Greetings again from the darkness. Movie profanity and crude humor are best used selectively, and certainly not as a comedy crutch. Melissa McCarthy has not built her career on subtlety, but even for her standards, this latest comes across as a lazy effort with missed opportunities for both laughs and a message.
Ms. McCarthy re-teams with those responsible for Tammy (2014), including her husband writer/director Ben Falcone and co-writer Steve Mallory. Here she plays Michelle Darnell, an egotistical hyped-up business tycoon with no sense of integrity or humanity … constantly wearing an odd turtleneck. Somehow the filmmakers thought it a good idea to explain this lack of soul showing a young Michelle being continually “returned” to her orphanage (run by a nun played by Margo Martindale).
When Michelle’s business rival (and former business associate and former lover) Renault/Ron (Peter Dinklage) turns her into the SEC for insider trading, the correlations with Martha Stewart become impossible to ignore. There is even an acknowledgment of this by McCarthy’s character. Once released from white collar prison, Michelle hits rock bottom and ends up sleeping on her former assistant’s sofa. Kristen Bell is Claire, the assistant that Michelle once dumped on and now crashes with. Ms. Bell is mostly relegated to “straight man” to McCarthy’s string of lame punchlines.
In the spirit of exaggeration in lieu of creativity, three scenes in particular stand out: the street fight between rival scout troops, a ridiculous breast grope-off with McCarthy and Bell, and a clumsily staged sword fight between McCarthy and Dinklage. The missed opportunity to have a point about girls in business, and stooping to schmaltz with the Michelle family story are every bit as disappointing as the mostly unfunny and constant use of profanity-laced insults. Saying “suck his d***”over and over in one scene does not make it funny … in fact, it’s a bit sad.
Exacerbating the frustration is the misuse and underuse of such talents as Cecily Strong, Kristen Schaal, Tyler Labine, and Kathy Bates. Ella Anderson as Claire’s daughter does come across as a real kid, and she’s part of the best scenes in the movie. Somehow a movie that (finally) calls out the Girl Scouts on their unfair-to-girls business model, manages to disappoint on every other front.
watch the trailer: