Greetings again from the darkness. While I have Irish ancestors, the uproar of the Irish press over the accents in the film is a bit puzzling to me. Any frequent movie watcher can tell you that cinema history is filled with actors giving difficult accents their best shot – and the results have ranged from ‘spot’ on to ‘not even close’, and everything in between. As a Texan, I can vouch for the sometimes cringe-inducing ‘not close’ efforts, but I’ve never judged a film by such trivial matters. Why do I start with this? Only to get it out of the way in order to have a more meaningful discussion of the latest film from writer-director John Patrick Shanley (DOUBT, 2008, and an Oscar winner for the MOONSTRUCK screenplay, 1987). It’s based on his 2014 Broadway play, “Outside Mullingar”.
After the breathtaking shots of the Irish countryside over the opening credits, we learn of two neighboring farms belong to the Muldoons and the Reillys. Rosemary Muldoon (Emily Blunt) and Anthony Reilly (Jamie Dornan) have known each other their entire lives, and it’s been assumed by locals that they would someday marry each other. Their elderly parents are dying off, yet what prevents the relationship from deepening beyond “Good morning to ya’” is Anthony’s bizarrely awkward social skills compounded by his constant bickering with his father (Christopher Walken), and his belief in a family curse. The two men still mourn the passing of Anthony’s mother, and Rosemary has her own sadness to deal with … while growing a bit antsy waiting for Anthony to come around.
Anthony’s father is concerned that the family name is in danger of ending, due to his reticence to marry. Because of this, dad decides to give the family farm to another relative. The fun kicks off when Adam (Jon Hamm) arrives. Adam is the stereotypical “Yank” – arrogant and showy, with only a romantic notion of what being an Irish farmer means. If that’s not bad enough news for Anthony, Adam also sets his sights on Rosemary and convinces her to visit him. He can’t imagine how the excitement of New York City contrasted with daily life in Ireland won’t win her over.
We don’t actually see any real farming in the movie, and Anthony’s sullen act gets a bit tiresome, but the message is conveyed well by Ms. Blunt and Mr. Dornan. Filmmaker Shanley has delivered more of a romantic drama than romantic comedy, but there are humorous moments included, not the least of which being Anthony’s practice proposal to a donkey. Ms. Blunt proves again what a fine actor she is, and her sequence inside her home in the final act is terrific. As for the accents, Mr. Dornan’s holds up the best, while Mr. Walken’s downright comical, but the story and characters are what we remember when this one ends … unless, of course, you are part of the Irish media.
In theaters and On Demand November 11, 2020
I completely agree with you, from start to finish. I loved it. Consider I viewed it after watching Belfast, so it was a sort of Dornan double feature. The breathtaking shots of Ireland do make me want to visit; I’d want to anyway just to listen to people speak with their enchanting accent. Emily Blunt had me smitten from the get-go (I’ve liked her for years). This is a movie romance lovers must not miss viewing.