BOMBSHELL (2019)


 Greetings again from the darkness. Movies based on true stories are increasingly popular these days. OK, not as popular as comic book films, but the appeal of tapping into ‘truth-is-stranger-than-fiction” is a natural, as viewers bring a sense of familiarity to the characters and/or events. On the flipside, this familiarity can create challenges for the filmmakers and actors as they must meet viewer expectations or risk being waved off as a flop. When tackling the story of Fox News CEO Roger Ailes and the sexual harassment scandal of 2016, the folks associated with this project faced the added burden of an internationally reported story with faces and personalities recognized around the globe.

For the most part, director Jay Roach (TRUMBO, MEET THE PARENTS, AUSTIN POWERS), screenwriter Charles Randolph (Oscar winner THE BIG SHORT), and a very talented cast succeed in taking us behind the scenes of this unsettling story, so that we might better understand how 20 years of despicable behavior continued unabated. The film picks up in 2015 as the Presidential campaigns are underway. Megyn Kelly (a spot-on performance from Oscar winner Charlize Theron) breaks the 4th wall and takes us on a tour of the Fox offices – even pointing out Roger Ailes’ private and secure sanctuary. We then see the memorable moment where Ms. Kelly publicly questioned candidate Donald Trump about his history with women. It was a moment that shook the network, and elevated Megyn Kelly to worldwide notoriety.

Early emphasis is on Gretchen Carlson (played by Oscar winner Nicole Kidman), and her declining role at the network as she is removed from the highly rated “Fox and Friends”, and placed on her own show in an unappealing time slot. Although her professional skills are presented in a way that has her appearing a bit amateurish, Ms. Carlson makes the case that she was unceremoniously removed due to her not going along with Ailes’ wishes behind closed doors. It’s Gretchen Carlson’s lawsuit against Ailes that kicks off the downfall of the network’s leader. She was the one courageous enough to be first.

Margot Robbie plays Kayla Pospisill, an ambitious producer who initially works for Carlson, and then moves on to “The O’Reilly Factor”. Kayla is a composite character written to represent many of the women who worked at the network. She is smart and working towards a shot at becoming an on-air personality. It’s that ambition that results in her sitting in Ailes’ office when he says “Stand up and give me a twirl.” His request (evidently not an uncommon one) is followed by his reasoning – “Television is a visual medium.” It’s Kayla’s interaction that allows us a glimpse at the systemic sexual harassment that became commonplace in the office. The toxic environment was not isolated to Ailes … as shown here, and proven later.

John Lithgow perfectly captures the elderly Ailes, who suffers from multiple physical ailments – none of which affect his ego or demented nature. He never sees the evil of his ways, as he’s been taking advantage of his power position for so long, the right comebacks and lead-ons have become second nature to him. What makes this even more frightening is that Ailes apparently used this harassment and manipulation as the first step in a form of mind control … to ensure the content of his network fit his ultra-conservative and closed-minded ideals. The message was clear: remain loyal to him or lose your career.

The ensemble cast is excellent, even if the leads dominate the story. Oscar winner Allison Janney portrays Ailes’ attorney Susan Esrcih, Connie Brittain plays his supportive wife Beth Ailes, Malcolm McDowell is Rupert Murdoch, and Kate McKinnon plays Kayla’s co-worker (and more) Jess Carr, who is forced to keep her private life in her desk drawer. Other supporting roles are filled by Liv Hewson, Brigette Lundy-Paine, Rob Delaney, Mark Duplass, Stephen Root, Robin Weigert, Anne Ramsay, and Richard Kind. Some of the real life names and faces include: Bill O’Reilly, Rudy Giuliani, Chris Wallace, Greta Van Susteren, Neil Cavuto, Geraldo Rivera, and Jeanine Pirro.

This place is crazy.” I don’t remember which character said it, but it could have been any of them. The politics of the network (and Ailes himself) are always hovering over every scene. What caused Fox News to become such a toxic work environment?  Having a despicable leader doesn’t seem like enough. Why were so many men treating it as a frat house, and so few women willing to speak up? The answer seems to be that these were talented and ambitious women who were determined not to lose what they had worked for. When one character states that women owe it to each other to speak up, it really brings into focus how much courage is required to do just that.

Showtime’s multiple-episode “The Loudest Voice” with Russell Crowe as Roger Ailes and Naomi Watts as Gretchen Carlson was able to go into greater depth with the longer run time, but director Roach tells this from the women’s viewpoint. Ms. Theron truly disappears into the role of Megyn Kelly, while Lithgow, Kidman and Robbie deliver in a way that we forget we are watching actors. Some of the best segments feature these women reacting in the moment … moments we hope are becoming extinct. By the way, I wonder how much a “Team Roger” t-shirt is going for these days – or if they can even give them away?

watch the trailer:

3 Responses to BOMBSHELL (2019)

  1. montrealray says:

    Just in time for Christmas, when cinema audiences spike, this movie, thank you Hollywood.
    I watched Charlize’s interview on Colbert this week and I have to admit I’m a Charlize fan (who isn’t). The make-up and special effects certainly helps capture Megyn’s looks, remarkably, but I’m very much looking forward to this movie and Charlize’s professional skills (she is an excellent actor); I saw “the Loudest…” and I had appetite for more.
    In case I don’t have another opportunity to do so in the next few days, I’d like to wish you and your family David a very Merry Christmas.
    I’ll be back for the New Year wishes soon.

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