TAXI DRIVER (1976) revisited

February 11, 2011

 Greetings again from the darkness.  I was excited to hear Dallas Morning News film critic Chris Vognar  put together a monthly film series focusing on the 1970’s.  The first showing was last night and, of course, I attended … Martin Scorcese’s 1976 film Taxi Driver.  The biggest surprise of the evening came when Mr. Vognar asked for a show of hands from those who had not previously seen the film … approximately HALF admitted it was their first time. 

Now I have seen the film 12-15 times, and last night made the third time on the big screen – counting the first time which was at a Drive-In!  The surprising thing about the first timers was that they were somehow drawn to it 35 years after release, but had never felt strongly enough to rent the video or include on their NetFlix list.  Maybe it was the lure of the Q&A with a noted film critic or maybe they just wanted it in a theatre setting.  Either way, it was very interesting to hear crowd reactions from so many who were witnessing the Schrader/Scorcese work for the first time.

 Whether you have seen the film or not, chances are good that you are familiar with the “You talking to me?” scene.  Robert DeNiro improvised the scene including the key line “Well I’m the only one here.”  That line goes straight to the theme of isolation and alienation that runs throughout.  Another interesting aspect to consider is the similarity between this film and John Ford’s classic The Searchers.  Both include no-holds-barred rescue missions (by war veterans losing their grip) to save a girl who may or may not want to be rescued.  In The Searchers, it’s Natalie Wood with the Comanche Indians; and here it’s 12 year old Jodie Foster with her pimp, played by Harvey Keitel

Taxi Driver certainly takes on a different look today, than it did when it was first released.  It was surely not endorsed by the New York Chamber of Commerce as we spend two hours in the filthiest, most crime-addled areas of the city.  Of course, today, much of that same area is touristy and revenue-producing (in a legal way!).  The campaigning by the slick politician and his idealistic supporters (Albert Brooks, Cybill Shepherd) ring as true today as then … kind of sad more progress hasn’t been made.

 This is a very tough film about one man’s slow descent from sanity caused by a seemingly impossible dream of cleaning up the streets of the city and the morals of its inhabitants.  The isolation and alienation themes hold up well today, and though it may not be Scorcese’s absolute best, it could be DeNiro’s rawest performance.  For a chuckle (you’ll need it after watching it), imagine the film directed by Brian DePalma (Scarfaceand starring Dustin Hoffman … it almost happened!

Next month’s showing is the underrated Hal Ashby/Robert Towne 1973 film The Last Detail, which features a 35 year old Jack Nicholson in full scene-chewing glory … one of my all-time favorites!


REACTION: OSCAR NOMS (2011)

January 25, 2011

Greetings again from the darkness.  Announcement Day for the Oscars is always fun!  Arguing about who got a nom that they didn’t deserve? Who was snubbed?  Were politics involved? (Yes, always).  Pleasant Surprises? Disappointments?  All that makes for indigestion-inducing lunchtime banter … and the ceremony (the 83rd) is still 33 days away! So below are just a few of my observations and reactions to today’s announcements … these are NOT my predictions.  At the end, there are two links.  One to my Best of 2010 list, and the other to a full list of nominations.  
 
1. BEST PICTURE: thrilled to see Winter’s Bone get a nom (4 in total).  It’s a  shame more people didn’t see this little film (box office less than $7 million) during it’s theatrical run. It’s very compelling and features two of the best performances of the year.  Toy Story 3 (my favorite film of the year) got nominated for both Best Picture and Best Animated Feature … and it deserves both.  Other than that, I just don’t have much to say about this category as it was pretty easy to predict (except for Winter’s Bone vs. The Town).  Not a year for great movies, but there were plenty of good ones!
 
2. DIRECTOR: OK, this one actually bothers me.  How does Christopher Nolan (pictured) get snubbed AGAIN?  I certainly understand how some people don’t like his movie Inception, but it was nominated for Best Picture and it, more than any other film on the list, is clearly a director’s film.  Mr. Nolan is an amazing filmmaker who has somehow ended up on the “naughty” list for Academy voters.  With ten Best Pic nominees and only five Best Director nominees, there will always be some terrific directors who are left out.  Nolan should not have been one.  If you ask me who should have been left off for Nolan, my answer is David O. Russell for The Fighter.  It is a terrific movie, but we all know this has been Mark Wahlberg’s pet project for almost a decade.
 
3. LEAD ACTOR: Two rarities here: a Lead Actor nomination for a non-English speaking role (Javier Bardem) and back-to-back years (Jeff Bridges).  Bardem’s film Biutiful will just start gaining release this upcoming weekend, and Bridges was terrific in the Rooster Cogburn role that won John Wayne his only Oscar.  While this is not a list of my predictions, it seems pretty clear that Colin Firth (The King’s Speech) is the lead horse in this race.  I had hoped Robert Duvall (Get Low) might sneak in, but the buzz of The Social Network got Jesse Eisenberg some recognition. It will also be interesting to see how they handle James Franco’s (127 Hours) nomination since he is also one of this year’s co-hosts!
 
4. LEAD ACTRESS: Was relieved that Julianne Moore did not get a nomination.  I thought both she and Annette Bening overacted in their roles as lesbian parents in The Kids Are All Right.  Ms. Bening did get a nom and may get the win (vs Natalie Portman) since she has been wrongfully overlooked in the past. The other three nominees were all fantastic, but in movies very few people actually saw.   Jennifer Lawrence (pictured, Winter’s Bone) is my breakout star of the year.
 
5. SUPPORTING ACTOR AND ACTRESS:  Along with Jennifer Lawrence, three of my six favorite performances this year all belong to women in this category – Melissa Leo (The Fighter), Hailee Steinfeld (True Grit), and Jacki Weaver (pictured Animal Kingdom).   My other two favorite performances are also noted in this category for the men – Christian Bale (The Fighter) and John Hawkes (Winter’s Bone).  I would not have picked Helena Bonham Carter (The King’s Speech), but it is her best work since A Room with a View.
 
6. FILM EDITING.  I know … you don’t realy care about this category, but I must mention the major snub of Inception (Lee Smith).  Whether you like the film or not, there is no argument to how well it is edited.  Not only should have been nominated, but should have been the clear front runner.  Bah.
 
7. SCREENPLAY : only oddity is that Black Swan was not nominated, and in it’s place was Mike Leigh’s Another Year.  The rest of the nominations followed the Best Picture list.
 
8. DOCUMENTARY: some will argue that Waiting for Superman should have been nominated.  I believe that argument is based on the importance of the topic, rather than the quality of the film.  Very cool that Exit Through the Gift Shop scored a nomination.  Banksy.
 
9. VISUAL EFFECTS: the third biggest snub belongs to Tron: Legacy.  The tidal wave opening scene in Hereafter was amazing, but the entire Tron film was a study in spectacular special effects.  I believe the Academy voters took it’s brilliant production for granted.
 
Sure there are some minor quibbles, but for the most part, this year’s nominations were pretty easy to predict.  That said, the eventual winners might not be so clear cut.  I will post my Oscar predictions as we get closer to the ceremony.  In the meantime, let me know what you think.  Did your favorite get snubbed?  Did one you hated get nominated?  This is much more fun to complain about than your job!!

Oscar Nominations: http://oscar.go.com/nominations

Best of 2010: https://moviereviewsfromthedark.wordpress.com/annual-bests-2/best-of-2010/


Best of 2010

January 4, 2011

Greetings again from the darkness.  The BEST OF 2010 has posted!  As always, it includes not just my favorites, but also some special features … “Best of the Rest” and “Oldie but Goodie“.  You can access all Best of lists since 2004 on the site, or you can click on the link below and it will take you directly to 2010.  Let me know what you think!

https://moviereviewsfromthedark.wordpress.com/annual-bests-2/best-of-2010/


TCM Remembers 2010

December 11, 2010

Greetings again from the darkness.  Below is the just released tribute video from Turner Classic Movies for those who passed away in 2010 after leaving their mark in the entertainment business.  My friend Robert wanted it noted that the recent passing of John Leslie is not included … evidently he was one of Robert’s  favorite “performers”.


WOODY ALLEN – HAPPY 75th!

December 1, 2010

Woody Allen turned 75 today.  Some have already stopped reading.  Others can’t wait to read the rest.  Such is the life of one of the most prolific filmmakers in cinematic history.  Some of us love his films.  Others express such sentiments as “not another Woody Allen movie”!  Many from both camps have little regard for how his personal life has played out.  Here, I only want to talk about movies.

He began writing jokes for the newspaper and talk shows when he was 15, but it wasn’t until the early 1960’s that his career really began to take hold … as a stand-up comedian.  His first foray into movie directing was in 1966 with What’s Up Tiger Lily?  In reality, that was the first “Mystery Science Theatre” because he took a Japanese spy film and re-wrote the dialog for comedic effect.  Since 1966, Woody Allen the director, has consistently cranked out an average of almost one movie every year.  43 films total, not counting the one he is currently working on.

 The first phase of his filmmaking is now known as “the early, funny ones”.  I am a little fuzzy on exactly how long this phase lasted, but I assume it concluded about the same time as his relationship with Diane Keaton.  History leads us to believe things changed for him in 1977 with the instant classic Annie Hall.  Adored by critics and filmgoers, the film won him his first and only (so far) Academy Award.  In 1979, he released my personal favorite, and he claims, his least favorite, Manhattan.

During the “Mia Farrow” phase, his pace of one per year continued with some more successful than others.  Hannah and Her Sisters, Crimes and Misdemeanors and Bullets Over Broadway all performed well enough at the box office, while also achieving the critical success he claimed to care so little about.

Many of his harshest critics claimed his movies always centered around the same three themes:

  1. God.  Specifically the questioning of his existence.
  2. Life After Death.
  3. Love and/or The Meaning of Life

The rebuttal from his supporters stated these topics were fascinating when Mr. Allen explored them through his writing and filmmaking.  What is extremely clear is that he was one of the few filmmakers who had control and the power to make the films he wanted to make, despite the fact that none were blockbusters and a few never turned a profit.

His current phase began with the startlingly good Match Point, which was also the first Woody Allen film not based in his beloved New York.  He states the financial restrictions of Hollywood forced him to film overseas.  He has worked overseas since and his 2008 gem Vicky Cristina Barcelona even included some Spanish dialogue.

So while I have no intention of changing anyone’s mind about the films of Woody Allen, his 75th birthday seemed the perfect time to stop and take notice of a remarkable career.  So many films from a man who cared so little for a headline or compliment, yet the line of high-profile actors wanting to work with him was never-ending.  He could actually be considered a blue-collar artist – a guy who spends his work hours writing and filming, and consistently meets his deadlines and produces solid work … sometimes even brilliant work.  Do that for 44 years in the movie world, and they tend to remember you.

 Which leads me to my favorite Woody Allen quote:  “I don’t want to achieve immortality through my work. I want to achieve it by not dying”.


Rangers Stealing Movie Time

October 15, 2010

 Greetings again from the darkness.  Just a quick explanation to let everyone know that no miraculous cure for my movie addiction has been discovered.  Instead, the 2010 Texas Rangers baseball team is on a historic playoff run.  Of course, so far, “historic” is limited to this particular franchise, but the recent series win over the Tampa Bay Rays has generated excitement and hope in what has traditionally, in this area, been a time of year that belongs to the Dallas Cowboys.

So if the number of movies being reviewed on my site seems a bit “light”, it’s due to the 38 year frustration of being a Ranger fan – and finally having something to get excited about!  As the American League Championship series gets underway this evening in Arlington, we Ranger fans would be most grateful for all the postitive thoughts you can muster.  Did I mention we are up against the much hated, over-hyped New York Yankee team.  That’s better … now I know you are on our side!


EAT PRAY LOVE vs. THE EXPENDABLES

August 18, 2010

 EAT PRAY LOVE                               

 vs.

 THE EXPENDABLES 

 

The Cinematic Battle of Estrogen vs. Testosterone!

This past weekend provided a very interesting sociological battle at the box office or what I like to call … “The Cinematic Battle of Estrogen vs. Testosterone”.  The two biggest new releases were Eat Pray Love and The Expendables.  The first is based on the best-selling (and Oprah blessed) search-for- enlightenment book by Elizabeth Gilbert.  The latter is a Sylvester Stallone labor of love/fun featuring an ensemble cast of some of the most popular action film stars of the past 25 years.

What makes this battle interesting is the clear line of demarcation among movie lovers.  Almost no one is interested in seeing both of these movies.  You either want to see the no-holds-barred chick flick OR you want to see the full-bore action film.  Maybe neither, but not both.  Because of the extremes, I thought it would be a hoot to compare the two movies side-by-side. 

For the record (and full disclosure), I was more drawn to the action film than the chick flick, but in the interest of art and fun, I decided to keep a (somewhat) open mind and see both.  What follows is the categorized comparison of the two movies along with a bit of editorial commentary.  Please remember, this is all in good fun and I am by no means making a judgment on which is the stronger sex … even though The Expendables (SLY) did annihilate Eat Pray Love (EPL) at the opening weekend box office!

While this looks like a narrow victory for the BOYS (9 to 8, 5 ties), it’s understandable if your preference remains unaltered.  Of course, the battle of the sexes cannot be won in a movie theatre … The choice is yours to make!  And if you still aren’t sure … just try an icy stare and a look of disgust – over a plate of pasta and a full glass of Italian Chianti.

By David Fergsuon

www.moviereviewsfromthedark.wordpress.com


Follow-Up: INCEPTION (2010)

August 1, 2010

 Greetings again from the darkness.  Inception is the exception.  It is very rare for me to feel the need to follow-up on a recent posting … especially one that’s only a couple of weeks old.  I feel strongly enough about this film that I want to make sure one thing is clear: if you enjoy dramatic films, you should go see this one.  Immediately.  At a theatre.

Here are some TIPS/warnings:

1. Be prepared to pay attention.

2. Pay attention.

3. The movie runs just over 2 1/2 hours.  Don’t get a large Coke … there is no “down” time for a restroom break.  You will miss something of interest if you leave the theatre or don’t pay attention.

4. Listen to the dialogue.  The story is kind of like assembling a puzzle.  You can’t finish if you don’t have all the pieces.

5. Please refer to Tip #2.

There is no need to be intimated by this film, but it is an intricate story with multiple levels. If you only enjoy fluffy feel-good movies, this one will disappoint you.  If you like to think and appreciate films designed to capture your mind, you will probably agree with me that it is terrific and that director Christopher Nolan is a film genius.

I also want to point out, now that I have seen it 3 times, that Marion Cotillard is absolutely amazing as Mal, the wife of Leonardo DiCaprio’s character.  Not sure what other performances are coming up in the second half of 2010, but I certainly hope she gets a supporting actress nomination come Oscar time.  Also, the hotel scenes get even better with each viewing.  Joseph Gordon-Levitt is a physical marvel as he negotiates the environment sans-gravity.

If you missed my initial comments on the film, here is the link:

https://moviereviewsfromthedark.wordpress.com/2010/07/18/inception/

If you are the least bit interested in this film, my strong advice is to go see it at theatre and not wait for DVD/Cable/NetFlix.  It is meant to be experienced on a huge screen with huge sound.


2010 – FIRST HALF RECAP

July 14, 2010

Greetings again from the darkness.  Well, it’s July, so 2010 is half over.  Of course, as any movie lover knows, the movie year is only about 40% complete and we always have high hopes for the final 6 months.  Have received a couple of requests to do a recap of the first half, but before I do, I’ll provide a little insight into the structure of a typical movie year:

JANUARY – APRIL “Schlock and Seconds”

Those of us not living in NYC or Los Angeles get to play “catch up” on the Oscar contenders that were released just ahead of the deadline the previous year.  That’s the good news.  The bad news is that we are also subjected to the latest round of low budget horror films, schlock action films, and weak rom-coms.  Luckily, there are some interesting foreign, independent and documentaries films that hit during this time as well.

MAY – JULY: “Big Ad Movies”

It’s summer blockbuster season … the season for huge advertising budgets, animation and the newest round of computer generated special effects … these films are designed to WOW you with sensory overload (yes, and make LOTS of money)

AUGUST – mid OCTOBER: “The Lost 10 weeks”

Typically, this is the dead season.  Not much going on except for those films with production delays and/or deemed unable to compete with the summer crowd.  This is a great time to catch up on any films you missed during the first half … or do something other than go to a movie, though I have no idea what.

Late OCTOBER – DECEMBER: “My movie is Important.  No really.”

The serious movie period.  The producers of these films tend to believe their films and/or actors are worthy of Oscar consideration.  These films are released at year-end because the producer’s believe that most people can’t remember what they had for breakfast, much less what movies they liked in April! 

OK, so that provides some perspective to the following recap of the first six months of 2010 films.  Please note, none of the films or categories are in any type of order, and if a film deserved to be in two categories, I just picked one.  This way I don’t ruin any surprises for the year-end recap.

FIRST HALF RECAP – 2010 Films

BEST SO FAR:

WINTER’S BONE

TOY STORY 3

THE SECRET IN THEIR EYES

 THE GIRL WITH THE DRAGON TATTOO

 

BIGGEST SURPRISES:

CYRUS

PLEASE GIVE

CITY ISLAND

GREENBERG

 

MOST DISAPPOINTING:

JONAH HEX

 ROBIN HOOD

BABIES

 

 

WORST SO FAR:

PREDATORS

KNIGHT AND DAY

VALENTINE’S DAY

 

 

Here are a few UPCOMING FILMS that are of interest:

INCEPTION: Director Christopher Nolan’s mind-bending twister starring Leonardo Dicaprio

WALL STREET: MONEY NEVER SLEEPS (Wall Street sequel with Michael Douglas, Shia LeBeouf

THE EXPENDABLES (all star action cast led by Sylvester Stallone and friends)

EAT PRAY LOVE – best-selling book, with Julia Roberts and Javier Bardem

PARANORMAL ACTIVITY 2 – sequel to the surprise hit of 2009

MACHETE – for Grindhouse lovers only, by Robert Rodriquez

THE OTHER GUYS Will Ferrell comedy (you just never know)

JACK GOES BOATING – directorial debut of Philip Seymour Hoffman

THE KILLER INSIDE ME – Winterbottom’s creepy murder-drama

GET LOW – offbeat dramedy with Robert Duvall and Bill Murray

BURIED – claustrophobic thriller with Ryan Reynolds and a casket

Thanks for reading and please pass it along to anyone you think might enjoy.

*** SEE YOU AT THE MOVIES!! ***


THE TWILIGHT SAGA: ECLIPSE (2010)

July 5, 2010

 Greetings again from … GOTCHA!!!  Seriously??  Do you really think I am the target audience for this one?  Just wanted to relay what I thought was a pretty funny story in regards to this already extremely popular sequel.

I was sitting in one of the comfy leather chairs in the Angelika foyer as I waited for seating to begin on my second movie of the day (hey, it was a rainy Saturday in Dallas).  A line began to form for the next Twilight showing and I had a little chuckle at the sight of 20-30 females of varying ages waiting to see part three.  As the doors opened and that group streamed in, I couldn’t help noticing that the wave continued.  So many females pouring through one set of doors that I was certain there must be a double feature of Twilight and a fabulous shoe sale!

Regrettably, I didn’t count, but after 70-100 ladies of varying age (6 to 70+) made their way in, I almost fell out of my comfy chair as the final couple entered.  It was a 16 or 17 yr old girl literally dragging her date by the hand.  This poor fellow had no choice in how to spend his next two hours and his head was hanging as he, with half effort, dug his heels into the carpet on each step.  His girlfriend was not deterred.  She just kept pulling the disenchanted boy until they were out of sight behind the doors.

As I think of that moment, it strikes me that this was a display of true power.  The film has box office power of $162 million in just a few days.  The story and cast are a powerful draw for an incredible number of women – mothers and daughters, sisters, friends … and the movie is such a powerful force that even some boyfriends are no match for their on-a-mission girlfriends.  Hopefully those few males can take solace in the fact that the release date of  The Expendables is right around the corner … and paybacks are hell.