Greetings again from the darkness. After reading the synopsis, I was tempted to pass on this one and move on to the next film on the list. What could possibly be appealing about another fading boxer whose life is in shambles? Co-directors Bjorn Franklin (also the screenwriter) and Johnny Marchetta are frequent collaborators on music videos, and this, their first feature film, is a solid action-melodrama with some moving parts that all (OK, mostly) come together. It also has a surprisingly effective lead performance.
Living in Wales, Sal (Toby Kebbell, “Servant”) is a past-his-prime boxer taking falls in the ring at night, while showing touching care in his day job at the local Nursing Home. Sal is getting by, but it’s clear he needs no sunglasses for his future. His teenage daughter, Molly (Kila Lord Cassidy) is holding on to anger towards him, while his ex-wife (Elaine Cassidy) mostly wishes he would just leave them alone. Matching the mostly joyless life Sal leads is the lighting and atmosphere created by the filmmakers … hometown looks like a place where smiles are rare.
Just as we are adjusting to Sal’s bleak existence and his misguided attempts to improve his lot through his job and slowly improving relationship with Molly, a bad influence pops up in the form of Vince (Shia LaBeouf). Sal and Vince were friends and boxing buddies in their younger days, and now, just out of prison, Vince wants to get the band back together for nefarious activities that can bring them some cash. And just like that, the melodrama of Sal’s struggling becomes a bit of a crime drama, where Vince infuses chaos and Sal makes more poor decisions.
Sal’s long-time trainer and mentor, old-timer Welly (James Cosmo) tries desperately to keep Sal on track and even scores him a real opportunity for redemption. Of course, we have come to know Sal as a man with the best intentions, but an inability to overcome the constant hurdles life puts in his way. Toby Kebbell delivers a truly touching performance as Sal, and his personal struggles are certainly the best part of the film. Shia LaBeouf adds heft as a guy we may initially misjudge, yet in this world happy endings are tougher to come by than victories in the ring.
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Posted by David Ferguson 
Greetings again from the darkness. Grief is one of the most powerful emotions we humans can experience. The range of effects varies from lethargy to sadness to full-on depression. We’ve all experienced that feeling of wishing for one more shared moment or the opportunity to say goodbye. Writer-director Nacho Vigalondo (TRUE CRIMES, 2007, COLOSSAL, 2008) is working with an intriguing premise and a strong cast, yet for some reason, this one doesn’t pack the punch it seems like it should.
Greetings again from the darkness. Beauty. It permeates every scene in Durga Chew-Bose’s (TINY FURNITURE, 2010) adaptation of the 1954 Francois Sagan novel. The novel was previously adapted for the screen in 1958 by legendary filmmaker Otto Preminger, and this new version assumes a different tone while maintaining the essence of the novel. It should be noted that Sagan was only eighteen years old when her novel was published, adding pertinence to the character of Cecile.
Greetings again from the darkness. Given the turmoil around the globe, being the first film co-directed by an Iranian filmmaker and an Israeli filmmaker makes this one even more impressive … both on screen and behind it. The co-directors are Zar Amir Ebrahimi (who also stars) and Guy Nattiv (who also co-wrote the screenplay with Elham Erfani). Nattiv previously won an Oscar for his superb short film SKIN (2018).
Greetings again from the darkness. After you loop the belt around the ceiling fan in the cheap roadside motel, you then tighten it around your neck. You are prepared to follow through, yet when you regain consciousness, you are shocked to realize your Sunshine Radio motorhome is being driven by a human-sized monkey. Writer-director and lead actress Nina Conti and co-writer and lead actor Shenoah Allen quickly jumpstart the oddities and make it clear this one is going where no man or monkey has gone before.
Greetings again from the darkness. Those teenage years can be so bumpy. One day is the worst ever, and the next day is the best. Dealing with parents is frustrating because they just don’t understand. Making friends is impossible. Today they like you and tomorrow they join with others in making fun of you. Clothes and shoes are never right. School is a waste of time. It’s a wonder anyone ever reaches their twenties. In his first feature film, writer-director Chris Merola doesn’t try to tackle all aspects of teenage misery, rather just enough to make sure we recognize it.
Greetings again from the darkness. Empty Nest Syndrome is one thing I’ve never really understood. As parents, for eighteen years we work diligently to raise independent, morally strong and confident individuals who can contribute to society and stand on their own. When that time comes, it should be a celebration, not an episode of sadness and depression. For so many parents, it’s the latter. This first feature film from writer-director Antonio Sequeira takes on this topic by showing not just the changing family dynamics, but also the changes for the individuals.
Greetings again from the darkness. Artificial Intelligence and the uncertainty of its uses and power are real world concerns. On the heels of MISSION: IMPOSSIBLE – THE FINAL RECKONING, which dealt with AI as an omnipotent force, comes an HBO film that focuses more on the human beings driving the technology. Jesse Armstrong, the creator of “Succession”, delivers his feature film directorial debut as a combination of satire and caution.
Greetings again from the darkness. Jon Avnet long ago established himself as a Director of such films as FRIED GREEN TOMATOES (1991) and RIGHTEOUS KILL (2008), and also as a Producer of films including RISKY BUSINESS (1983) and BLACK SWAN (2010). Beyond that, a significant portion of his career has been spent on television series, including two excellent ones in “Boomtown” and “Justified.” In his latest film, the writer-director reunites two of the fine actors he worked with in those series, Neal McDonough and Mykelti Williamson. Avnet co-wrote the script with McDonough and Derek Presley.
Greetings again from the darkness. London-based Indian artist Karan Kandhari chooses a misfit couple’s arranged marriage as the basis for his debut feature film. As writer and director, Kahdhari delivers a psychological comedy that goes a bit dark at times, yet the abundance of creativity and a terrific lead performance keep us anxious to see what happens next.
Movie Reviews from the Dark 