MAN DOWN (2016)


man-down Greetings again from the darkness. Perhaps this movie and story would have hit me harder had I not recently watched Michael King’s documentary When War Comes Home. Post Traumatic Stress Disorder (PTSD) is the focus of both films, but the reality of the three soldiers in King’s film simply packs a bigger emotional punch than the fictionalized version of one soldier in this latest from director Dito Montiel. That said, the dramatization offers a few worthy moments.

The story/stories revolve around a new Marine named Gabriel Drummer (played by Shia LaBeouf). We are bounced between three timeframes: a futuristic, post-apocalyptic world; the time Gabriel is serving on the frontlines of Afghanistan; the pre-Marines time when we see Gabriel as a loving father, husband and friend … he’s the kind of dad who surprises his son with a birthday puppy, and creates a secret phrase so he can tell his son he loves him without embarrassing him at school.

An interrogation sequence between Gabriel and the military counselor (played by the great Gary Oldman) provides the film’s best scenes … the two actors go head to head in what is really psychological warfare in a trailer office. There is an “incident” that occurred, and the counselor is attempting to figure out Gabriel’s mental state. Once we are provided the details of the incident, we fully understand why Gabriel is an emotional mess, and basically shut-down from conversation and life.

Kate Mara appears as Gabriel’s wife and Charlie Shotwell (Captain Fantastic) as his son. The film probably would have benefitted from more attention on the family foundation prior to Gabriel being shipped out. Jai Courtney stars as Gabriel’s close and lifelong friend, though when Gabriel asks his friend to “watch out for my family”, we know where things are headed. It’s here where the film just stretches too far. The effects of war provided plenty to make the point director Montiel is going for, and the cheap/clumsy gimmick only distracts.

LaBeouf is in fine form and in quite a different role than his quick-with-a-quip charmer in this year’s American Honey. This latest film probably has more in common with A Beautiful Mind than with Born on the Fourth of July, or any other film dealing with post-war challenges. The statistics posted prior to the closing credits make it obvious that Montiel meant this as a message movie – making the melodrama and extreme visuals all the more misplaced. Montiel made some festival noise with his 2006 debut A Guide to Recognizing Your Saints, and it seems he is destined to make a really good movie at some point.

watch the trailer:

 

 

 

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