THE MONKEES – a tribute

March 1, 2012

 Hey, Hey … When the announcement came down that Davy Jones had passed away on Wednesday, fond memories flooded back for many in my age group (the optimal demographic of 20 to 85).  For the last 4-5 years, my “ideas” list has included writing a tribute to The Monkees, and I feel guilty that it took this sad event to motivate me to finish.  Despite my procrastinating, this story deserves to be told, as their impact should not be ignored (yes, I am serious).

Going back to the mid-60’s, there was an entertainment revolution occurring that impacted TV and music.  In 1964, the Beatles while at their chart-topping peak, released their first movie … A Hard Day’s Night.  Caught up in Beatle-mania, producers Bert Schneider and Bob Rafelson were inspired to capture that same frenetic pace for a TV show, with comedic elements enveloped by pop songs.  Schneider later produced Easy Rider, and Rafelson directed the 70’s classic Five Easy Pieces.  With this idea, the “pre-fab four” was born as The Monkees, what some people call the first boy band.  After a huge casting call, three Americans (Mike Nesmith, Micky Dolenz, Peter Tork) and one Englishman (Davy Jones) were cast as the musical group.

 The series had strong ratings and ran for three years (1966-68) in Monday primetime.  Re-runs then became a fixture on Saturday morning TV until 1973, keeping the group in front of an audience for eight total years.  James Frawley directed 28 of the 58 episodes, and the series would lead to 11 albums (over 65 million sold), a TV special, a feature film (Head 1968), and numerous reunion tours.  It all began with the ground-breaking TV series that really clicked with kids.  The offbeat series seemed to prove that different personalities could do more than co-exist.  Mickey was the class clown.  Mike was the quiet, soulful one.  Peter was the hyper-dork.  Davy was the cool popular one.  This disparate group managed to have fun as friends and make great sounding music together.  Kids could relate to these misfits and it provided hope, as well as some  popular music.

Ahh … the music.  The music is what caught everyone by surprise. The four lads had limited musical backgrounds, so the plan was to use mostly studio musicians.  What music producer Don Kirshner discovered was that, at least vocally, there was plenty of talent in the group.  With harmony groups very popular at the time (The Beatles, Beach Boys, Crosby Stills Nash, The Hollies), The Monkees created a smooth, distinctive sound without the edge or political statements that were all over the radio. Despite being surrounded by the constant claims that they weren’t real musicians, their first album “The Monkees” (1966) stayed number one for 13 weeks, and was the first of four consecutive number one albums for the group.  Here is a brief recap of the four actors:

 DAVY JONES was born in England and at 5’3, had intentions on become a jockey.  He stumbled into stage acting and was nominated for a Tony, as The Artful Dodger in a Broadway production of “Oliver!”.   As a matter of fact, when The Beatles made their U.S. debut on “The Ed Sullivan Show” on February 9, 1964, Davy Jones was also on that same show as a member of the acting troupe performing a scene from “Oliver!”   Jones had four daughters and continued acting and singing throughout his life.  He had performed just two nights prior to his fatal heart attack.

 MICKY DOLENZ was a child star on the TV series “Circus Boy” (1956-58).  When he was cast in The Monkees, he learned the drums well enough to play on some of their albums.  He has since managed to grind out a pretty successful showbiz career with acting, singing, voice acting (cartoons), directing, and even as a radio DJ.  Toni Basil’s 1982 hit “Hey Mickey” was named after Dolenz, as she had choreographed The Monkees’ movie Head (1968).

 MICHAEL NESMITH was a self-described “do-nothing” teenager. He was very involved in the production of music for The Monkees, and was the driving force behind the group’s break with music producer Don Kirshner. After leaving the group, Nesmith invented and sold the concept of 24-hour Music Television to Time Warner, and it eventually evolved into MTV.  His mother, Bette, invented Liquid Paper, from which stemmed a $50 million inheritance for Michael when she passed away.  Nesmith has stayed active in music production and has even written a couple of novels.

 PETER TORK – was a Greenwich Village folk musician and Stephen Stills’ roommate prior to being cast in The Monkees.  He was the most gifted musician of the four and played multiple instruments across various music styles.  Peter was diagnosed with a rare form of head and neck cancer, and in 2009 had successful surgery to remove the growth from his tongue.

After the series ended, Rafelson teamed with Jack Nicholson (credited as co-writer) to create a feature film with The Monkees.  Head was released in 1968 and featured cameo/pop-in performances by such well known personalities as Annette Funicello, Dennis Hopper, Teri Garr, Victor Mature, Sonny Liston and Frank Zappa. Though not a box office success, the film has developed quite a cult following, and the soundtrack has fared very well with critics over the years.  Nesmith still claims the movie was designed to “kill off” The Monkees.

 Throughout the years since, there have been numerous incarnations of reunion tours and special appearances that featured 2-4 of the original group.  The 1996 “Justus” album was the first since 1968 on which all four members performed, produced, wrote and played all instruments (thus the name Justus = Just Us).

The Monkees’ music remains a staple on “oldies” radio, and has been recorded and covered by numerous bands over the years, including: Run DMC, Smash Mouth (for Shrek), The Replacements, and Susan Boyle.  Many of their songs were written by the Boyce-Hart team, but also such well known songwriters as Neil Diamond, Carole King and Harry Nilsson.  Despite all the controversy, the group has numerous songs that have held up well over 45 years.  Their influence is clear and they deserve a place in TV and musical history.

**NOTE: The rumor that Charles Manson auditioned for the show was false, as he was in prison at the time.

Here is a list of some of The Monkees’ finest songs.  Some of these are live links so you can see the early music videos while you listen to the pleasant sounds of The Monkees:

A Little Bit Me, A Little Bit You

Daydream Believer

Girl

I’m a Believer

I’m Not Your Steppin’ Stone

Last Train to Clarksville

Listen to the Band

Look Out (Here Comes Tomorrow)

Mary Mary

Monkees theme

Pleasant Valley Sunday

Shades of Grey

She

Sometime in the Morning

The Day We Fall in Love

Valleri

When Love Comes Knockin’ at Your Door

Your Auntie Grizelda – Ok, not one of their best, but certainly one of the funniest

Your Auntie Grizelda


OSCARS recap (2012)

February 27, 2012

Greetings again from the darkness.  Well the 84th Academy Awards came and went with very few surprises, a plodding pace, and (mostly) safe show from Billy Crystal, back for his 9th time as host. The ceremony began with the expected video montage/mash-up/spoof with Crystal appearing in key scenes from the year’s top films … including a hospital bed kiss from George Clooney (as his character from The Descendants).  That opening would have been fine, but then we were subjected to another Crystal tradition – the musical medley of all nine Best Picture nominations. Additionally, the opening provided the first of at least three cracks about the removal of Kodak’s naming rights to the theatre (“Ch. 11 Theatre”).

Two things became clear as the evening progressed: there was a concerted effort to “sell” the magic of movies, and the shuffled order of awards did not work so well.  The “talking head” shots played throughout had numerous actors (and moms) talking about the impact of movies on their lives; an obvious reaction to the down year at the box office in 2011.  The funniest part of these interludes was the multiple appearances by Adam Sandler the day after he received a record 11 Razzies nominations. He has made plenty of big box office movies, but has never been what you would call an Oscar favorite.

 The Artist and Hugo were the top winners of the evening with 5 Oscars each.  As expected, the black & white silent film won the biggies: Best Picture, Best Director, Best Actor.  The wins for Hugo were more technical: cinematography, sound, visual effects.  There were only a couple of winners that could be termed a surprise, and what many thought would be the closest race (Best Actress) went to 17 time nominee, and now 3 time winner, Meryl Streep, for her performance as Margaret Thatcher in The Iron Lady.  As for my personal pre-Oscar predictions, I got 18 of 24 categories correct.

In no particular order, here are some of my random observations and thoughts:

Christopher Plummer became the oldest Oscar winner at age 82 (for Beginners), and I wish he had pulled out a guitar and sang “Edelweiss”

Meryl Streep is an amazing actress … maybe the best ever …but her acceptance speeches are wretched.

Did anyone ever imagine that P Diddy (producer of Undefeated) would win an Oscar before Viola Davis or Glenn Close?

The Academy Awards technical team could not, given 3 hours, fix the audio problem on the stage microphones?

Chris Rock was very funny talking about voice acting. Now that is comedy talent.  He should be hosting.

Emma Stone brought energy and goofiness to an evening in need of life-support. Were she and Ben Stiller riffing on James Franco and Anne Hathaway or was that just my imagination?

Iran, Pakistan and France were all winners.  There has to be a punchline there somewhere.

The Scorcese drinking game has gone viral thanks to Rose Byrne and Melissa McCarthy.

The Worst Precedent: allowing Sacha Baron Cohen to walk the red carpet as the character from his upcoming movie.  At future Oscar ceremonies, should we expect super heroes, cartoon characters and movie dogs … maybe studio-sponsored gowns?

Christopher Guest’s band of comedy misfits was pretty funny in the “Focus Group” bit revolving around The Wizard of Oz and flying monkeys.

Cirque du Soleil performers are incredibly talented and athletic … much more daring than Angelina Jolie’s exposed right leg.

You know how you can tell things aren’t all bad … Flight of the Conchords got some recognition!  Congratulations to Bret McKenzie for his “Man or Muppet” Oscar.

Winner I would have liked to have seen: God is the Bigger Elvis for Short Documentary. That would have given actress-turned-nun Dolores Hart her moment on stage

Interesting red carpet moment: Prince Albert of Monaco attended as a guest of Disney.  He is the son of Grace Kelly, who died 30 years ago.

Most Inspirational: breast cancer survivors Robin Roberts and Giuliana Rancic were working the red carpet for ABC and E! Network, respectively.

 This year’s Academy Awards will receive some of the same criticism it receives every year.  However, it should be remembered that, at its core, this is an awards ceremony.  That means announcing nominees, handing out trophies, and giving the winners a chance to say thanks.  Some of those winners are as humble and touched as Octavia Spencer, and that’s good enough for me.  So whether you love or hate the Oscars, don’t confuse that with the magic of the movies.  It seemed appropriate to end on a sales pitch for movies!


OSCAR PREDICTIONS (2012)

February 21, 2012

 Greetings again from the darkness.  It’s Oscar time again!  Ballots for the 84th Academy Awards were due today.  The only real question remaining is just how many gold statues The Artist will win.  It has ten nominations and some are predicting it could win as many as nine!  Me??? I mostly scratch my head at this fascinating juggernaut that appears to be unstoppable.  Don’t get me wrong, I found the movie to be quite entertaining and, being a cinephile, I appreciated the historical nod to early Hollywood … just wouldn’t be my choice as the Best Picture of the year. 
 
Every year, there are at least a couple of surprise winners, but unfortunately it doesn’t appear that The Help edging out The Artist will be one of them.  You will have to uncover those shockers in the lesser categories.
 
This week we learned that Academy voters average 62 years of age and are over 95% Caucasian.  That can be valuable data as you are filling out your Oscar ballots.  And in keeping with that theme, Billy Crystal is back as host of the ceremony and there will be a performance from Cirque du Soleil.  This is Academy’s response to the controversy surrounding the original team of host Eddie Murphy and director Brett Ratner
 
As is my tradition, you will find both my PREDICTION and my PREFERENCE for each of the 24 categories.  While there are a couple of “no brainer” picks this year, there are enough “two horse races” that I expect a final score of 17 or 18 would win most office contests.  When in doubt, pick The Artist!

BEST PICTURE

  PREDICTION: THE ARTIST.  One of the no-brainers I mentioned … it would be a shock if The Help could pull an upset.  The Descendants was an early favorite, but even Hawaii pales in comparison to the black & white artistry.

PREFERENCE: THE TREE OF LIFE.  The favorite movie for me and many critics.  It was the most moving cinematic experience of the year, but too divisive to actually win the award.

BEST DIRECTOR

 PREDICTION: Michel Hazanavicius, The Artist.  The only chance for an upset comes from Martin Scorcese for Hugo, and his visionary use of 3D in an entirely new genre. 

PREFERENCE: Martin Scorcese

 

BEST ACTOR

 PREDICTION: Jean Dujardin, The ArtistGeorge Clooney (The Descendants) was the odds-on favorite until the juggernaut known as The Artist got rolling.  A win for Clooney would now be considered an upset.

PREFERENCE: Gary Oldman, Tinker Tailor Soldier Spy. The consummate actor for so many years, his nuanced performance had me mesmerized during this intricate film.

BEST ACTRESS

 PREDICTION: Viola Davis, The Help.  She was the foundation of the film and never once over-played a scene.  Meryl Streep was stunning as Margaret Thatcher, but once again will probably have her performance taken for granted.

PREFERENCE: Meryl Streep, The Iron Lady.  While I loved Viola Davis’ performance as part of an impressive ensemble, Streep was the epitome of a leading lady carrying a film and making it better than it would have been.

BEST SUPPORTING ACTOR

 PREDICTION: Christopher Plummer, Beginners.  This is another of the no-brainers, and one of my favorite performances in one of my favorite movies of the year. Some think Max von Sydow can win for Extremely Loud and Incredibly Close, but the movie was just not well received.  Either would be the oldest Oscar winner in history.

PREFERENCE: Christopher Plummer, Beginners.

BEST SUPPORTING ACTRESS

 PREDICTION: Octavia Spencer, The Help. The number one no-brainer of the night. Her performance was funny, painful and insightful, and brought depth to what could have been a mess in less capable hands.

PREFERENCE: Octavia Spencer, The Help.

ANIMATED FEATURE

 PREDICTION: Rango.  The most complex and entertaining and oddball animated film of the year.

PREFERENCE: Rango.

 

 

DOCUMENTARY

PREDICTION: UNDEFEATED.  One of the toughest categories to call this year and the only one where all five nominees have a chance.

PREFERENCE: PINA. More tribute than documentary, it’s a fascinating look at the brilliant choreographer through the eyes and performances of her dance company.

BEST SCORE

PREDICTION: THE ARTIST. Hey, there were (almost) no words, so the music was vital … at least that’s the argument.  And I can’t wait to hear Kim Novak’s reaction should it win!

PREFERENCE: Tinker Tailor Soldier Spy.  Haunting, jazzy mood music in a film with almost as little dialogue as the juggernaut.

BEST SONG

 PREDICTION: “MAN OR MUPPET”, The Muppets, Bret McKenzie.  There are only two nominees so everyone has a 50-50 chance!

PREFERENCE: “Man or Muppet”, The Muppets, Bret McKenzie.  Are you kidding?  One of the “Flight of the Conchords” could win an Oscar?  That is so awesome!

CINEMATOGRAPHY

PREDICTION: Guillaume Schiffman, The Artist.  Getting more attention than (in my opinion) the far superior work by Emmanuel Lubezki in The Tree of Life

PREFERENCE: Emmanuel Lubezki, The Tree of Life

ART DIRECTION

PREDICTION: HUGO, Dante Ferretti and Francesca Lo Schiavo.  However it could be a victim of The Artist juggernaut

PREFERENCE: Hugo, Dante Ferretti and Francesca Lo Schiavo (a husband and wife team)

COSTUME DESIGN

PREDICTION: Mark Bridges, The Artist.  Outside shot for Hugo.

PREFERENCE: Michael O’Connor, Jane Eyre.  Underrated film with realistic costumes

FILM EDITING

PREDICTION: Anne-Sophie Bion and Michel Hazanavicius, The Artist.  This award usually goes to the Best Picture winner, though Thelma Schoonmaker is probably more deserving for Hugo.

PREFERENCE: Thelma Schoonmaker, Hugo

DOCUMENTARY SHORT

PREDICTION: GOD IS BIGGER THAN ELVIS.  Interesting story of the actress-turned-nun who gave Elvis his first on screen kiss.  Another tough category to predict, and it could go to The Tsunami and the Cherry Blossom.

PREFERENCE: God is Bigger Than Elvis

ANIMATED SHORT FILM

PREDICTION: THE FANTASTIC FLYING BOOKS OF MR MORRIS LESSMORE.  Horrible title, great little film.  Close competition from A Morning Stroll

PREFERENCE: The Fantastic Flying Books of Mr Morris Lessmore.  I really didn’t want to type it again, but it was clearly the best to me.

LIVE ACTION SHORT FILM

PREDICTION: PENTECOST.  Funny usually wins this category.

PREFERENCE: The Shore. Beautifully shot with a terrific script and top notch acting

MAKE-UP

 PREDICTION: The Iron Lady.  This could be the chance for the Academy to recognize the splendor of the Harry Potter franchise.

PREFERENCE: The Iron Lady.  Old person make-up that actually worked.

SOUND EDITING

PREDICTION: Philip Stockton and Eugene Gearty, Hugo.  Could be a nod to Spielberg’s War Horse.

PREFERENCE: Hugo

SOUND MIXING

PREDICTION: Tom Fleishman and John Midgley, Hugo.  Could be a nod to Spielberg’s War Horse

PREFERENCE: Hugo

VISUAL EFFECTS

 PREDICTION: RISE OF THE PLANET OF THE APES.  With Hugo, it is the most deserving … but another category where Harry Potter could get rewarded.

PREFERENCE: Rise of the Planet of the Apes, but I would be happy with Hugo as well

ORIGINAL SCREENPLAY

PREDICTION: Woody Allen, Midnight in Paris.  Great dialogue in spite of Owen Wilson.  The Hemingway stuff alone is worth the price of admission.  Competition from The Artist, of course.

PREFERENCE: Woody Allen, Midnight in Paris

ADAPTED SCREENPLAY

PREDICTION: Alexander Payne, Nat Faxon, Jim Rash, The Descendants. Competition from Academy favorite Aaron Sorkin for Moneyball

PREFERENCE: The Descendants

FOREIGN LANGUAGE FILM

 PREDICTION: A SEPARATION.  One of the best films of the year … too bad I saw it after my “Best of” list was published.  In Darkness could surprise.

PREFERENCE: A Separation

If you missed my “Best of 2011”, here is the link:

https://moviereviewsfromthedark.wordpress.com/annual-bests-2/best-of-2011/


OSCAR NOMINATED SHORTS – Live Action and Animated (2011)

February 15, 2012

Greetings again from the darkness. Every year I mention how the Magnolia Theatre in Dallas presents one of my favorite movie events … the Oscar nominated short films. Three hours of quality filmmaking! It’s also a reminder of just how frustrating it is that so few people actually get to see these interesting short films.  Why aren’t they screened periodically throughout the year in association with major film releases?  Pixar manages to do this successfully, so it only makes sense that others could follow suit.  With all of that being said, I must regrettably report that this year’s batch didn’t light the fire for me the way past years have.  The quality of the filmmaking was present, but the creative storytelling fell a bit short.

Below is my recap by category, and in order of preference:

LIVE ACTION

 THE SHORE (Ireland) directed by Terry George.  This one is probably the most mainstream/accessible because it tells a story that is easily relatable.  Ciaran Hinds stars as a man returning home to Ireland after 25 years.  He has his grown daughter (Kerry Condon) in tow, and she is much more anxious than he to reassemble the pieces of his past. As he reconnects with his former best friend and fiancé, we learn they have each harbored secrets and guilt since last they saw each other.  Watching how it plays out is actually quite touching, and includes some humorous moments as well.

TUBA ATLANTIC (Norway) directed by Hallvar Witzo.  Our lead character is an elderly man who has been told by his doctor that he has six days to live.  He is then visited by a self-described Angel of Death – a teenage girl volunteering to spend time with him, and help him through the stages of dying.  Their time together involves her causing him to lose one of his six days thanks to sleeping pills.  She also joins in on his personal vendetta against the local sea gulls, who clearly have been a menace for years. We also see the giant tuba that brings him some peace.

TIME FREAK (USA) directed by Andrew Bowler. One of the two characters has invented a time travel machine for the purpose of realizing his dream of visiting ancient Rome. Instead of visiting Caesar, he jumps off-track due to his inability to get over the minutae of life.  We also get the best Oceanography reference since “Seinfeld”.

PENTECOST (Ireland) directed by Peter McDaniel. We are dropped into 1977 Ireland as a young alter boy makes a critical mistake during mass.  His punishment forces him to miss his beloved futbol team’s big game. Given a second chance, we witness quite a funny pep talk by the local priest.  The sports analogy is impossible to miss, but the young man proves he may be a bit more hard-headed than first thought.

RAJU (Germany) directed by Max Zahle. A young couple travel to India to adopt an orphan boy. What they soon discover is that they are mere bit players in a human trafficking scam.  We see how differently the two people react and how self-interest can sometimes cloud one’s judgment.

ANIMATION

 THE FANTASTIC FLYING BOOKS OF MR MORRIS LESSMORE (USA) directed by William Joyce and Brandon Oldenburg. Despite a title that is impossible to remember, this little film was my favorite of the day. In a pretty creative way, it touts the impact that books can have on our lives. It has a tribute to Hurricane Katrina and The Wizard of Oz while it reminds us of the role books can play in providing hopes and dreams.  Humpty Dumpty and Pop Goes the Weasel both play a key role as we see books spring to life, and bring color to the world of kids and adults.

LA LUNA (USA) directed by Enrico Casarosa. This category wouldn’t be complete without the latest gem from Pixar. We see a young boy being introduced to a most unusual family business run by his father and grandfather. His real challenge is finding a way to keep them happy while still making his own mark. He succeeds in very dramatic fashion.

A MORNING STROLL (UK) directed by Grant Orchard. A NYC street scene plays out in three widely different eras: 1959, 2009, 2059.  The twist here is we see a chicken doing the same thing in all 3 time periods, while the people he confronts, and the environment, shift each time.

DIMANCHE / SUNDAY (Canada) directed by Patrick Doyon. A boy is searching for something interesting to do while his family carries on with their Sunday visit.  Things involved include a house-rattling train, 3 crows that mimic the old men, a “mounted” bear and a bunny rabbit.

WILD LIFE (Canada) directed by Amanda Forbis and Wendy Tilby. An English gentleman settles into a simple cabin in the harsh Alberta frontier in 1909.  His letters home paint a rosier picture than what reality dishes. The film compares his plight to that of a comet, replete with burnout.


Best of 2011 – the list is up!

January 7, 2012

The posting for the “BEST OF 2011” is now up.  You may either click the link below or go to the home page and access all lists from the past few years.  Don’t forget to pass it along to all movie lovers … and go to the comments section to let me know your favorites of 2011.

https://moviereviewsfromthedark.wordpress.com/annual-bests-2/best-of-2011/

Thanks for supporting the site!

 

 

 


HAPPY NEW YEAR!

December 31, 2011

 HAPPY NEW YEAR!  A year-end thanks to all of you wise folks who are loyal followers and/or contributors to Movie Reviews From the Dark.  And an especially big thank you to those who have referred others to the site.

There are a couple of announcements I would like to make:

1. The annual “Best of” list will be posted in a couple of weeks.  New York and L.A. have a distinct advantage since all Oscar-eligible movies get a year-end release in those cities. We aren’t quite as fortunate in Dallas.

2. Beginning January 1, 2012 the site will have a new feature: TMI (Today’s Movie Info).  Each day I will post a (hopefully) interesting movie-related tidbit.  My self-imposed guidelines are very flexible, so expect just about anything.

Please continue to pass along your comments … and as always, I certainly appreciate you “enriching” the lives of others by recommending the site!

Bring on 2012!!

 


THE BIG STAR STORY

December 2, 2011

 This is not a movie review, but rather an advance notice.  In 2012, a full length documentary is being released detailing the influential cult band BIG STAR.  The band was formed out of Memphis in 1971 by Alex Chilton, Chris Bell, Jody Stephens and Andy Hummel.  If you are a music fan from the 60’s and 70’s, you will recognize the name Alex Chilton.  He was the 16 year old lead singer for THE BOX TOPS on their hits “The Letter” and “Cry Like a Baby”.   BIG STAR’s first album received wide spread critical acclaim, but was poorly marketed by their label, and the band never reached a wide audience before folding in 1974.

 Years later, bands such as REM named BIG STAR as a key influence to their music … and a revival was born.  Chilton and Stephens put a band together and began playing dates.  In 2010, BIG STAR was to play SXSW Music Festival, but Chilton tragically died from heart problems just days before their scheduled performance.  A special tribute show sprang from the fellow musicians at the festival and production on the documentary continued.  It’s entitled NOTHING CAN HURT ME: THE BIG STAR STORY, is directed by Drew DeNicola and Danielle McCarthy, and will be ready for it’s debut during the Spring 2012 festival season.  Here’s hoping Big Star finally finds the audience they deserve.

Here is the official site for the documentary

http://www.bigstarstory.com/

Watch the trailer

Listen to BIG STAR perform:


DOUBLE INDEMNITY (1944) revisited

November 12, 2011

 “I wonder if you wonder.”  Every time I hear Walter Neff say those words to Phyllis Dietrichson as their intial encounter concludes, I smile and settle in for another round of Double Indemnity (1944).  Chris Vognar, Film Critic for the Dallas Morning News kicked off his Fall Film Noir Series (co-sponsored by Dallas Film Society) with one of my all-time favorites.  Though I have seen it many times over the years, this was my first time on the big screen … and from a 35mm print!  So much of the subtle filmmaking becomes apparent – the variance of lighting, the intensity of shadows, and the vividness of close-ups.  This reinforces my belief that we should never miss an opportunity to view good films in a theatre setting … just as the director intended.

 Since this film was released 67 years ago, I won’t bother about noting “SPOILERS“.  If you haven’t seen it and plan to, you might stop reading here.  If you would like a little insight, then let’s keep going.  Billy Wilder (left) directed the film and his place as a Hollywood legend is quite secure.  He was nominated for 21 Oscars (Director, Writer, Producer) and had 3 wins.  Some of his classics are: The Lost Weekend, Sunset Blvd, Witness for the Prosecution, Some Like it Hot, The Apartment, The Front Page.  Many think of Wilder as a comedic filmmaker and he certainly had success in that genre, but if you watch closely, even his comedies have a dark element to them.

Double Indemnity is based on the novella by James M Cain, who also wrote Mildred Pierce and The Postman Always Rings Twice.  Wilder was a fan of Cain’s book, but knew the dialogue wouldn’t work well on screen.  So together with Raymond Chandler they wrote a screenplay filled with crackling lines and a constant feeling of dread and pending doom.  As great as the script is, it is heightened by a wonderful cast that includes Fred MacMurray, Barbara Stanwyck, Edward G Robinson, Porter Hall, Jean Heather, Tom Powers, Richard Gaines and Byron Barr.

For me, MacMurray’s performance is what brings the words to life and jumps the film to the “must see” category. He is playing against two Hollywood heavyweights in Stanwyck and Robinson, but we are somehow sympathetic to this not-so-bright guy who gets played like a fiddle by the villainous, wily woman he lusts after.  Even as he is recording his confession, a part of us understands how he got drawn into MURDER!  Not just any murder, but one for money and love … only there is no money, and there is no love.

 Ms. Stanwyck is perfectly cast as the femme fatale who weaves her web of deceit and destruction.  She quickly spots the vulnerability of MacMurray’s character and uses her assets just enough to hold the leash tight.  It is a testament to her screen presence that she can pull off the sultry siren while sporting a less-than-desirable blonde wig.  At the time, the wig was so controversial that the producers compared it to George Washington and wanted it trashed.  However, filming was too far along and now it’s impossible to imagine her looking any other way.  Besides, MacMurray only seems to notice her anklet!

 Edward G Robinson made a name for himself as a tough-guy actor … cop and mobster all rolled into one.  Here he plays the insurance investigator with a sixth-sense for fraudulent claims.  He is a hard-nosed, dedicated employee who takes his responsibility very seriously and has no sympathy for those who cheat his cherished system.  He has a soft spot for co-worker MacMurray, even though he is one of the back-slapping salesmen he so loathes.  Their relationship in the film is one of respect and about as close as two professional men could be, given the era.  When Robinson goes off on his rant about suicide research, he is a joy to behold.  This guy could flat chew scenery.

 In addition to the infamous wig, you might also notice that MacMurray is wearing a wedding band throughout the film, even though his character is clearly a single man.  Wilder and MacMurray stated many times over the years that was simply a mistake and not “caught” until post-production.  Expect a chuckle when MacMurray, as the narrator, enviously describes a Spanish style Los Angeles home as costing $30,000 … probably less than the property taxes would be on that house today.  The film originally was to end with MacMurray in the Gas Chamber and Robinson looking on (inset), but this was deemed inappropriate.  One last little nugget: early in the film, MacMurray walks out of Robinson’s office and past a man sitting on a hallway chair reading a paperback book.  That man?  Raymond Chandler, in his only on screen appearance.

The film is often described as quintessential Film Noir.  Another prime example of Film Noir would be The Big Sleep (1946), based on a Raymond Chandler novel, directed by Howard Hawks, and starring Humphrey Bogart and Lauren Bacall.   While Film Noir might not be an easily definable term, there are certain elements that must be present.  Lighting is key.  Shadows must be prevalent.  Some type of detective story is usually at the center, and we typically get some poor schlub of a guy being yanked around by the femme fatale.  The right “mood” is essential … as a viewer we know things are headed down the wrong path, but we just can’t save the characters from their own poor choices.  But neither can we look away.  That helpless feeling is a strong indicator that you just watched a terrific Film Noir.

watch the original trailer:


BASEBALL MOVIES: Readers Poll Results

October 26, 2011

The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the the time. This field, this game: it’s a part of our past, Ray. It reminds us of all that once was good and it could be again.” —Terence Mann (James Earl Jones) in Field of Dreams

Thanks to all of you who particpated in the Readers Poll for Favorite Baseball Movies. Although I sensed a minor conspiracy amongst women voters, the final results were pretty close to other published baseball movie lists.  I won’t name names, but the most creative write-in votes were for The Untouchables – noting the scene where Al Capone makes use of a Louisville Slugger, and Touching Home – a vote based, I believe, solely on the blue eyes of Ed Harris.

FINAL RESULTS

1. THE NATURAL

2. FIELD OF DREAMS

 

 

 

 

3. (tie) BULL DURHAM

 

 

 

 

  (tie) A LEAGUE OF THEIR OWN

 

 

 

 

 

 

5. MAJOR LEAGUE

 

 

 

 

 

 

One can’t go wrong with any of the Top 5 as they are all quite entertaining. On the list are a few laugh out loud moments, some high baseball drama, a touch of historical significance, and a heavy shot (or two) of melodrama.

One of the frustrating things about baseball (and most sports) movies is that no matter how talented an actor might be, it’s very difficult to look like you can play the game if you really can’t.  Still, it’s the game, and the memories it creates that have such a grip on us.  Whether playing a pick-up game with our buddies (The Sandlot), watching our team play that magical season (Angels in the Outfield) or simply playing catch with dad (Field of Dreams), most of us carry a connection to the game of baseball and a corresponding special memory. That’s why there are more movies about baseball than football, basketball, hockey, golf and tennis combined.  It truly is the great game.

If you are interested in going a little deeper into the baseball vault, allow me to recommend a few that often get overlooked.

IT HAPPENS EVERY SPRING (1949) – comedy about a scientist who discovers a substance that makes baseballs repel wood. It stars Ray Milland and Jean Peters (who became Mrs. Howard Hughes)

THE WINNING TEAM (1952) – the comeback story of Grover Cleveland Alexander, starring Doris Day and Ronald Reagan.  Yes, the same Mr. Reagan who would go on to become Governor of California and President of the United States.

THE BINGO LONG TRAVELING ALL-STARS and MOTOR KINGS (1976) – comedy about a barnstorming Negro League team from the 1930’s featuring Billy Dee Williams, Richard Pryor, James Earl Jones and directed by John Badham

EIGHT MEN OUT (1988) – the story of the 1919 Chicago White Sox (Black Sox) scandal. It features a couple of then 22 year-olds named Charlie Sheen and John Cusack, and is directed by the great John Sayles.

THE SANDLOT (1993) – a story about kids being kids and the role baseball can play in family, friendship and growing up

KEN BURNS’ BASEBALL (1994) – if you have seen Mr. Burns’ documentary work on The Civil War or Jazz, then you have some sense of the detail and level of research that went into his multi-volume history of baseball

SUGAR (2008) – following the story of a talented Dominican minor league pitcher who dreams of the major leagues.

Thanks again to all who voted.  Pass this along to any baseball and/or movie lovers you know.  The final pitch is two more quotes:

It’s a great day for a ball game, let’s play two!”Ernie Banks

I’ve tried ’em all, I really have, and the only church that truly feeds the soul, day in, day out, is the Church of Baseball.” — Annie (Susan Sarandon) in Bull Durham


FATHER OF AMERICAN ANIMATION

October 14, 2011

 British born and NYC-raised, J. Stuart Blackton has been called the “Father of American Animation”.  As a reporter in 1896, he was fortunate enough to be assigned an interview with Thomas Edison.  The two men hit it off and that meeting inspired Blackton to become expert at stop-motion animation, and combine that skill with his vaudevillian talent of lightning sketches.

 

His oldest surviving animation is from 1899 and copyrighted in 1900.  It’s called THE ENCHANTED DRAWING

 

Blackton’s most famous animation is from 1906 and is entitled HUMOROUS PHASES OF FUNNY FACES

 

Blackton enjoyed a long and prolific career as a film director; however, it’s his pioneering of animation for which he is best remembered.  His early stop-motion work continues to influence animators more than a hundred years later.