Greetings again from the darkness. There is no shortage of films that feature some type of mental illness or disorder. Folks that don’t “fit in” make for characters that create unusual situations and generate cinema’s biggest friend – conflict. Cast a talented performer who thrives in “off-center” roles, and the potential exists for some actual insight.
Kristen Wiig is obviously attracted to unusual characters, as well as stories that wobble between comedy and drama. Here she plays Alice Klieg, a woman diagnosed with Borderline Personality Disorder. Alice memorizes Oprah shows, spends hours watching infomercials, and attends state-mandated therapy with her psychologist (Tim Robbins). She also has many inappropriate social tendencies and is a consistent player in the California Lottery – a ritual that pays off nicely when she wins $86 million.
Once she collects her winnings, Alice decides to drop her meds cold and move herself into the spotlight. She relocates from her dank apartment into a suite at a local Indian Reservation Casino, and then buys airtime from a local infomercial studio run by brothers (Wes Bentley, James Marsden) in order to star in her own show, “Welcome to Me”. With the help of a swan sled as a prop, Alice moves forward with a two hour TV block that is centered on her own thoughts and re-enactments of the most traumatic moments of her life. It’s about her personal pain, but also painful for the show’s producer played by Joan Cusack.
It’s difficult to tell what screenwriter Eliot Laurence and director Shira Piven (brother to actor Jeremy, and wife to director Adam McKay) are trying to accomplish here. Poking fun at mental illness is a delicate undertaking, but perhaps they meant this as more commentary on a society that is so quick to latch onto the troubles of others … whether as news or comedy. It could also be a statement on the narcissism that runs rampant these days, as Facebook is filled with selfies and photos of meals.
It could be argued that Alice’s TV show could be more accurately titled “TMI”, but it’s unfortunate there just doesn’t seem to be more substance here. Sure, there are some highly awkward and uncomfortable moments – some quite funny, but the movie really plays more like an extended comedy sketch, and whatever works seems due to the stellar cast: Wiig, Marsden, Bentley, Cusack, Robbins, Jennifer Jason Leigh, Thomas Mann, and the underutilized Linda Cardellini. Just like “Perfect Polly” in the opening infomercial, what’s real and what’s real enough are in the eyes of the beholder, and perhaps this one could have used one more prepared statement.
watch the trailer: