TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM (2023)

August 1, 2023

Greetings again from the darkness. You may or may not be surprised that Teenage Mutant Ninja Turtles date back almost 40 years to the mid-1980’s when co-creators Peter Laird and Kevin Eastman published the comic and then signed on for the original TV cartoon series. This was followed by the first live-action film in 1990 (with Elias Koteas, Judith Hoag, Corey Feldman, Sam Rockwell, Josh Pais). Since then, there have been various TV series, as well as animated and live-action movies … the most recent being the poorly received films in 2014 and 2016. Along comes co-writers and co-producers Seth Rogen and Evan Goldberg, together with other credited writers Jeff Rowe, Dan Hernandez, Benji Samit, and Brendan O’Brien to deliver a contemporary and re-imagined look at the born-from-ooze Turtles. It’s co-directed by Jeff Rowe and Kyler Spears, previous collaborators on THE MITCHELLS VS THE MACHINES (2021).

The first thing we notice is the animation. It’s a different look than what we are accustomed to, and Mikros Animation has blended traditional Anime with a harsher, more vibrant look to complement the heavy dose of action this film delivers. The style takes a bit to get comfortable with, but once you do, the effects are easy to appreciate. Since this is a next-generation TMNT, we also get a new origin story in the opening sequence. The same green ooze flows into the sewer, and there is an emphasis on the work of scientist Baxter Stockman (voiced by Giancarlo Esposito, of “Breaking Bad” fame).

Soon enough, we flash forward 15 years to the teenage years. Leonardo (Nicholas Cantu), Rafael (Brady Noon), Donatello (Micah Abbey), and Michealangelo (Shannon Brown Jr) have been raised and trained by Master Splinter/Dad (Jackie Chan). Their big outings are to the grocery store with strict instructions to not be seen. The individual personalities begin to surface, and it’s made clear these boys dream of being accepted in the outside world and attending high school. And we all know what happens when an overprotective parent clashes with teenagers seeking independence … a tale as old as time.

When the turtles cross paths with April O’Neill (Ayo Edibiri), aka April O’Puke due her extreme camera shyness, their hopes of becoming heroes mesh nicely with her desire to break a big story for the school newspaper. The timing couldn’t be better for all involved as an evil menace is preparing to take over the world. Nope, it’s not Shredder, but rather Superfly (an amazing Ice Cube) and his own band of mutants. Superfly’s plan involves turning all Earthly animals into mutants in order to rule the humans. The Turtles must decide if bonding with fellow mutants is more desirable than allowing Superfly to destroy the world of humans and their new friend April.

The rest of the voice cast is outstanding, and includes: Rose Byrne (Leatherhead), John Cena (Rocksteady), Seth Rogen (BeBop), Paul Rudd (Mondo Gecko), Maya Rudolph (Cynthia Utrom), Post Malone (Ray Fillet), Hannibal Burress (Genghis Frog), and Natasia Demetriou (Wingnut). Action fills the screen through much of the run time, and the action sequences are huge spectacles for animation. However, it’s the sheer volume of action that is my only real issue. It feels like the teamwork and camaraderie that played such a big part in Turtle lore gets shortchanged here. There simply isn’t enough time spent with four Turtles cracking wise – a surprise given the comedic roots of Rogen and Goldberg.

Plenty of pizza and ooze are present, and the heavy dose of hip-hop classics adds to the contemporary vision. The Turtle van is quickly shown, although it’s little more than a stolen pizza delivery truck, and the score by Trent Reznor and Atticus Ross plays well here. No “Cowabunga” exists in this re-boot, leaving some history behind, yet overall, we should be pleased that Turtle Power is back with our favorite heroes in a half-shell.

Opens in theaters on August 2, 2023

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3 Comments | Action, Animation, Comedy, Thriller | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , | Permalink
Posted by David Ferguson

BARBIE (2023)

July 30, 2023

Greetings again from the darkness. A reasonable assumption could be made that a movie based on a doll so popular with pre-adolescent girls would be geared towards that audience. However, this is the era of comic book movies targeting “grown-ups”, and since we know, based on her previous work (the exceptional LADY BIRD, 2017), Greta Gerwig is an intelligent filmmaker, a more reasonable assumption is that she purposefully aimed the movie at women who once played with Barbie dolls and now fill their days with work, family, and adulting. This strategy has proven to be box office gold, and the heavy dose of cosplay at screenings proves the lasting impact this plastic doll has had on many women who lined up for tickets.

Ms. Gerwig co-wrote the screenplay with her real-life spouse and fellow filmmaker, Noah Baumbach (MARRIAGE STORY, 2019), and it’s fascinating to see what they have produced. Whether you find the film entertaining is another matter altogether, yet we tip our cap to the strange, visually-stimulating, and thought-provoking end result. Many will go in-depth on analyzing the gender politics and feminist approach to the story; however, I’m just here to discuss this as a movie, not a movement.

Two-time Oscar nominee Margot Robbie stuns in the opening sequence (a tribute to 2001: A SPACE ODYSSEY) as the original 1959 Barbie. In fact, Ms. Robbie is terrific throughout in this more-challenging-than-expected role. She’s so much more than a pretty face in high heels, as she’s previously proven in a risk-taking career featuring memorable turns in such films as THE WOLF OF WALL STREET (2013), SUICIDE SQUAD (2016), I, TONYA (2017), as Sharon Tate in ONCE UPON A TIME IN HOLLYWOOD (2019), and last year’s underappreciated BABYLON (2022). This time she portrays ‘Stereotypical’ Barbie, whose everyday is perfect in Barbieland. It’s here where we meet a diverse group of Barbies featuring Issa Rae, Alexandra Shipp, Emma Mackey, Sharon Rooney, Dua Lipa, and others. We are also introduced to Ken (two-time Oscar nominee Ryan Gosling, terrific here), whose mood for the day is totally dependent on whether Barbie acknowledges him. An equally diverse group of Kens features Simu Liu, Kingsley Ben-Adir, John Cena, Ncuti Gatwa, and others.

Barbie’s paradise is rocked one day when she begins wondering about death. A trip to “Weird Barbie” (a kooky Kate McKinnon) lets her know that the only cure for this existential crisis is a visit to the human world, where a sad girl is playing with her doll. It’s really an imaginative hook to allow the two worlds to collide. Unfortunately, only bits and pieces of the human world clicked for me (loved the rollerblading at Venice Beach). It makes sense that Barbie is shocked to discover the misogyny and patriarchy ruling the human world, but there are three other elements at play here: Ken discovering that men don’t take a backseat to women in this world, and in fact, they dominate; the corporate office of Mattel plays like a slapstick cartoon with Will Ferrell as a nonsensical CEO; and the mother-daughter duo of America Ferrera as Gloria and Ariana Greenblat as Sasha. The big twist occurs in that latter sequence, and it’s Ms. Ferrera who dishes out the gut punch soliloquy about what’s expected of women and how they are viewed. This monologue is the lesson director Gerwig wants viewers to leave with.

Barbie’s return to a much-changed Barbieland finds Ken and other Kens treating the Dreamhouse like a Frat house. See, the boys have learned how to run things their way … and at its core, that’s my main issue with the movie’s theme. Empowering women is a good thing, but why did Ms. Gerwig feel the need to make everything either a win for the women or a win for the men? I have always thought equality was the goal, not dominance. It’s this approach that gives the film a serious and dark undertone in a quite heavy-handed manner. Sure women enjoy having power. So do men. That’s no great mystery solved, and in fact makes these obvious points somehow more obvious.

Let’s talk about a few other less ominous topics. Helen Mirren delivers an admirable voiceover as the narrator, and a depressed Barbie and Ken’s affinity for horses are nice touches. Two of my favorite segments are Barbie’s first interaction in the human world … a “beautiful” woman on a park bench played by Oscar winner Ann Roth (a renowned Costume Designer who did not handle the costumes for this film), and a conversation with Barbie inventor Ruth Handler (played by Rhea Perlman), who named the doll after her daughter. While I hold firm on my belief that the film is not especially entertaining/fun, I’ll also admit the song and dance around the “I’m Just Ken” number was a hoot. Other than performances from Margot Robbie and Ryan Gosling, the star here is the Production Design from six-time Oscar nominee Sarah Greenwood. The film looks amazing, even if you might get your fill of pink by the end. Barbieland is quite a sight – it’s a shame the rest of the movie didn’t deliver this much fun, and instead pitted men against women.

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Posted by David Ferguson

BIOSPHERE (2023)

July 6, 2023

Greetings again from the darkness. ‘Life will find a way.’ The iconic line spoken by Jeff Goldblum in JURASSIC PARK (1993) fits right into this offbeat science-fiction film from writer-director Mel Eslyn and co-writer and co-lead actor Mark Duplass. You may not be familiar with indie filmmaker Eslyn, but Duplass has built a career by specializing in projects that rip us out of our comfort zone, and then force us to consider a topic from a new perspective … as evidenced by films like CYRUS (2010) and CREEP (2014).

The pre-credit opening scenes quickly establish the personalities of Ray (Sterling K Brown) and Billy (Duplass). Ray is a dedicated and serious scientist, while Billy is the former US President (likely inspired by George W Bush). The two are lifelong friends who have been living a few years isolated in the biodome created by Ray. We are to assume these are the final two human survivors on Earth, and we may also assume they are still alive thanks to Ray’s ecosystems of fish for protein and plants for nutrients.

Initially, this gives us the appearance of a buddy film as the two men share a morning jog and discuss the dynamics of Mario and Luigi. It’s the first of our clues, along with Billy reading “Kiss of the Spider Woman”, and the repeated viewings of LETHAL WEAPON. However, the tone shifts pretty quickly with a certain development in the fish habitat. It’s best to avoid any further specifics on where the story goes from here, because although there are leaps of faith that must occur by viewers, the core elements raised here are certainly unusual.

A recurring gag about a magic trick with a bowling ball (and its thud), and an ever-present green light in the sky, punctuate the Ray and Billy chats centered on philosophy, gender roles, friendship, masculinity, adaptation, and of course, survival. This is termed a “two-hander” since only two performers make up the entire cast. Sterling K Brown and Mark Duplass are both likable actors and they expertly overcome any shortcomings in the script. And despite those flaws, you’ll likely carry on some internal discussions with yourself long after the final drop.

Opening on July 7, 2023

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Posted by David Ferguson

FOOL’S PARADISE (2023)

May 12, 2023

Greetings again from the darkness. “It’s Always Sunny in Philadelphia” is in its 18th year, having aired 165 episodes, not counting endless reruns in syndication. A huge part of the series’ success is the comedic talent and writing ability of Charlie Day. That success has put him in a position to direct his first feature film, and how does he proceed? By attempting to skewer and mock the same Hollywood system that has made him rich and famous. Fortunately for Day, many of his friends have joined in, and most of the mocking falls pretty flat. So, he hasn’t jeopardized the likelihood that he will, in fact, work in this town again.

Our first glimpse of Day’s character is in a mental hospital where he has been diagnosed as non-verbal with “the mind of a Labrador retriever.” With no means to pay and no government plan to compensate the hospital, he is unceremoniously dumped on the street. Before trouble strikes, he is picked up by a Hollywood Producer (the late Ray Liotta) due to his striking resemblance to a temperamental and troubled movie star (also played by Day). Despite having no comprehension of what’s being asked of him, he ends up with a whirlwind acting career and a new name … Latte Pronto.

It doesn’t take long for us to realize Day has attempted to blend the comic (and silent) genius of Charlie Chaplin with the ‘oddity’ of Chauncey Gardiner in the Hal Ashby classic BEING THERE (1979).  Those friends of Day who make appearances include Jason Sudekis as a big-time director, Common as an action hero, John Malkovich as a backroom power broker, Jason Bateman, Glenn Howerton, Edie Falco as a super-agent, Mary Elizabeth Ellis (Day’s real life wife), and Dean Norris. In more substantive roles we find Adrien Brody as an alcoholic actor prone to wild times behind the wheel, Kate Beckinsale as a movie star attracted to Day’s overnight fame, and Ken Jeong as Lenny, the struggling publicist who latches onto Latte Pronto as his only client.

Day certainly has a knack for physical comedy and it’s on full display during his “Wipeout” dance, however, without the use of his trademark scratchy, whiny voice, he lacks the charm of Chaplin (who doesn’t?). More significantly, the script lacks the sharpness needed to effectively poke fun at the lure of celebrity, and the greed, self-interest, and insecurities tied to the fluff of Hollywood. There is an attempt to make this about friendship and human connection, but maybe what it does best is remind us how most people would rather talk, and are therefore attracted to a listener … even if he doesn’t understand the words coming out of their mouth.

In theaters beginning May 12, 2023

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Posted by David Ferguson

BLACKBERRY (2023)

May 12, 2023

Greetings again from the darkness. There aren’t too many companies who have reached the pinnacle of their industry, only to later flop due to lack of innovation or a stubborn insistence on holding on to the past. Tremendous success and absolute failure are not typically associated with the same company. Blockbuster Video and Pan Am Airlines come to mind as examples of industry leaders whose refusal to adapt, culminated with closure, and it’s likely that Blackberry belongs in the category, at least as presented here by writer-director Matt Johnson and co-writer Matthew Miller, adapting the book by Jacquie McNish.

Socially awkward pals, Mike Lazaridis (played by Jay Baruchel) and Doug Fregin (played by the film’s director Matt Johnson), co-founded Research in Motion (RIM). The film picks up in 1996 when Mike and Doug are making their first presentation of their breakthrough handheld data delivery-email machine, which they have named Pocket Link. These are two genius nerds with no concept of how the outside business worlds functions, and the executive to whom they are pitching is so distracted that his only feedback is, “You need a new name.” In a fascinating twist, that same executive, Jim Balsillie (Glenn Howerton, “It’s Always Sunny in Philadelphia”) ends up saving not just the new product, but also the company.

Balsillie presents himself as a fireball, take charge, full-steam-ahead kind of guy. It’s quite a contrast to nerdy Mike and easy-going Doug. Mike is a quiet guy committed to perfection in his work, while Doug wrangles the tech developers with a culture of video games, movie night, and an overall fraternity environment. Balsillie’s arrival as a vocal outrage expert and brash businessman changes everything, and he and Mike drive the newly named BlackBerry to levels not previously seen. We do get a humorous anecdote from a shirt stain (even though it’s not a true story), and in fact, there is quite a bit of humor throughout.

We are informed that the film was “inspired by real people and real events”, so some dramatic license is expected. Perhaps the best comparison is THE SOCIAL NETWORK (2010), and while that film was more polished, I personally found this one more entertaining and accurate from a business sense. An excellent supporting cast includes Cary Elwes, Saul Rubinek, Michael Ironside, Martin Donovan, Rich Sommer, and SungWon Cho, and the film’s real draw is the contrast between Jay Baruchel’s mousy but brilliant Mike, and Glenn Howard’s powerhouse portrayal of the egotistical Balsillie. Baruchel’s scene where he reacts to the new iPhone is alone worth the price of admission.

At its peak, BlackBerry had 45% market share and had earned it’s “CrackBerry” label in the business world. Apple’s 2007 introduction of the iPhone not only rocked the BlackBerry company, it shook up the world. The Canada perspective is noted (RIM was based in Waterloo, Ontario), as is Mike’s aversion to ‘made in China’, perhaps the ultimate reason for the fall. It’s likely that BlackBerry has become a Case Study in Business Schools, although the fast-paced and pressure-packed world of tech continues to require a balance of decisions focused on current markets and never-ending innovation for the future.

Opens on May 12, 2023

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Posted by David Ferguson

POLITE SOCIETY (2023)

April 27, 2023

Greetings again from the darkness. If you have ever wondered what it might look like if Quentin Tarantino consulted on a modernized Pakistani version of Jane Austen … well, writer-director Nida Manzoor shows us (with no actual assistance from QT), including stylized martial arts, class warfare, and an obsession with a stuntwoman career. It’s Ms. Manzoor’s first feature film (she created the TV series “We are Lady Parts”) and she presents an extremely creative film with a balance of silly and dark themes that proves immensely entertaining.

Relative newcomer Priya Kansara stars as Ria, a private school student highly determined to achieve her goal of becoming a working stuntwoman. She remains laser-focused on this despite her teacher and parents laughing off such nonsense and re-directing her towards becoming a doctor. Ria also adores her older sister Lena (Rita Arya), although worried about her since she recently dropped out of art school and seems to be rudderless in life.

Things change quickly for everyone once rich mama’s boy/doctor Salim (Akshay Khanna) begins courting Lena. Ria senses things aren’t right with the relationship and is also convinced that Lena should resume her dreams of being artist, rather than being pursued by the handsome, rich, too-good-to-be-true suitor. Ria and her best friends Clara (Seraphina Beh) and Alba (Ella Bruccoleri) scheme to undercut the relationship, but they are no match for Salim’s mother (a terrific Nimra Bucha), who sports the best evil Grinch grin you’ve ever seen.

Director Manzoor divides the film into five chapters: A tale of two sisters, EID Soiree, Operation Wife Hunter, Assault on Shah mansion, and The Wedding. Each chapter offers comedy and action, and a matching of Ria’s wits and instincts against the plans and beliefs of others. Ms. Kansara impresses as an upstart female Jackie Chan with superior acting chops. She executes the physical martial arts sequences beautifully, yet also shows promise in the quieter, more intimate moments when emoting and dialogue matter. She is certainly one to watch … as is filmmaker Nida Manzoor. Anyone who can entertain at this level deserves the opportunity to do so as frequently as possible.

Opening in theaters on April 28, 2023

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Posted by David Ferguson

GHOSTED (2023)

April 21, 2023

Greetings again from the darkness. I am often accused of taking movies too seriously rather than just sitting back and enjoying the entertainment value. Well, this latest from director Dexter Fletcher (ROCKETMAN 2019, EDDIE THE EAGLE 2015) is textbook ‘popcorn entertainment’ made for those who prefer to sit back and enjoy. There is plenty to like here and it did generate a few laughs, yet it’s still a movie that doesn’t hold up to much thought or post-viewing discussion. SPIDER-MAN collaborators Chris McKenna and Erik Sommers, and DEADPOOL collaborators Rhett Reese and Paul Wernick have joined forces on a script that somehow doesn’t have the dialogue zings that can keep pace with the action sequences.

An early meet-cute occurs as organic family farmer Cole Turner (Chris Evans bucking his Captain America persona) unknowingly flirts with market shopper Sadie Rhodes (Ana de Armas, fresh off her Oscar nomination for BLONDE, 2022), recommending she purchase a cactus rather than a Begonia once she discloses her work travel schedule. An all-day and all-night date ends with Cole telling his family that “she may be the one.” His caustic sister (Lizzie Broadway) skewers him with the funniest one-liners in the film while informing that his smothering texts and emojis have likely caused Sadie to ghost him.

It’s at this point where the clumsy organic farmer turns into an extreme stalker and heads to London … don’t ask what trick allowed him to track her. A photo op at Tower Bridge ends with Cole being abducted and presumed to be “The Taxman” (cue Beatles song), the only person with the code to unlocking a chemical weapon in the possession of arms dealer and dastardly bad buy Leveque (Oscar winner Adrien Brody). Of course, Sadie rescues Cole at the last minute, and her cover as an international art curator is blown … surprise! She’s actually a highly-skilled CIA spy.

Three major action sequences are featured: an exciting bus-in-reverse along a mountain side road in Pakistan, a fight scene aboard a private jet, and a guns-blazing shootout in a rotating high-rise restaurant. Ana de Armas is terrific in the action sequence and her rapport with Chris Evans (first noted in KNIVES OUT, 2019) elevates the toothless banter between the two. It’s a bit shocking that this group of writers couldn’t land on wittier and sharper comments for these two characters as they bounce around the globe … even racing up THE EXORCIST stairway. At times it feels like an episode of “Get Smart”, although the action sequences are first rate.

Supporting roles are held by Mike Moh, Amy Sedaris, Tate Donovan, and the always fun Tim Blake Nelson. Many will enjoy the hand full of cameos that pop up, at least one “Wilhelm scream”, and the sometimes obvious and/or cheesy song selection … a rare soundtrack to include both The Knack and Dua Lipa. The film leans more into cute than witty and danger, but with two of the most attractive stars working today, that’s forgivable. Just get your popcorn ready and sit back and enjoy this rom-com/action-thriller, and don’t think too much.

The film will be on Apple TV+ on April 21.

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Posted by David Ferguson

GRINGA (2023)

April 21, 2023

Greetings again from the darkness. When a 16 year old girl has self-esteem issues, it can be painful to watch. As adults, we know it’s likely to get better, although it’s also possible things get worse before they improve. And ‘things getting worse’ is exactly what happens to Marge in this film co-directed by Marny Eng (long time stunt performer and coordinator) and EJ Foerster, and written by Patrick Hasburgh (writer and creator of TV series “Hardcastle and McCormick” and “21 Jump Street”).

Marge (Jess Gabor, “Shameless”) and her mother (Judy Greer) are both having a hard time. Mom is a California realtor who seems to go through men faster than she sells houses, and Jess is a self-described “fat and slow” bench-warmer on her soccer team, while also battling bulimia and her unpopularity with classmates. It’s at about this time when the “getting worse” part happens for Marge, and soon she’s crossing the border in search of her dad, who left home when she was two years old.

Jackson (Steve Zahn) is a former soccer star-turned alcoholic-surfer, and is no more prepared to be a father now than when Marge was born. It’s an awkward reunion since neither father nor daughter know the other, but they agree to spend a month getting familiar. It’s fun to watch these two bring out the best in each other. Dad promises to stop drinking and treat his girlfriend (Roselyn Sanchez, “Without a Trace”) better, and Marge cleans up her diet and magically improves her soccer skills while subbing for the local team her dad is coaching.

Mr. Zahn has been a familiar face and dependable performer since the early 1990’s, and was recently seen in season one of “The White Lotus.” In this role, he gets to flash some of his trademark goofiness, while also showing some depth as a man-child trying to get his act together. Zahn’s connection with Ms. Gabor is what makes the film click. While not familiar with her previous work, I was impressed with Gabor’s range her and realistic portrayal of a teenager in pain – slumped shoulders and plate of tacos, etc. Ms. Greer has a limited role here, and supporting work comes from Jorge A Jimenez, Valentina Buzzurro, and Nico Bracewell. It’s not really a comedy, although there are some slightly comical moments, and the first two acts are well done, though the poor sound mix and muddled final act don’t end things on a high note. It may seem formulaic at times, but noticing new talent is always a welcome development.

In theaters and VOD beginning April 21, 2023

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Posted by David Ferguson

SOMEWHERE IN QUEENS (2023)

April 21, 2023

Greetings again from the darkness. Big Italian families in New York offer a smorgasbord of opportunities for interesting stories and characters. Ray Romano from “Everybody Loves Raymond” takes on his first feature film as writer-director, and he and co-writer Mark Stegemann (“Scrubs”) embrace the noise and combustibility of just such a family. During the story they make us laugh and cringe.

Romano also stars as Leo Russo, husband to Angela (Laurie Metcalf, “Roseanne”) and father to “Sticks” (relative newcomer Jacob Ward). What we soon figure out is that Leo is a helicopter parent to high school basketball star Sticks, while Mom is overprotective and scared of losing her son … while being constantly annoyed with everything due to another issue she’s trying to deal with on her own. We also see Leo works in the family construction business for his dad (Tony Lo Bianco) and douchey brother (Sebastian Maniscalo), both of whom show him no respect.

Sticks is an extremely quiet and shy high schooler who has battled anxiety issues his entire life. Both parents are shocked to discover he has a girlfriend. Dani (Sadie Stanley, “The Goldbergs”) is a free-spirit who is ready to shake the dust of Queens as soon as she graduates. She and Sticks couldn’t be any more different as she is confident and outgoing in contrast to his usual state of withdrawn.

During one of the big family Sunday dinners, we get one of the best meatball jokes ever, and the many family events (weddings, babies, etc) provide numerous opportunities for gags and punchlines. Beyond the comedy, there is true drama on display, and it kicks into uncomfortable gear when helicopter dad displays extremely poor judgment … made worse that he’s doing it for the wrong reason. His actions send shockwaves through the family. Parents often use “their kid’s best interest” as a reason for making decisions, but here it’s obvious to all (except Leo) that self-interest was the driving force.

There is a bit of a sitcom feel to the film at times, but the cast certainly elevates the project making the situations more believable. It’s awesome to see Tony Lo Bianco with a substantive role. He was everywhere in the 1970s and 1980s, including classic films THE FRENCH CONNECTION (1971) and THE SEVEN-UPS (1973). Ramono, Metcalf, and Maniscalo are all fine in their roles, and additional support work comes from John Manfrellotti, Jennifer Esposito (“Blue Bloods”), and Karen Lynn Gurney (for the SATURDAY NIGHT FEVER fans). But the real find here is Sadie Stanley and her electrifying smile. She is a true rising star. The film is full of characters who are all frightened or unsure, and despite the iffy family dynamics, it’s a reminder that each person must find their own way in life, even if the support from their family is a bit shaky.

Opening in theaters on April 21, 2023

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Posted by David Ferguson

PAINT (2023)

April 5, 2023

Greetings again from the darkness. You might wonder how a low-key painter becomes ubiquitous, evolving into the source of pop culture references in everything from “Saturday Night Live” to “Family Guy” to recent horror film SMILE. Bob Ross hosted “The Joy of Painting” on public television from 1983 until 1994. His soft-spoken manner and ability to connect with the audience while finishing a painting in 30 minutes drew in many dedicated viewers and turned him into an unlikely celebrity (as did the internet). Writer-director Brit McAdams uses Bob Ross as inspiration for his first feature film.

Though it’s certainly not a profile or biography of Ross, Owen Wilson’s portrayal of Carl Nargle is part tribute and part caricature, and it seems that McAdams wanted to go the comedy route, despite most gags and punchlines landing as softly as Carl Nagle’s signature sign-off, thanking viewers for finding that “special place.”. Whereas Ross’ whispery vocal seemed soothing, Wilson’s is kinda creepy. The comedy never really lands for a few reasons, but mostly because we don’t much care for Carl Nargle and his out-of-touch ego and misogyny … although this isn’t the fault of Wilson, who does his best with what he’s given.

Carl Nargle’s (a fictional character) painting show has been a long-time fixture on the Vermont PBS channel where he regularly creates landscapes featuring Mount Mansfield. His loyal audience ranges from the elderly at a senior citizen center to the frequenters of a local dive bar to the women drawn to Carl’s calm nature and fold-out bed in the back of his custom van. The latter group includes his ex, Katherine (a criminally underutilized Michaela Watkins), who is also the program manager, and Carl’s assistant Wendy (Wendi McLendon-Covey). His newest interest is the young intern Jenna (Lucy Freyer), who seeks to be the next to receive the gift of a painting, which Carl gives to each conquest. But times are changing for Carl. Station Manager Tony (Stephen Root) needs a ratings boost and seizes the opportunity by hiring Ambrosia (Ciara Renee) to bring in new painting blood. There is more to the competition between Carl and Ambrosia than painting and ratings and ego … it extends to Katherine, generating an entirely new dynamic.

The film has a lackluster feel to it. While some would-be intriguing topics are broached, none of them are explored to the point of creating any real interest. As for the comedy, there is no energy or sharpness. It comes across as believing many punchlines and situations are funnier than they really are. Everything is just a little off … doesn’t quite work as comedy, satire, self-discovery, or drama. To top it off, the timeline is confusing. While no cell phones are present, it never gives off a strong enough vibe for us to place the era. There is simply no joy in this painting.

Opens in theaters on April 7, 2023

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3 Comments | Comedy, Drama | Tagged: , , , , , , | Permalink
Posted by David Ferguson

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