious questions about how this script received the “go-ahead”, two questions have stuck with me since seeing this one:  Why did Frankie Valli appear in this and not Jersey Boys?  Why doesn’t Frances Sternhagen work more?

SEE THIS MOVIE IF: you clearly understand that there are no refunds for movie ticket purchases

SKIP THIS MOVIE IF: you are not at the age where dog pooping jokes crack you up.

* The trailer is not being posted here just in case it might trick you into going to the movie.  If you still go, I absolve myself of any blame.

 

Leave a Comment » | Comedy | Tagged: , , , , , | Permalink
Posted by David Ferguson

CODE BLACK (doc, 2014)

July 23, 2014

code black Greetings again from the darkness. Filmmaker/Doctor (an unusual combo) Ryan McGarry takes us behind the Emergency Room curtain at LA County General … one of the busiest ER departments in the country, with a waiting room filled with low income, uninsured people desperate for medical attention. So desperate that they will wait up to 18 hours to see a doctor.

We see live action sequences from C-Booth (Critical Booth) in the “old” Emergency Room prior to the opening of the shiny new facility next door. The footage is startling and quickly explains why so few doctors are cut out for this particular work. The workspace is limited and the most serious trauma cases are wheeled in with medical staff whirling around at full speed and full adrenaline. Life and death medical decisions must be made at a frantic pace, and each person must perform their role precisely during this operating ballet.

This initial C-Booth footage is not for the squeamish but sets the stage for the abrupt changes brought on by the new facility. Bureacracy and compliance put an immediate kibosh on the doctor/patient relationship. We know this because the doctors tell us. They now must spend the bulk of their time completing paperwork rather than seeing patients.

We hear directly from a group of interns and we admire their passion for medicine and healing. Still, the apparent bashing of a business-first approach and compliance-heavy process highlight the real world inexperience of these young docs. Unfortunately, very few of the veteran doctors have much to say on camera and instead, director/doctor McGarry guides us through his words and eyes in hopes of creating empathy for his “I just want to help people” devotion.

The C-Booth footage is fascinating and reminds us that “M*A*S*H” was purely entertainment and “Grey’s Anatomy” probably doesn’t even deserve to be called a medical drama. Where the film falters is in not contrasting the LA County General process with that of the suburban facilities that deal almost exclusively with the insured populace. That seems to be a much more interesting comparison than old school crash cart trauma with no tracking to the new world of hospital compliance.

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Posted by David Ferguson

JAMES GARNER remembered (link to comments)

July 20, 2014

A glitch this morning prevented the “JAMES GARNER remembered” post from being emailed to subscribers.  Here is the link to the comments I posted:

https://moviereviewsfromthedark.com/2014/07/20/james-garner-remembered/

**If you received the first posting, I apologize for the duplication

2 Comments | Uncategorized | Tagged: | Permalink
Posted by David Ferguson

JAMES GARNER remembered

July 20, 2014

garner Awoke this morning to the sad, but long-expected news that actor James Garner had passed away.  Mr. Garner was 86 years old and had been mostly out of the public eye since suffering a stroke in 2008.  It’s difficult to find another performer whose work appealed to “the greatest generation” (his work in “Maverick“), the maturing flower power generation (“The Rockford Files“) and Gen X and Y (The Notebook).

Born in that state just north of Texas, Garner dropped out of high school to join the Merchant Marines … a career cut short by his sea-sickness.  He later joined the Army and served 14 months in the Korean War, earning two Purple Hearts. His acting career really took off with the 1957 series “Maverick“, where Garner played a card shark whose quick wit often got him out of the trouble that the same quick wit had gotten him into.  Garner then made the transition to movies, and during his career starred with such female leads as Doris Day (Move Over, Darling; The Thrill of it All), Julie Andrews (The Americanization of Emily, Victor Victoria) and Sally Field (Murphy’s Romance) … culminating in his teaming with Gena Rowlands to play the elder characters of Ryan Gosling and Rachel McAdams in The Notebook (2004).  Scattered in between were other memorable films such as The Great Escape (1963), Grand Prix (1966), and Space Cowboys (2000), as well as TV movies Heartsounds (1984), My Name is Bill W (1989), and Barbarians at the Gate (HBO, 1992).

Obviously the role Garner is most identified with is Private Investigator Jim Rockford in the TV series “The Rockford Files” from 1974-80.  He was the reluctant hero who was always in hot water with the police, but managed to save the day in his patented clumsy style by the end of the hour.  Garner stacked the cast with his friends Joe Santos, Stuart Margolin and Noah Beery, Jr. This group would work together again in the 1990’s on the Rockford TV movies.  Who among us didn’t want to be Rockford … living in a trailer on Malibu beach, zipping around L.A. in a Firebird and solving criminal cases for the cops!  When I spoke briefly with Mr. Margolin last year at the Little Rock Film Festival, he had nothing but fond memories of working with Garner on the show.

As if conquering TV and Movies wasn’t enough, James Garner and Mariette Hartley teamed to make more than 300 Polaroid commercials in the late 1970’s through the early 1980’s. Their sprited banter led many to believe the two were real life spouses, and had retail customers requesting “the James Garner camera”. Garner and Hartley were of course not married.  In fact, Garner and his (surviving) wife Lois had been married for 56 years at the time of his death … a long term marriage being yet another thing setting Garner apart from most others in the Hollywood world.

The words most often used to describe James Garner are amiable, likable, handsome, witty and charming.  Mostly, he was a very talented guy who made it all look pretty easy on whatever screen he happened to appear … he was a guy we could relate to and felt like we knew – or could know.  There is not another actor who found success in the rare Western Comedy genre, as well as Rom-Coms, a POW film, Race Cars, Police series, and Business drama.  With his Oakland Raiders fanatacisim and his stake in the expansion NBA Dallas Mavericks (1980), he was connected to the real world without making tabloid headlines. James Garner is to be most admired as a professional who entertained us on screen while not embarrassing himself off.   Perhaps he was so likable on screen because he brought so much of himself to his roles.

garner2

 

 

2 Comments | Articles | Tagged: | Permalink
Posted by David Ferguson

I ORIGINS (2014)

July 19, 2014

i origins Greetings again from the darkness. The evening I saw this one, I tweeted “Mike Cahill is one of today’s most intriguing filmmakers“. After a few days to think about it, that belief remains so. A double feature of this and his previous film Another Earth could keep the conversation flowing for days and weeks.

Evolution vs Spirituality is the main theme here. Miohael Pitt plays molecular biologist Ian Gray, who is working diligently to prove that the evolution of the eye is the scientific proof debunking creationism and spirituality. Ian’s petri dish view of life is challenged when he meets free-spirited Sofi (Astrid Berges-Frisbey). This takes “opposites attract” to a whole new level … in fact, opposites actually detract … from the story and tone. While Sofi causes cracks in Ian’s convictions, their ultimate split is actually a turning point for the film. The second half is extremely entertaining and thought-provoking.

Leaping ahead a few years, we find Ian married to his previous lab assistant Karen (a terrific Brit Marling). These two have an intriguing bond, and the birth of their first child sends the two scientists back into research mode … including some globe trotting. Retina scanning technology plays a huge role here, and leads Ian to India where he searches for proof of this new theory.

This existential trip has an inordinate number of coincidences, lucky breaks, and philosophical discussions … not to mention a rainbow range of eye glass styles for Pitt and Marling. If you enjoy films that generate post-viewing discussions, Mr. Cahil is proving himself as the go-to filmmaker. Whether you fall on the side of science or spirituality, or somewhere in-between, this film seeks to prove the eyes have it.

watch the trailer:

 

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Posted by David Ferguson

UNDERWATER DREAMS (2014, doc.)

July 18, 2014

underwater dreams Greetings again from the darkness. Documentarian Mary Mazzio presents an inspirational and terrific human interest story … in the first half of the film. The second half veers off into a one-sided socio-political editorial that, as frustrating as it is, doesn’t dim the light from the magical first half.

Narrated by Michael Pena, we learn the story of 2 teachers and 4 students from Carl Hayden Community High School located just outside of Phoenix. The students are sons of undocumented immigrants (illegal aliens) attending a school with 92% of families living below the poverty line (90% Hispanic). The area is riddled with gangs, drugs and depression, making the journey and accomplishments of these four all the more impressive.

The group enters a high level Underwater Robotics competition sponsored by NASA and Naval Research … in the collegiate division. If this were a Hollywood script, it would be outlandish and unbelievable. Instead, it’s true and fascinating. Two amazing teachers (Fredi and Allan) lead the four boys: Lorenzo (the funny one, driven by a Hooters dream), Oscar (a natural leader in any group), Luis (the quiet dependable one, the muscle of the group), and Cristian (the brainiac computer geek who is a loner). With a total budget of $800, the group proceeds to work together to design, build and test their entry (affectionately known as “Stinky”).

When they arrive in California, they realize they are competing against colleges … in particular, the team from MIT (with Exxon sponsorship). Simply competing should have been victory enough, but we see actual footage of the awards ceremony which nets the team much more than a participation ribbon. Their spirit and drive was no longer just inspirational, but now they had results to go with it.

The talking head approach works here because we get to know the four boys and the teachers. We also get plenty of face time with the MIT team and some judges. The insight from all of these people helps put this in perspective. Quite enlightening is the 10 year reunion between the MIT team and the boys who beat them a decade earlier. The life paths of these 8 display a clear distinction between the economic haves and have-nots. This is where the film’s focus should have remained post-competition.

Unfortunately, we are taken on a trip of activism and the movement for undocumented students known as the Dream Act. Too much time is spent on the politics and protests, and not enough on the positive aspects of the legacy these boys and the teachers left for the high school, and a generation of students that followed. We are told that of the 2 million undocumented students in the U.S., 49% will drop out of high school. This leaves the impression that all 2 million are similar to these four, never once providing a mention of those who choose gangs or drugs. Focusing on one segment of this, is an injustice to the issue as a whole.

The best message here is that determination and drive and teamwork can accomplish a great deal, and that it would be wonderful if every student could explore their own talents and interests. It does make one wonder if this economically disadvantaged group can accomplish this, what limitations is the impact of the rigid structure within public education imposing on other students. If a group of ESL students in the middle of the desert can build an underwater robotics that competes against the work of the brightest engineering students at MIT … all students should know the possibilities are endless.

watch the trailer:

 

 

Leave a Comment » | Documentary | Tagged: , | Permalink
Posted by David Ferguson

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