BLACKTHORN

November 3, 2011

 Greetings again from the darkness. George Roy Hill‘s Butch Cassidy and the Sundance Kid is one of my all-time favorites. Action, adventure, gun play, wise-cracking, romance, charming lead actors, and a touch of western legend, all combine for a very entertaining film. Spanish screenwriter and director Mateo Gil (s/p, The Sea Inside) takes up the story 20 years from the infamous freeze frame that ended Hill’s 1969 film.

Sure, you might need suspension of disbelief since we all remember the hundreds of Bolivian soldiers firing at once when Butch and Sundance attempted their escape, but this film is really more about aging and trying to put things right in a life that took a wrong turn. The Butch we are first introduced to is writing a letter to the son of Etta Place, after her death. He writes that it’s time to come home – meaning he is to leave the quiet life in rural Bolivia and make the long journey back to the U.S.

 This aging “Uncle Butch” is played by the great Sam Shepard. Mr. Shepard is not just a Pulitzer winning writer, but he has always had an incredibly strong screen presence … a wonderful face and trustworthy voice. Here is in full grizzled cowboy mode and sports the bright eyes we remember from Paul Newman, while displaying a newfound peace raising horses in the Bolivian countryside. He lives this life as James Blackthorn, not Butch Cassidy. He even has a relationship with one of the local ladies, who seems filled with the spirit that Butch had as a younger man.

 Blackthorn collects his savings from the bank … a bit ironic, eh? He sets off on the journey, but is quickly knocked off course thanks to the recklessness of a Spainish thief played by Eduardo Noriega. Noriega says he can makes things right and the two form an unlikely team. Unfortunately, Butch has become more trusting in his old age, and Noriega turns out not to be the partner than Sundance once was.

This whole story is a bit outlandish, but it’s at its best when Blackthorn runs smack dab into Makinley, one of the old Pinkerton men who was chasing him twenty years ago. Turns out, Makinley (Stephen Rea) is a social outcast because he was the only one who thought the boys survived that attack so many years ago. Seems both Makinley and Blackthorn have been cast aside and trapped for two decades in Bolivia.

 While Shepard is outstanding, he shares star billing with the terrain of Bolivia. It definitely holds its own versus the Monument Valley we have seen in so many westerns over the years. The salt flats are particularly beautiful and treacherous, and filmed with skill by the director. We are also treated to periodic flashbacks and a few of the key moments for the younger Butch (Nikolaj Coster-Waldau), Sundance (Padraic Delaney) and Etta (Dominique McElligott). We learn that the partnership was truly that … one for all.

This film will probably have little box office success, but it’s certainly worth a look for those of you intrigued by the Butch and Sundance legend, and are able to wonder just WHAT IF ….

SEE THIS MOVIE IF: you are a fan of the original Butch & Sundance OR you never miss a chance to see Sam Shepard onscreen OR you would like to see the rarely seen natural beauty of Bolivia

SKIP THIS MOVIE IF: a slow moving western hold little appeal for you OR you just aren’t willing to buy into the idea that maybe Butch and Sundance survived the Bolivian Army massacre

watch the trailer:

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Posted by David Ferguson

ANONYMOUS

October 31, 2011

 Greetings again from the darkness. While it is clear that writer John Orloff and director Roland Emmerich (Independence Day) believe that Edward De Vere, The Earl of Oxford, and not Will Shakespeare, wrote the infamous and iconic plays we have celebrated for 400 years, my advice is to watch this as a Hollywood movie and not a docu-drama. Hollywood is at its best when exaggerating, twisting and dramatizing historic events and figures .. .and presenting the lot as fact.

You may be an expert on Shakespeare and even Elizabethan history, but whether you are or whether you are not, my guess is that you will find this to be interesting and thought-provoking. You may agree with the idea that Shakespeare was not the prolific and talented author, but this movie provides only one possible alternative … with no scientific proof or actual documentation. We see Rhys Ifans and Jamie Campbell Bower portray Edward De Vere as the older and younger version respectively. Both capture his passion for writing and frustration at being unable to live the life for which he was born.

 Vanessa Redgrave and her real life daughter Joely Richardson portray Queen Elizabeth at the older and younger stages, and we certainly get a distinctive impression of how “the Virgin Queen” may have been mis-labeled as much as any figure in history. Many lovers and illegitimate children are mentioned and the web of secrecy would have been exhausting, given the vast responsibilities of her position.

 Rafe Spall portrays Will Shakespeare as what one might call The Village Idiot. The buffoonery we see from this man is an extreme that weakens the case for De Vere, rather than strengthen it. Though talented writer Ben Jonson (Sebastian Armesto) was De Vere’s first choice, the lack of morals by the illiterate actor Shakespeare allows him to seize a capitalistic opportunity and soak up the audience love.

The best part of the film is the realistic look and feel of the streets, the Globe Theater and costumes. Rhys Ifans is exceptional in the role of De Vere, and the story itself plays out much like one of Shakespeare’s plays. The downside is, I believe most will find the multitude of characters and time-lines and sub-plots to be quite confusing at times. Don’t take a bathroom break or you’ll miss new babies being born and royal overthows being planned.

SEE THIS MOVIE IF: you are a Shakespeare buff OR you subscribe to the theory that the Bard has been mis-identified for 4 centuries

SKIP THIS MOVIE IF: you prefer not to need a note pad to keep up with the players and plots

watch the trailer:

 

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Posted by David Ferguson

TAKE SHELTER

October 25, 2011

 Greetings again from the darkness. What a beautiful piece of filmmaking that up-and-coming writer/director Jeff Nichols (Shotgun Stories) delivers. Not only will the story grab you and hold tightly, but Michael Shannon‘s performance will stun your senses. All of that from a film with very few special effects and a story based in a quiet, rural Ohio town? Yes.

Shannon (Boardwalk Empire, Revolutionary Road) plays Curtis, a quiet, hard-working husband and father. His friend and co-worker Dewart is played by Shea Whigham (also Boardwalk Empire). Early on, Dewart tells Curtis (with a touch of envy) that he has a good life, and that’s about the best thing you can say about a man. It’s about this time that all heck breaks loose for Curtis. He has vivid apocalyptic dreams and visions that a world-changing storm is coming.

 Being the strong man and protective head of the family that he is, Curtis tries to keep this quiet. However, his behavior grows more strange as he builds out a storm shelter in the backyard, gets rid of the family dog, and messes things up at work. These things wouldn’t stand out for most people, but Curtis is the “normal” guy – the one who is consistent and predictable. At least he once was.

 Curtis’ wife Samantha (Jessica Chastain) and hearing impaired daughter Hannah (Tova Stewart) are supportive and try to give him space, but the family demands are such that a husband and wife confrontation is not long in the making. Turns out Curtis has a family history that drives him to dig a little deeper and even seek help.

After much emotional wrangling, there is a scene at a community dinner where Curtis and Dewart have it out. Shannon’s rant is one of the more powerful scenes you will ever see on film, and may have just clinched him an Oscar nomination.

 This is a thought-provoking and emotional film that doesn’t beat you over the head. Things unfold at a natural pace, in fact, it may be too slow for some viewers. The score is haunting and never once over-bearing as we battled through these stages with Curtis.

The ending may prove controversial, but I just smiled a very satisfied smile in appreciation of one beautiful film. There could be comparisons to Peter Weir’s The Last Wave, or even the Coen Brothers’ A Serious Man (sans humor), but to me, this one stands on its own as a story of love, support and strength.

SEE THIS MOVIE IF: you want to see an Oscar worthy film with an Oscar worthy performance

SKIP THIS MOVIE IF: you have your own apocalyptic visions and don’t need to borrow anyone else’s!

watch the trailer:

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Posted by David Ferguson

MARGIN CALL

October 22, 2011

 Greetings again from the darkness. It is absolutely understandable if you have reached your limit for dissecting and analyzing the 2008 financial crisis. However, if you can’t get enough, or are still trying to find someone to blame for looting half your retirement plan, this film offers a different perspective and one that proves more identifiable and personal. Wall Street is the new favorite bad guy in Hollywood these days and here we get faces for the targets.

Hopefully you saw Inside Job, a fine documentary that provided an overview of the collapse. HBO’s Too Big To Fail gave us a glimpse inside the Fed’s decision making process during the crisis. This movie narrows the focus down to a singular investment bank. Writer/Director JC Chandor serves up a dramatized story that begins with massive layoffs. We see the hatchet crew arriving replete with security escorts, as high paid executives are led out to the sidewalk. Stanley Tucci plays a middle manager in the Risk-Analysis department. As he is headed to the curb, he hands a flash drive to one of his young analysts (Zachary Quinto) and tells him to finish it and “be careful”.

 Flash forward a few hours and the surviving staff heads out for celebratory drinks while Quinto’s character starts churning away on Tucci’s formula. Once he realizes that the risk formulas on MBS (mortgage backed securities) show threatened stability of the firm, he places an emergency call. It is quite interesting to see how this emergency escalates as we are introduced, one rung at a time, to the hierarchy within the firm … Paul Bettany, Kevin Spacey, Demi Moore, Simon Baker. This culminates in a late night conference room meeting when the CEO (Jeremy Irons) arrives by helicopter.

 There are so many facets to this story. We see how some are in the game for money. Penn Badgley says it’s all he ever wanted to do, but his obsessive behavior over the income of each manager shows us why. Paul Bettany is a middle manager who realizes the “killers” such as Simon Baker have passed him by. Demi Moore plays the type who doesn’t mind finding a fall guy, as long as it’s not her. Kevin Spacey is 30+ year career man who has survived many crisis by being loyal to the firm, while also doing right by the client. Jeremy Irons is the charming, powerful CEO who laughs about being as smart as a Golden Retriever, but laser-focused on keeping the firm viable.

 What you can’t help but notice is the number of managers who point out that they don’t understand the charts and graphs and numbers, and just need someone to explain it to them in “plain English”. We also see self-preservation at its finest/worst and the struggle that some of the characters have in deciding what is the “right thing to do”. It is not surprising, yet frightening still, to see that the red flags were flying before anyone acknowledged their presence. No one wants to be the one to shut down a party.

When the CEO says the three ways to win are to: “be first, be smartest or cheat”, we realize huge decisions are made only in the best interest of the firm … not the economy, and certainly not an individual investor. Although this investment firm remains nameless through the film, I did find it interesting that Irons’ character name is John Tuld.  John Tuld … Dick Fuld … Just sayin’!

SEE THIS MOVIE IF: you want as many perspectives as possible on what caused this latest financial meltdown OR you have any remaining doubts that corporations make decisions based on their own best not interest.

SKIP THIS MOVIE IF: 2008 is in your rearview mirror and you have no interest in looking back OR your blood pressure shoots up any time someone mentions Wall Street, investment bankers, etc.

watch the trailer:

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Posted by David Ferguson

THE THING (2011)

October 16, 2011

 Greetings again from the darkness. Let’s tip our ski masks and flamethrowers to John W Campbell Jr. He wrote the 1938 novella (“Who Goes There?”) that has inspired 3 versions of The Thing, plus the Alien series and numerous other sci-fi movies and TV episodes. This latest version is actually a pre-quel to the 1982 film John Carpenter’s The Thing starring Kurt Russell. First time feature director Matthijs van Heijningen Jr does a nice job of staying true to Carpenter’s version and offering a back-story, while still coming across fresh for a new generation.

 Going back to 1951, The Thing from Another Planet succeeded in frightening a bunch of young filmgoers and hooking them on sci-fi and terror at the theatre. In that version, James Arness (later famous as Marshal Dillon in Gunsmoke) was a hulking creature responsible for many nightmares for kids in the 50’s. John Carpenter updated the look in 1982 with a version that has become classic sci-fi and horror, and now this version takes advantage of today’s spectacular special effects.

 The special effects do dominate and that’s not necessarily a bad thing. The creature and its process are on full display quite a lot, so instead of suspense, we get outright fright shown by the research team. If you aren’t aware, this research station is located in Antarctica, and the frozen tundra and isolation are characters unto themselves. There is very little character development in this most recent version. We do get a Ripley-esque Kate played by Mary Elizabeth Winstead (Death Proof cheerleader), a misguided scientist (are there any other types?) played by Ulrich Thomsen, and a right guy in the wrong place nice guy played by Joel Edgerton (Animal Kingdom, Warrior). The rest of the cast are mostly Norwegian dudes who, I am sure, have had better vacations than this.

The movie has a couple of very nice shots depicting the frozen terrain and a very cool overhead of the creature frozen in ice. Other than that, fans of the 1982 version will be glad to know that the flamethrowers are back, as is the dog. Just know that this one is driven by special effects, so if you are up for a creature/alien film, you’ll probably be satisfied.

SEE THIS MOVIE IF: you are a fan of either of the previous two OR you like the mixture of terror and sci-fi OR you never miss a movie featuring a flamethrower

SKIP THIS MOVIE IF: you think John Carpenter’s 1982 version can’t possibly be topped OR you aren’t the type to be impressed by gore-centric special effects OR you are protesting since Kurt Russell doesn’t make an appearance

watch the trailer:

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Posted by David Ferguson

MY AFTERNOONS WITH MARGUERITTE (La tete en friche, FR.)

October 9, 2011

 Greetings again from the darkness. It’s nice to see a sweet, charming, lovely little movie get made and distributed. The characters are people we immediately recognize and feel like we know … or wish we did. Based on a novel by Marie-Sabine Roger, it’s directed by Jean Becker who clearly loves the characters, dialogue and message.

Gerard Depardieu stars as Germain, a giant hulking mass of man who labors to breathe and doubts his lot in life.  He is both likable and a bit of a target for good-hearted barbs by his buddies at the café where they all hang out. Germain is the kind of guy who tends a garden of home grown veggies, and finishes his handyman work when the job is done … even if it means he gets cheated out of a few dollars.

 One day Germain meets Margueritte. Seems they both like to feed the pigeons from the same park bench. The two of them fall in love. OK, it’s not quite that simple. Margueritte (Gisele Casadesus) is 95 years old and lives at a retirement center nearby. Her world consists mostly of reading books and counting pigeons. That is, until she meets Germain. Her wise, but failing eyes, recognize a wounded man. A man with a giant and kind heart. And mostly a man who is a wonderful listener. See, Margueritte READS aloud to Germain, who was mistreated as a child by his mother and teacher, and never developed any self-esteem or refined social skills. Margueritte helps him overcome through the words she reads … and the stories he visualizes.

 This simple story shows what an impact we can have on others by listening, or through a simple act of kindness. Margueritte’s efforts open up the world for Germain, while his willingness to listen and care, give her hope for another day. There are side stories involving Germain’s mother (Claire Maurier), whom he still cares for, Germain’s younger girlfriend Annette (Sophie Guillemin), and the circle of friends at the café/pub. These are all French people and full of life and emotion and judgment and caring.

Despite the shaky ending, this movie made me smile and had me hoping to spend an afternoon on the park bench with Margueritte and Germain … reading The Plague by Albert Camus. Now that’s a movie first!

SEE THIS MOVIE IF: you want to see an unconventional and sweet story of friendship and love OR you have been wondering where all the 95 year old movie stars are!

SKIP THIS MOVIE IF: French films with subtitles and senior citizens feeding pigeons and reading aloud makes you long for boxing robots

watch the trailer:

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Posted by David Ferguson

IDES OF MARCH

October 9, 2011

 Greetings again from the darkness. Political thrillers can be so juicy and filled with “gotcha” moments and “oh how could he/she” scenes. Inevitably, most come down to an “I believed in you” showdown and reckoning. This latest one based on the play Farragut North by Beau Willimon, gives George Clooney an opportunity to play out his political aspirations without opening himself to the real thing.

Clooney also directs and the smartest move he made was assembling an ensemble cast of some of the best actors working today. Clooney plays Pennsylvania Governor Mike Morris, who is one of two still-standing Democratic Presidential contenders on the verge of the Ohio primary. His Campaign Manager is grizzled campaign veteran Paul, played with staunch principals and a black-and-white rule book by Philip Seymour Hoffman. Their talented and idealistic Press Secretary Stephen is played by Ryan Gosling, who talks more in the first scene than he did in the entire movie Drive. Their opponent’s manager Tom Duffy is played by Paul Giamatti. Duffy oozes cynicism and seems to have misplaced the rule book that Paul holds so dearly.

 The film begins with the set-up so we get a feel for just how strong or weak of character each of these men are. Morris (Clooney) is obviously an Obama-type idealist who claims his religion is the US Consitution. He says this while gently poking fun at his opponent’s Christian beliefs. We see just how talented Stephen (Gosling) character is at handling the words that his candidate speaks and we see Paul (PSH) in full back room politico maneuvering.

 The film has two huge points where the mood swings. The first is a contrived, definite no-no meeting between the ambitious Stephen and the shrewd Duffy. The second is a sequence between Stephen and a 20 year old campaign intern named Molly (Evan Rachel Wood), who also happens to be the daughter of the Chairman of the DNC. These two events turn the film from political thriller to melodramatic Hollywood fare. That doesn’t make it less of a movie, it’s just different than it began.

 Cat and mouse games ensue and we see just who is the master manipulator amongst a group of professionals. This is one of those films where the individual pieces are actually more interesting than the whole pie. There are two really excellent exchanges between Gosling and Hoffman. Ms. Wood steals her scenes with ease. Jeffrey Wright nails his brief time as a desperate Senator negotiating the best deal possible. Giamatti’s last scene with Gosling is a work of art. The only thing missing is a confrontation between Giamatti and Hoffman. THAT alone would be worth the price of admission.  We also get a glimpse of the give-and-take gamesmanship between the campaign (Gosling) and the media (Marisa Tomei).

You might be surprised that Clooney actually minimizes the political meanderings, though he does get in a few jabs at the Republicans. This is more character drama … how far can your ideals and morals carry you. What is your breaking point? Where is the line between realist and idealist? Is it betrayal if you act for the right reason? The final shot of film is superb. Et tu, Brute.

SEE THIS MOVIE IF: you don’t mind a mixture of political drama and traditional Hollywood melodrama, especially when performed by a group of top notch actors OR you are convinced that only Republicans do bad things

SKIP THIS MOVIE IF: you only want a full-fledged political expose’ around running for political office OR you still believe that politicians and idealists are above reproach.

watch the trailer:

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Posted by David Ferguson

REAL STEEL

October 9, 2011

 Greetings again from the darkness. Director Shawn Levy brought us the Night at the Museum Movies and I guess that’s about the same audience he is after with this one. Most will compare this to Rocky, and the similarities are obvioius, but the film this most reminds me of is Dreamer with Kurt Russell and Dakota Fanning – A spunky kid trying to prove everyone wrong in an against all odds competition. But while this one is entertaining enough, I would not put it at the level of either of those movies, which both had better performances and a much better script.

 Hugh Jackman is Charlie, a pompous, bombastic, self-centered hustler who tries to stay one step ahead of the collectors chasing him. He is always looking for a big score in the robot boxing game. What? You aren’t familiar with this sport? Well the film is set in not-too-distant-future, but the only thing I could tell had evolved was the technology of robots and cell phones. Jackman’s world gets jacked up when his 11 year old son (Dakota Goyo) is thrust into his life after the mother dies. Yes, he has been an absentee father and the kid is ridiculously smart and cute.

The two of them set off to make noise in the robot fight world with a dilapidated old model that they rescue from the junk yard in a driving rain storm. There are very few surprises along the way, but father and son develop a bond thanks to the success of their robot, and said robot is not the only one who gets “rescued”.

 Supporting work is provided by Evangeline Lilly, Anthony Mackie, Kevin Durand, Hope Davis and James Rebhorn. These are all competent actors who deliver fine work, but there is nothing special to the script. The one thing that makes this one a little different and will certainly appeal to 10-12 year old boys, is the fighting robots. The fights are action-packed and enjoyable/exciting to watch. They actually look like boxing matches … only with metal creatures, who for some reason are built to mimic human movement.

There have been countless other robot movies: Transformers, Bicentennial Man (Robin Williams), I Robot (Will Smith) and, of course, Lost in Space! Don’t expect much more from this than those offered, but it is a simple fun ride, especially for the pre-teen who enjoys any type of frenetic clash.

SEE THIS MOVIE IF: you are always looking for a movie that you and your 11 year old can see together

SKIP THIS MOVIE IF: you prefer to miss Hugh Jackman in hyper-over-acting mode.

watch the trailer (and get a feel for the robot fighting):

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Posted by David Ferguson

MACHINE GUN PREACHER

October 7, 2011

 Greetings again from the darkness. Movies based on true stories and real people tend to receive the benefit of the doubt from me, even when they exaggerate those truths and characters. At the beginning of the movie, Sam Childers is an ex-con, druggie, gun-loving drug dealer, thug, lousy dad, worse husband, and overall man of failed character. When he finds God, he loses the drugs but the only other thing that really changes is his postal address.  All of that is based on the real life Childers.

 Sam Childers sees himself as a modern day crusader working to make a better life for the war orphans in Sudan. It’s impossible to argue that he hasn’t had an impact on lives. The real question is, at what cost and by what methods? Over the closing credits, we even get a clip of the real Sam asking us “does it matter how?”.

You will find no debate here for whether or not this man has made a difference or whether his methods should be judged. This space is merely for analyzing the movie which is telling a story. Gerard Butler does an admirable job making Sam a somewhat sympathetic character. Re-read my first paragraph if you think that’s easy! Michelle Monaghan plays Lynn, his incredibly supportive wife who actually helped Sam find God, rather than continue his criminal, drug-addled ways with friend Donnie (Michael Shannon).

 While I found the story of the Sudanese children to be heart-breaking, the choppy and fragmented manner in which it’s presented was quite annoying. The story began in 1998 but we never really knew what year it was or how much time had passed between Sam’s trips home. Many of the gun battle scenes came across very staged and set-up for a cool shot of Butler brandishing a weapon and bandanna.  The photo at left is Gerald Butler discussing a scene with Sam Childers.

The production value of the film is surprising considering it’s directed by Marc Foster, who has many fine films to his credit (Monster’s Ball, Finding Neverland).  While watching, I had the feeling that there must have been some omitted scenes, and others were edited to the point of being nearly incoherent. 

So while I found the story to be quite interesting, I found the delivery to be less than adequate. This despite fine performances from Butler, Monaghan, Shannon, Kathy Baker and Madeline Carroll. There are numerous magazine articles about Sam Childers and I believe you will find those more accurate and informative.

SEE THIS MOVIE IF: you are up for an interesting story about a fascinating real life man, and you can overlook the shoddy presentation OR you just want to see Gerald Butler looking cool with a machine gun!

SKIP THIS MOVIE IF: you would rather read an article about the real life Sam Childers than watch chopped up version of his story.

watch the trailer:

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Posted by David Ferguson

THE HEDGEHOG (Le Herisson, Fr.)

October 1, 2011

 Greetings again from the darkness. The directorial feature debut from Mona Achache is based on the French bestseller “The Elegance of the Hedgehog” by Muriel Barbery. The meticulous pace masks whirlwind of emotion and thought occurring in the three key characters. Three characters whom each of us might be guilty of overlooking on a daily basis.

For those who don’t know, the film defines a hedgehog as a prickly-on- the-outside, cuddly-on-the-inside critter that is often misjudged. Our three characters all fit this description in some manner. Paloma (Garance LeGuillermic) is an 11 year old artistic and observant girl who plans to kill herself on her 12th birthday because no one understands her.  Her life is filled with what are the minor inconveniences of being an 11 year old – her mother talks to plants more than she talks to her, her father is a distracted workaholic, and her self-centered teenage sister is, well, a self-centered teenager. Madame Renee Michel (Josiane Balasko) is the building’s caretaker. Self-described as old and ugly, she lives the life of quiet desperation, hiding with her cat and massive library of books and chocolate. The building’s new tenant is Kakuro Ozu (Togo Igawa), a mysterious and elegant man who immediately sees through Madame Michel’s prickly exterior.

 Paloma spends much of her day documenting by video camera the goings on in her life and of those in her building. She often adds her insightful and humorous narrative to the scene as it occurs. Her view on life and its possibilities begins to change as she observes and gets to know Madame Michel and Mr. Ozu, and more importantly, observes their interactions.

 The underlying storyline of an 11 year old girl contemplating suicide can be quite disturbing, but director Achache never really lets that occur. Instead we focus on very simple acts of kindness and subtle smiles and gestures that indicate life can be rewarding and worthwhile. I also found Madame Michel’s surrender to the state of invisibility to be quite disturbing, but her awakening to be fascinating. She had not been rejected by society as much as simply overlooked.

Unlike many French movies that bombard us with rapid fire, overlapping exchanges, this one instead relies on patience and a sharp eye … think of it as the slight squeeze while holding a loved one’s hand.

SEE THIS MOVIE IF: you are intrigued by a subtle intersection of three seemingly unrelated characters who happen to live in the same building and are brought together by a cat, goldfish, chocolate, books and a video camera.

SKIP THIS MOVIE IF: just the thought of a slow moving character drama in French with subtitles makes you yawn.

see the trailer:

Leave a Comment » | Drama, World Cinema/Foreign | Tagged: , , , , | Permalink
Posted by David Ferguson

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