DEVIL (2010)

September 18, 2010

 Greetings again from the darkness. For those of us who enjoy trying to make sense of the unexplainable, M. Night Shyamalan is one filmmaker for whom we always hold out hope. Wisely backing away from the director’s chair this time, Mr. Shyamalan created the story and produced the film. While not extraordinary, it is one of his best in quite awhile.

The beauty of the story is its simplicity. It is actually presented to us in the form of folk legend through the narrator. Basically, the devil sometimes takes human form and proceeds to steal souls … often in the process, innocent (and not so innocent) people are killed. Here five seemingly random people end up in the same elevator and all hell breaks loose (literally). The detective called to the scene is battling his own internal demons and, of course, that plays a major role in how the story develops and ends.

A mechanic (Logan Marshall-Green), a young woman (Bojana Novakic from Drag Me To Hell), an old woman (Jenny O’Hara), a security guard (Bokeem Woodbine) and a mattress salesman (Geoffrey Arend) are joined together in the claustrophobic nightmare of a stuck elevator. One by one, each is affected. All the while, distrust abounds. Chris Messina plays the talented detective trying to rescue them and fruitlessly apply logic to the unexplained happenings occurring right before his eyes.

The film begins with an extended, disorienting upside-down view of downtown Philly, and then proceeds to take us through some unusual camera angles into the building, down the elevator shaft and into the lobby. This is our initial intro to the unlucky five. It’s a very interesting start to an entertaining thriller.

The director is John Erick Dowdle (Quarantine) and he does an effective job of creating fear within the confined space of the elevator. He manages to create camera angles despite the lack of space. The use of the security camera and booth is brilliant and allows the viewer to be both inside and outside … both are frightening in their own way. Welcome back, Mr. Shyamalan!

SEE THIS MOVIE IF: You can suspend disbelief and enjoy a creepy thriller OR if just the thought of being stuck in an elevator makes you queasy and weak in the knees.

SKIP THIS MOVIE IF:  Your idea of a great weekend is a documentary festival OR if just the thought of being stuck in an elevator makes you queasy and weak in the knees.


A NIGHTMARE ON ELM STREET (2010)

May 9, 2010

 Greetings again from the darkness. OK, if you are seeking cinematic genius, no need to check this one out. On the other hand, if you enjoy a good scare, a creepy story and a really messed up bad guy … the latest reincarnation of Freddy Kreuger may be just what you have been dreaming of.

The list of Elm Street alums is pretty impressive: Johnny Depp, John Saxon, Laurence Fishbourne, Patricia Arquette and of course, Robert Englund. Sadly, the new one only gives us a bunch of mid-20’s types as high schoolers (yes, STILL a pet peeve of mine), though Kate Cassidy is the daughter of former pop star David Cassidy, and Rooney Mara is Kate’s sister. Kyle Gallner and Thomas Dekker are familiar enough and wear sufficient bleary-eyed make-up to help us forget their real ages.

Of course, the real stars here are Freddy and the dream sequences. We get a decent enough scrip without the total camp of the later Elm Street films. The first time director is Samuel Bayer, who made his name as a music video director. His eye for visual effects and camera shots is a plus here. I really enjoyed some of the spectacular individual shots, even if the overall flow was a bit choppy.

Wes Craven’s original creation lives on through the fine work of Jackie Earle Haley as Mr. Kreuger. Many will remember Jackie Earle as the dirt bike riding center fielder in the first Bad News Bears. He is all grown up now and experiencing a really nice career revival. He possesses the necessary creep factor to pull off this nastiest of nightmares.


THE WOLFMAN (2010)

February 14, 2010

 Greetings again from the darkness (and fog). OK, I admit it. I love this stuff. As a kid, I watched Frankenstein, Dracula and Wolfman movies again and again. The 1941 version with Lon Chaney Jr as the Wolfman is classic horror. Of course, the film itself wasn’t really so scary … instead, it’s the possibility of the transition from man to monster and then back again! Director Joe Johnston (Hidalgo, The Rocketeer) stays true to the original story and shows us how far stunts, special effects and make-up have come in the last 69 years. Add in another terrific score from Danny Elfman and you get a few good jumps in your movie seat.

Benecio Del Toro and Anthony Hopkins are absolutely perfect casting for the cursed father and son. Their transformations work well given their “natural” features … especially Del Toro, who looks as though he was born for the role.

Emily Blunt is the token eye candy, and Hugo Weaving (The Matrix) is the Scotland Yard detective on the hunt. Neither are really given much to do, but it doesn’t matter. The fun starts when the full moon arrives.

The down side is that the CGI are a bit weak when the creature is on all fours running, jumping and leaping tall buildings. But that’s a minor quibble when you consider the set design is breath-taking. Horse and carriage, cozy English pub in a quaint town, and a run down-once majestic castle that houses Mr. Hopkins and family.

I applaud the director for remaining true to the roots of the story and not “updating” it ala Twilight to show high school students in 21st century NYC as werewolves. Go in with the right attitude and this one will make for a fun Valentine date.