Greetings again from the darkness. I get that many would quickly toss this one aside without so much as a second thought. After all, Pamela Anderson hasn’t been featured much in the last decade (or two), and most only recall her from “Baywatch” in the 1990’s and, umm, perhaps an infamously intimate video. My advice would be to reconsider. She’s now 57 years old and is absolutely terrific in this film from director Gia Coppola (granddaughter of legendary director Francis Ford Coppola; her big screen debut was as baby Zoe in NEW YORK STORIES, 1989). The screenplay is from TV scribe Kate Gersten (“Mozart in the Jungle”).
The film opens with Shelly (Ms. Anderson) in a close-up during an audition. She’s obviously quite nervous and a bit out of her comfort zone. It turns out most of the movie is a flashback that leads up to the full audition, including her verbal sparring with the show’s casting director (Jason Schwartzman, director Gia Coppola’s cousin). We soon learn that Shelly is a veteran dancer who has been a part of the ‘Razzle Dazzle’ burlesque show in Las Vegas for 38 years. The show’s promotional posters from the late 1980’s feature a young Shelly – and she’s been there ever since.
We experience the frenetic energy and near chaos backstage during the show, as Shelly and her fellow dancers, Mary-Anne (Brenda Song, THE SOCIAL NETWORK, 2010) and Jodie (Kiernan Shipka, “Mad Men”) juggle for dressing room space and costume changes between numbers. The two younger dancers look up to Shelly, who even fills the role of mother-figure for Jodie – a youngster dealing with family issues. All of the timing is coordinated by the Stage Manager Eddie (Dave Bautista, GUARDIANS OF THE GALAXY, 2014), a figure of calm who has a history with Shelly.
Shelly’s best friend is Annette (Oscar winner Jamie Lee Curtis), who plays an aging cocktail waitress trying to hang on despite the generational shifts. What seems quite clear is that all of these folks are caught in a web of day-to-day survival – never able to get ahead (despite a career spanning almost 4 decades). When the new owners decide to shut down Razzle Dazzle in favor of a circus, Shelly experiences double panic mode. Not only is her livelihood at stake, but her estranged daughter Hannah (Billie Lourd, “American Horror Story” and daughter of Carrie Fisher) is showing signs of wanting to reconnect with, or at least make sense of, a mother who chose the stage over her. The two share some emotional scenes.
Many will be surprised at the range Pamela Anderson shows in her performance, and the story itself should not be overlooked. Razzle Dazzle acts as a stand-in for the life so many folks have led, and just how untethered and lost they feel when the rug is pulled from the only life they’ve known. Shelly mentions a couple of times how she’s always having to defend her life, somehow not recognizing the need … even when Hannah is standing face to face with her. There’s a lot here, and I’m hoping movie lovers give this one a shot.
Opens in theaters on January 10, 2025
Posted by David Ferguson 
Greetings again from the darkness. Mike Leigh has long been one of the most interesting filmmakers working. His projects vary greatly and include such gems as HIGH HOPES (1988), VERA DRAKE (2004), HAPPY-GO-LUCKY (2008), ANOTHER YEAR (2010), and MR TURNER (2014). His actors always seem at the top of their game in his films, and this latest is no exception. Marianne Jean-Baptiste tears into her role as Pansy, one of the most chronically agitated women you’ve ever experienced.
Greetings again from the darkness. There may have been a movie that surprised me more than this one during 2024, but off the top of my head, I can’t think of one. My expectations were low for a film based on the true story of a British boy band pop star whose music I wasn’t too familiar with … oh, and he’s played by a human-sized CGI chimp. Robbie Williams is the pop star, and though he has little popularity or recognition in the United States, his story is quite interesting … and certainly presented in a creative and entertaining manner by writer-director Michael Gracey (THE GREATEST SHOWMAN, 2017) and co-writers Simon Gleeson and Oliver Cole.
Greetings again from the darkness. Almost all little kids imagine themselves as Superman, a larger-than-life figure who accomplishes incredible things … while flying through the air! Filmmakers Ian Bonhote and Peter Ettedgui collaborate again, this time to tell the story of the man who became Superman on screen for a new generation, and then, after a horrible accident, became a real-life inspiration and advocate for so many folks around the world. We also note that it’s impossible to tell the Christopher Reeve story without also gaining insight into his equally determined wife and caregiver, Dana Reeve.
Greetings again from the darkness. The 1972 Olympics are remembered for a few highlights. Swimmer Mark Spitz set seven world records on his way to seven gold medals. Belarusian gymnast Olga Korbut won three gold medals (although not in the all-around). The United States and Russia played one of the strangest and most controversial games in Olympics history. And most importantly, the 1972 Munich Olympics are remembered for the tragedy surrounding 10 members of Israel’s team being taken hostage by a masked Palestinian militant group.
Greetings again from the darkness. Apologies in advance for any improper labels or descriptions included here. This documentary dates back fifty years to when the term “gay lifestyle” was acceptable. Further to the point, the focus is on Studio One, a West Hollywood disco for gay men. It took a while for the doors to open for other persuasions in what is now referred to as LGBTQ+. Filmmaker Marc Saltarelli really delivers a history lesson – not just for a landmark building, but for an era when gay men were sometimes arrested for simply walking down the street together.
Greetings again from the darkness. With four outstanding animated films released in 2024, this one adapted from Peter Brown’s 2016 book by director Chris Sanders (HOW TO TRAIN YOUR DRAGON, 2010) stands above the others thanks to a tremendous story and fascinating characters. This is one for all ages and all types of movie lovers. It’s simply that good.
Greetings again from the darkness. Since I missed this one on its initial run earlier this year, it became part of my end of year movie marathon where I catch up on the films that slipped through during the previous few months. Even though the premise doesn’t much sound like one I’d embrace, I’m so glad I worked this one into the schedule. On the surface, following a group of prisoners as they work to put on a stage presentation hardly sounds like a desirable form of entertainment, but what a pleasant surprise this one turned out to be.
Greetings again from the darkness. With a population of more than 20 million people, Mumbai is one of the most densely populated places on the planet. It would seem impossible to feel alone or isolated in such a place. In this follow-up to her feature film debut, A NIGHT OF KNOWING NOTHING (2021), Indian filmmaker Payal Kapadia begins with a documentary style overview of the city with multi-dialect voiceovers recapping personal experiences with life in the city. “In Mumbai, there is work and money.”
Greetings again from the darkness. They’re back! The last ‘Wallace & Gromit’ short film was in 2018, and their last feature-length film, WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT, was released in 2005. Creator Nick Park is back as co-writer and co-director with fellow W&G collaborators Mark Burton and Merlin Crossingham, respectively. This creative consistency is crucial to the franchise success, and helps overcome the 2017 passing of Peter Sallis, longtime voice of Wallace.
Movie Reviews from the Dark 