CATS OF MALTA (2023, doc)

October 5, 2023

Greetings again from the darkness. Dog people vs cat people. There have been scientific studies on the personality of those who fall on one side or the other. Surprisingly, this dog lover agreed to review a cat movie … an agreement based on the assurance that all relevant cats would be on screen and not in my lap. Australian director Sarah Jayne Portelli opens with some spectacular aerial shots of Malta, an island (archipelago) in the Mediterranean Sea dating back to 5900 B.C. She gives us a brief overview of its history, and then discloses that she lived on Malta for four years and was intrigued by the cats.

She informs us that Malta has a population of 450,000 people and approximately 100,000 stray cats. The director uses a vignette approach over the 58-minute runtime to introduce us to various citizens who share their personal cat stories. We hear the tale of a woman who rescued an injured cat that ultimately had a leg amputated. The three-legged cat still roams the streets, though it hasn’t forgiven the woman for messing up the medications. We are told that cats will sit patiently at the door of a café staring non-stop at a particular diner who is expected to provide table scraps upon finishing. A newly constructed Hilton property forced the relocation of a long-time cat village, and we meet the artist chosen to renovate the massive cat statue atop a building along the shore. Bob the large ginger street cat is shown, as is Isaac, a local boy who started feeding the cats when he was eleven years old.

All of these cats (at least the ones in the film) have been given names and are part of the community. The cats have individual personalities and quirks … some are more comfortable with humans than others; something that’s often dependent on whether early abuse or hardship was overcome. A case is made for the government to get involved with animal NGO’s and providing food, which most of the volunteer feeders pay for themselves at this time. There is simply no denying the fascinating cat culture of Malta, and the three benefits: tourism, joy to locals, and mental health therapy. Even this dog person must begrudgingly agree.

On Digital beginning October 3, 2023

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CLERK (2023, doc)

September 26, 2023

Greetings again from the darkness. Despite his 30-year career and devotion to independent cinema, none of writer-director Kevin Smith’s films have ever really clicked with me. Because of this, I was hesitant to review Malcolm Ingram’s documentary on the filmmaker whose rabid fan base adores him. What a pleasure (and relief) to report that it turns out Kevin Smith is much more likable and relatable than his movies, at least for me.

Ingram includes the family of the man from New Jersey, and we hear from Smith’s mother, his brother, and his daughter. Smith explains that it was his father who had the most influence, regularly taking him to the theater as a youngster. Kicking things off is a 1992 video Smith recorded for his parents prior to taking off for film school. Despite his ultimately dropping out of school so he could make movies, the brief clip shows respect and appreciation for parents who were so supportive.

For most of two hours, we proceed chronologically through Kevin Smith’s life and career, and yes, Ingram has rounded up the usual suspects: Jason Mewes, Scott Mosier (Mr Get-it-done), Joey Lauren Adams, Betty Aberlin, Walter Flanagan, Brian O’Halloran, and others in this group (or is it troupe?) of regulars. Adding glitz to the proceedings are interviews with Stan Lee, Penn Jillette, Richard Linklater, and Jason Reitman, reinforcing Smith’s connection to mainstream Hollywood, as well as his beloved comic book community.

Of course, it was the Sundance Film Festival in 1994 when everything changed for Kevin Smith. His debut feature film, CLERKS, was warmly received, and he was aptly described as a blend of Howard Stern and David Mamet. ‘Warmly received’ is a bit of an understatement, as Smith basically exploded onto the scene as the next big filmmaker to watch. As has happened so often to others, he discovered that building on that initial success is a bit more complicated.

Smith’s body of work includes MALLRATS (1995), CHASING AMY (1997), DOGMA (1999), JAY AND SILENT BOB STRIKE BACK (2001), JERSEY GIRL (2004), CLERKS II (2006), ZACH AND MIRI MAKE A PORNO (2008), and RED STATE (2011). For many, that would be a wrap on a solid career, however, Smith continues to be involved with TV series and feature films, and in a twist, he evolved into a highly sought after public speaker via a couple of routes: “An Evening with Kevin Smith” and Smodcast, his podcast where no topic is really off limits.

We pick up so many surprising tidbits during this film. Smith has always been a prolific writer, leaving many in awe of his talent. He was annoyed that his job at the video store turned into far more time and responsibility at the adjacent Quick Stop Convenience Store (yes that one). Seth Rogen turned him onto weed … OK, so that one is not so surprising. Smith speaks to his regret upon learning the truth about Harvey Weinstein, whose Miramax backed so many of his projects. A 2018 heart attack didn’t kill him, yet did change him. We also hear from his actor-daughter Harley Quinn Smith who clearly admires her dad, and avoids any fashion commentary on his ever-present hockey sweaters. Kevin Smith is a guy who has found many ways to connect with fans (and make new ones), making him a guy who would never say, “I’m not even supposed to be here today.” Malcolm Ingram has effectively balanced a career retrospective with a character study, and it turns out the character is pretty cool.

Available September 26, 2023 on www.MercantileInstinct.com

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CARLOS (2023, doc)

September 22, 2023

Greetings again from the darkness. Although I was too young to attend Woodstock in 1969, I vividly recall the first time I saw the 1970 concert film, as I was stunned by the energetic performances, the dedicated attendees, and the mass of people making the best of rain, drugs, and music. By this time, I was attuned to Hendrix, The Who, Joplin, and most of the others, but the band that shook me was Santana. Familiar with only one song, “Evil Ways”, off their debut album, I was mesmerized by the pure force of their live “Soul Sacrifice” performance – the relentless drumming of Michael Shrieve (20 years old) and the blazing guitar work from band leader Carlos Santana (a 22-year-old).

With this documentary, Rudy Valdez (THE SENTENCE, 2018), delivers so much more than the typical musician biography. Sure, we get the basic background information, but thanks to chats with Carlos Santana himself, we learn more about the man and how his being is meshed with the music. Born in Mexico, Carlos’ dad played in a mariachi band and taught him to play the violin. The unusual route to rock and roll stardom began when Carlos switched to guitar and the family moved to San Francisco. His blending of Latin Jazz and Blues with rock and roll delivered a sound we had not previously heard. Carlos’ began playing regular gigs at the Fillmore West, and things kicked into gear once promoter/producer Bill Graham got involved.

Carlos formed a band and Graham instituted ‘festival training’ culminating in the live performance at Woodstock. Carlos tells an incredible story about Jerry Garcia (of The Grateful Dead) handing him some drugs, and the next thing Carlos knew, the band was called on stage in the midst of his acid trip. If you’ve seen the movie, the facial expressions will make complete sense once Carlos recalls what he was seeing with that trusty guitar in his hands. It’s one of the best rock stories you’ll hear. A week after Woodstock, Santana’s debut album was released by Clive Davis at Columbia Records.

The family background is interesting enough, but the real value here is in the self-reflection from Carlos. Apparently, the interview was conducted over a period of time, so we see variations and moods from the man with magic music. Carlos even discusses his time as a disciple of spiritual guru Sri Chinmoy … including haircut, white suits, and self-discovery. Carlos confesses how once “Smooth”, recorded in 1999 with Rob Thomas of Matchbox Twenty, became a monster hit, he finally felt validated.

Not many musicians get to have a professional career that spans more than fifty years … or have a wife who is a skilled drummer … or have a ‘slithering snake’ story with a spot in rock lore. But Carlos Santana, now 76 years old, has all of that, and has recently been battling a public relations nightmare after a statement he made regarding the trans community. As for the documentary, the interviews and archival footage and photos provide a nice look at the man behind the music.

Opening in select theaters on September 23, 2023 and going wide on September 29.

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MAN ON THE RUN (2023, doc)

September 22, 2023

Greetings again from the darkness. Remember that time you paid pop star Brittany Spears one million dollars to jump out of a birthday cake at your party? Or the times you paid huge appearance fees to celebrities like Leonardo DiCaprio, Jamie Foxx, and Paris Hilton to hang around your lavish parties? If not, then you’re no Jho Low. And thank goodness for that. Jho Low was in cahoots with then Prime Minister Najib Razak to siphon billions from a fund designed to assist Malaysian citizens. Their fund was called 1MDB (1 Malaysian Development Berhad) and thanks to researchers and whistleblowers, this film from Cassius Michael Kim lays out a textbook case of corruption, fraud, and greed.

The FBI have called this the largest kleptocracy case to date. Kleptocracy is defined as corrupt government officials embezzling funds for personal gain. And yes, that is the where the billions of dollars come in, however, in this day and age, celebrities must be involved for the general public to much care. To satisfy these viewers, the montage of associated celebrities is impressive, and the use of these funds to finance Martin Scorsese’s Oscar nominated film, THE WOLF OF WALL STREET (2014), may provide the perfect example of irony. Government corruption funding a film highlighting Wall Street corruption. To top it off, that scenario is then used as the basis for a documentary focused on the two key players behind this conspiracy of fraudulent activity.

In addition to Jho Low, Prime Minister Najib Razak, and the celebs, the story also involves Najib’s wife, the FBI, Goldman Sachs executives, and numerous other folks who got caught up in the web of greed. Wherever there is dirty money being spent, you can be assured there are dirty people involved. Filmmaker Kim allows many to communicate their perspectives and observations on Jho Low, though the reality is that he remains a somewhat mysterious figure. An enigma who, while conspiring with the head of a country, managed to live the high life by spending money bilked from Malaysians.

A 22-carat diamond ended up with the Prime Minister’s wife, and both of them got what they deserved in the end. However, the newest game of “Where’s Waldo?” is now called, “Where’s Jho Low?” He is the titular man on run, while others pay the price … including a country that teetered on financial failure. The director does include an interview with the former Prime Minister, and we do hear from others who are familiar with the case. Unfortunately, none of the celebrities who accepted the fees agreed to appear on camera, either due to shame or fear of self-incrimination. Still, there is plenty of slime on display.

In select theaters beginning September 22, 2023

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RADICAL WOLFE (2023, doc)

September 14, 2023

Greetings again from the darkness. There have been many great writers over the years, yet only a handful of these have become celebrities themselves … in contrast to celebrities who become “writers”. Tom Wolfe was one whose personality was as big (sometimes larger) than his books. Sporting the trademark white suits that had him labeled “a dandy”, making frequent talk show appearances and numerous public book readings and speeches, Wolfe achieved the celebrity status that evidently was important to him. Richard Dewey’s documentary is based on the “Vanity Fair” article written by Michael Lewis (“Moneyball”, “The Big Short”, “The Blind Side”), who also appears on screen here providing insight into Wolfe the writer and Wolfe the man.

Dewey presents a pretty basic chronological biography of this man whose mastery of word usage has led him to be recognized for introducing some familiar phrases into the language. These include: “the right stuff”, “good ol’ boy”, and “the Me decade”. Wolfe penned many bestsellers across multiple genres, as well as countless articles and essays with his observations and commentary on society and counterculture. Some of his most famous works are “The Right Stuff” (adapted into an exceptional 1983 film), “The Bonfire of the Vanities” (adapted into a regretful 1990 DePalma flop), and “A Man in Full”. It’s that latter 1998 novel that kicked off the high-profile literary feud between Wolfe and rival writers John Updike, Norman Mailer, and John Irving.

Wolfe’s background as a newspaper journalist certainly contributed to his long-standing commitment to research and details. Among those interviewed here and speaking to his expertise are Gay Talese, Christopher Buckley, Tom Junod, and the aforementioned Michael Lewis. Also included are numerous clips of Wolfe’s TV appearances, and even comments from his daughter, Alexandra. Talese in particular captures the essence of Wolfe when he describes him as (something along the lines of) an extremely polite man who transitions into a terrorist with a pen in hand. Not many can be described as an elegant gentleman AND with adjectives such as cynical, mean, outlandish, and contrarian. Tom Wolfe can … and has been.

As a writer, Wolfe turned his focus on Black Panthers, Leonard Bernstein, astronauts, New York City, Junior Johnson’s NASCAR, and Ken Kesey’s LSD hippie counterculture. Sure, he was often criticized for his use of exclamation points and ellipses (a habit we share), yet he was also behind “New Journalism”, aka literary journalism – making stories more interesting to read. He suffered through depression after a heart attack, but the man did things with words most of us can only dream of. Tom Wolfe passed away in 2018 at age 88, but his white suit lives on in images, and magical words live on through publications. For a man who adored adoration, he would likely be fine with that.

The film will debut in limited theaters beginning September 15, 2023

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AMERICAN: AN ODYSSEY TO 1947 (2023, doc)

September 8, 2023

Greetings again from the darkness. Let’s begin with this: Danny Wu’s documentary ties legendary filmmaker Orson Welles into one of the most tumultuous periods of history. This is done not so much in a FORREST GUMP or ZELIG style, but more like one of those push pin boards Claire Danes used in “Homeland” by looping red thread around all the key characters and events. Wu opens with Webster’s 1913 definition of an “American” – originally applied to the aboriginal inhabitants, now applied to descendants of Europeans born in America, and especially to the citizens of the United States.

For cinephiles, much of Welles’ personal and professional story is well-known. Born in 1915, his mother died when he was ten. His father shipped him off to a liberal boarding school where he was free to pursue his passion in the theater, and all things creative. Fellow actor Simon Callow spends a good amount of time on camera recounting Welles’ passion for the theater, and especially acting, and how playwright Thornton Wilder and another legend, John Houseman, were instrumental in assisting Welles with early career breaks.

It’s at this stage where Wu drops in some ‘strange bedfellow’ politics, showing media mogul William Randolph Hearst playing a key role in getting Franklin Delano Roosevelt elected President. As the film progresses, we learn how this relationship shifted 180 degrees, and also how Welles later bore the brunt of Hearst’s powerful reach. FDR pushes through the Federal Theater Project, which keeps Welles working, and it’s in 1938 when Welles’ infamous broadcast of H.G. Well’s “War of the Worlds” puts folks on edge, and it’s the year Howard Kakita is born. We only get bits and pieces of Kakita’s story, but he and his family are linked to the United States, Hiroshima, and the internment camps established by FDR during the war.

By this stage, we have a grasp on what Wu is doing with his film – a blend of historical and biographical material. As a 25-year-old wunderkind, Welles secured an unprecedented contract with RKO, giving him total control of his work. The rough draft of his initial project is co-written with Herman Mankiewicz and John Houseman, and is titled “American”. This work is fine-tuned and becomes the 1941 classic, CITIZEN KANE. It’s at this point that Welles experiences the power of William Randolph Hearst, who crushes the distribution and box office of the film. Of course, even more than 80 years later, it’s still considered a cinematic masterpiece.

What many may not know is how Welles used the theater for many projects promoting anti-racism, at a time when Jim Crow laws were booming. Wu uses the example of Isaac Woodard to bring home the often-disgusting nature of this era. Sgt Woodard was headed home after serving in the war, when he was severely beaten to the point of having his eyes gouged out by a small-town sheriff and deputy. The tragic story is told by Woodard’s nephew and author Laura Williams. The blinding of Isaac Woodard is described as igniting the Civil Rights Movement.

Mr. Kakita offers more details of his family revisiting Hiroshima after the bomb, and we learn how J Edgar Hoover started a file on Welles during the era of McCarthyism and blacklisting suspected communists. After RKO re-edited (butchered) Welles’ film, THE MAGNIFICENT AMBERSONS, Welles felt rejected at most every turn and decided to move to Italy and live a quiet life focusing on the art of moviemaking. Described as transitioning from “Boy Wonder” to the “youngest has-been”, Welles did visit the U.S. periodically, and here his life has provided quite the perspective for Danny Wu’s innovative storytelling.

The film has a limited theatrical release on Sept 8, 2023 and digital release on Sept 12.

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PORTRAIT OF THE QUEEN (2023, doc)

September 5, 2023

Greetings again from the darkness. Although not one of those Americans mesmerized by every move made by the Royal Family, I have long admired Queen Elizabeth II for the manner in which she conducted herself in public. Having served as Monarch for seventy years at the time of her death, the Queen displayed a rare and much appreciated decorum throughout her lifetime in the public eye. In fact, director Fabrizio Ferri begins the film by asking citizens to describe her in one word, and what we hear is no surprise: consistency, constraint, strong, constant, respect. Obviously, she was Queen for the entire life of most British citizens, so her passing was an emotional jolt.

Rather than produce a traditional documentary on her life, director Ferri instead opts to use Paola Calvetti’s 2019 book, “Elisabetta II, Ritratto di regina” as the focus (pun intended). With apologies to the Kardashians, supermodels, and Tom Brady, it’s likely that Queen Elizabeth has been the most photographed person on Earth since she ascended the throne. In contrast to the usual chronological lifeline, we get a fascinating look at some of the photographs and photographers … those that have recorded history via Royal portraits.

Actor Charles Dance is the (often) on screen narrator, and even he and the photographers being interviewed are shot with artistic lighting. Elizabeth and her family had early photos taken by Marcus Adams and Cecil Beaton, and we hear directly from many of the later photographers such as Brian Aris, Jason Bell, Julian Calder, Chris Levine, David Montgomery, and John Swannell, and their insight is often quite intimate and enlightening. One of the best is when we are told that once you photograph the Queen, no other subject will ever be intimidating for the photographer. The only segment that seems out of place is the interview with Susan Sarandon, who recalls meeting the Queen. This comes across as a disruptive celebrity inclusion meant to appeal to American viewers, rather than a contribution to the film.

The film is a brisk one hour and fourteen minutes, and is a stellar balancing act between the actual portraits (some which we’ve seen, others we haven’t), those shooting the portraits, and insight into the world-famous woman at the center. Dating back to her coronation and the eleven-pound bejeweled crown, Queen Elizabeth II’s presence was that of style, grace, and dignity. The pictures don’t lie.

Available on digital beginning September 5, 2023

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MR. JIMMY (2023, doc)

August 30, 2023

Greetings again from the darkness. Obsession. Commitment. Dedication. Devotion. Pursuit of perfection. Whatever this is, it goes deeper than imitation. Akio Sakurai has spent thirty-plus years trying to become … well, let’s use his quote: “I want to be Jimmy Page.” Yes, Akio is not paying tribute to his guitar hero, and he zooms past the definition of fanboy. Director Peter Michael David chronicles Akio’s dream (over 8 years), and the film left me with conflicting emotions. Should I be in awe of Akio’s guitar-playing, or should I be worried about the mental state of someone so focused on being someone else?

Akio tells us it happened when he was about 19 years old. He watched the 1976 documentary, THE SONG REMAINS THE SAME, a concert film showcasing Led Zeppelin’s famed 1973 shows at Madison Square Garden. He along with many of us, were enthralled by the band, and especially by their ferocious guitarist, Jimmy Page. But it’s only Akio, a resident of Japan, and the son of a Kimono designer, who decided to ‘become’ Jimmy Page.

We are along for the ride as Akio meets with his costume designer, the technician who creates his pickups, the factory where his guitars are made, and the tuner of his amps. These are steps most guitarists take, but Akio’s difference is that everything must exactly match what Jimmy Page used … right down to the vintage amps and painstakingly matching stitching on the infamous Black Dragon suit.

Akio played clubs in Japan for years … matching note for note the way Jimmy Page a particular song in a particular year at a particular concert. It was 2012 when things changed. While on tour in Japan, Jimmy Page (yes, THE Jimmy Page) attended one of Akio’s shows and gave him an enthusiastic reception, truly appreciating the attention to craft on display. This ‘dream-like’ moment inspired Akio’s wife to encourage him to follow his dream to America, specifically California.

From this point on, the film follows Akio as he joins a club fand, Led Zepagain. As you can imagine, Akio’s obsession over every note played didn’t always sit well with bandmembers who just wanted to be a tribute band. We see clips of the band performing, and we go behind the scenes for some uncomfortable debates. Akio continues to hone his Page-ness by obsessing over bootleg recordings of Zeppelin concerts through the years. When the band dissolves, Akio forms another band and books a gig at Hollywood’s iconic Whisky A Go Go (opened in 1964), a standout performance that we see, yet one that cost Akio a great deal of money.

We are treated to clips from many of Mr. Jimmy’s performances, and his guitar skills are obvious. Bouncing back and forth from Japan to the United States allowed him to do what he loved, but we can’t help but wonder at what cost. Akio’s need to control details and unwillingness to compromise cost him his bandmates. We are told these traits are ‘very Japanese’, so it’s excused as a cultural thing We do see Akio’s joy at being selected to join Jason Bonham’s (son of the late John Bonham), but we can’t help wonder what drives one man to inhabit the style of another for so many years. As impressive as Akio is, it’s also kind of sad.

*NOTE: the film made the festival circuit in 2019, and is only now being released

Abramorama will release the film in theaters beginning September 1st

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WAYNE SHORTER: ZERO GRAVITY (2023, doc)

August 24, 2023

Greetings again from the darkness. When the musical geniuses we respect and admire speak in awe and wonderment about another musician, we know it’s time to pay attention. Of course, Wayne Shorter has long been recognized as a Jazz giant, and unfortunately he passed away earlier this year. For this three-plus hour documentary, director Dorsay Alavi interviews such renowned artists as Joni Mitchell, Sonny Rollins, Carlos Santana, and Herbie Hancock. It’s fascinating to hear those on top of the mountain express high-level respect for Shorter using such descriptions as greatness, visionary, and genius.

Progressing in mostly chronological order, Alavi divides the film into 3 parts, or “portals” paying tribute to Shorter’s Buddhist practices. Portal 1 is subtitled “Newark Flash in NYC 1933-1971”. Portal 2 is “Faith is to be Fearless 1972-1999”, and Portal 3 is “Zero Gravity 2000”. We learn about Shorter’s childhood, including the bond with his mother, his early artistic talent, and his influences: movies, comic books, and music on the radio. Early on, he performed with his brother, and they went by Mr. Weird and Doc Strange. Later, Wayne became known as “Fast Fingers” for his work on the clarinet and sax, and after a stint in the Army, he joined Art Blakey’s band. When Miles Davis pursued Shorter to replace John Coltrane, the move freed Shorter to concentrate on his own compositions, leading to Miles Davis’ “ESP”.

The second portal focuses more on Shorter’s family life, which featured some highs to go with much tragedy – more than one man’s share. The challenges of marriage(s) and parenting are discussed, as is Shorter’s transition to fronting Weather Report, the band that brought jazz fusion to mass audiences and mainstream radio. It’s also in this phase where a grieving Shorter bonds with his third wife Carolina, a close friend of his second wife Ana Maria. It’s also here where Herbie Hancock and Wayne cement a friendship strengthened by musical talent and appreciation.

Portal three takes us through Shorter’s life post-Weather Report, allowing Wayne to explore even more new avenues for his music. The Wayne Shorter Quartet is featured and we hear from the other musicians that played with him. We are struck by how Shorter pushed each of them towards freedom and musical expression … they describe it as building the composition live, improvising the feel. It’s in this later stage where Shorter mentors many young musicians who are drawn to his brilliance. He is a musical Yoda … taking them off the page and into a new realm of artistry.

One of my favorite sequences comes when Wayne Shorter and Esperanza Spalding collaborate on “Gaia”. Her singing and bass playing are ethereal, while his playing was never more free. One of Shorter’s fellow musicians describes his career as “the soundtrack of his life”, and another that his “music sounds like life.” Perhaps no other musician has received such compliments from those they played alongside and those they influenced. Wayne Shorter certainly deserves to be mentioned with Miles Davis, Charlie Bird, John Coltrane, Duke Ellington, and Thelonius Monk as being among the greats of jazz, and while Dorsay Alavi’s documentary may be a bit long, the case is made.

Premiering on Prime Video on August 25, 2023

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LAKOTA NATION VS UNITED STATES (2023, doc)

July 10, 2023

Greetings again from the darkness. Let’s face it. The vast majority of U.S. educated folks have “learned” most of their Native American history from short segments in high school classes and from the portrayals in movies and TV shows. It seems fair to admit that these have been mostly one-sided tales. Well, here comes co-directors Laura Tomaselli and Jesse Short Bull to provide a detailed history from the Native American perspective, and I feel confident that many of you will find it as disturbing as I did.

This history dates back to the arrival of Europeans, but the focus here is on the mid-1800’s forward. We learn there have been more than 400 Treaties between the United States government and Native American tribes, with each successive ‘agreement’ whittling away a bit more of the land set aside for those who were already here. The film begins with some general history lessons, including the Dakota 38, where, in 1862, the U.S. government hanged 38 members of the Dakota tribe in the largest mass execution in U.S. history. The film’s focus is then further narrowed to the Lakota tribe and the Black Hills of South Dakota.

Native American poet Layli Long Soldier provides a voice and a bit of structure throughout, and her recurring “X marks the spot” carries significant weight regarding the treaties, the lack of understanding by tribal leaders, and the land itself. Parts one and two are labeled ‘Extermination’ and ‘Assimilation’, respectively, and we learn about the 150+ boarding schools that were more like boot camps designed to indoctrinate the natives … including the slogan, “Kill the Indian, save the man.”

The history is presented in mostly chronological order, and we see how the Lakotas continue the battle over their land – demanding reparations, the protection of clean waters, and the prevention of oil pipelines. This is the mission of the “Landback” movement, as their leaders share their (justified) anger and history with us. In recent years, the movement received a jolt when Donald Trump staged a July 4th celebration at Mount Rushmore, a particularly sacred land within the Black Hills of South Dakota. This lack of respect inspired many protests.

This is an exceedingly compelling documentary. It teaches us history in a manner that stimulates emotions on a subject from a perspective most of us have never considered … yet it is so crucial to the Lakota. Their ongoing struggle to reclaim their land is underscored by the fact that the Lakota continue to refuse the substantial monetary settlements offered by the government, choosing instead to hold fast to their demands of having the land returned to them.

Opens on July 14, 2023

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