UNDERWATER (2020)


 Greetings again from the darkness. The opening credits have an “X-Files” look and feel. Newspaper headlines and redacted reports zip by … in fact, the rapid cuts are so quick that very few viewers will be able to keep up. Even if you haven’t finished your Evelyn Woods speed-reading course, the gist is clear: there is a (very) deep-water drilling lab located 36,000 feet below the ocean’s surface. Yep, that’s almost 7 miles deep for the crew of 316, and some mysterious bad things may or may not be lurking. That’s really our only set-up … unless you want to count Kristen Stewart brushing her teeth.

It’s literally less than 5 minutes in when the rig is rocked by an explosion of some kind. We are told the structure is 70% damaged. The survivors are quickly identified. Nora (Ms. Stewart) and Rodrigo (Mamoudou Athie) are together in the immediate aftermath. Nora is a mechanical engineer and computer whiz. They soon come across a co-worker buried in rubble. It’s wise-cracking TJ Miller and his (actual) stuffed bunny. Next up are the Captain (Vincent Cassel) and lovebirds Emily (Jessica Henwick) and Smith (John Gallagher Jr). With no time for early character development, we learn tidbits as their perilous journey hopefully leads them towards rescue. Of course anyone who has ever watched a movie can tell you, they won’t all make it. Maybe the 8 year old girl sitting in the row behind me wouldn’t know that … but no parent should take their 8 year old to a PG-13 movie that has “terror” in the parental warnings.

Director William Eubank and co-writers Brian Duffield and Adam Cozad create plenty of tension, danger and suspense. The movie is at its best when they let the moment speak. It’s the dialogue that is mostly cringe-worthy, as well as the predictable and unnecessary jump-scares. These people are stranded miles deep in the ocean and are running out of oxygen and options … and are being chased by something they can’t identify. The visual effects are successful in generating the environment of danger and claustrophobia.

It’s in the little things where the film falters. When we first see the Captain, he has his arm in a sling. He’s obviously injured. Once the bulky underwater suits are donned, his bad arm seems just fine … he’s even pulling one of the others with a rope! Nora makes a big deal about being the “smallest” of the group and volunteers to explore a narrow passage. The problem is that they are all wearing the same suits – a fact that should negate any advantage of Ms., Stewart’s slim, toned body. Lastly, the film has borrowed heavily from James Cameron’s classic ALIEN. In fact, it has been referred to as “Underwater Alien”. Of course, this film isn’t nearly as well-rounded or complete as that one … but then few are.

Mr. Eubank’s film is a sci-fi/horror mash-up, but it’s really more a survival thriller than science fiction or creature feature, although the sea creatures have their moments. Cinematographer Bojan Bazelli does a nice job in keeping with the ‘play it straight’ approach, and his camera work is complemented by the electronic score from Marco Beltrami and Brandon Roberts. Ms. Stewart and her buzzed blond hair hold their own amidst the danger. A blatant lecture about how we are going places (deep sea) we shouldn’t go and doing things (drilling) we shouldn’t do is included for those who might not figure it out on their own, but mostly we spend our time trying to figure out how to survive the deep sea pressure with little oxygen and no escape pods. Just leave the 8-year olds at home.

watch the trailer:

One Response to UNDERWATER (2020)

  1. […] David Ferguson/Movie Reviews from the Dark: “A blatant lecture about how we are going places (deep sea) we shouldn’t go and doing things (drilling) we shouldn’t do is included for those who might not figure it out on their own, but mostly we spend our time trying to figure out how to survive the deep sea pressure with little oxygen and no escape pods.” […]

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