CAS & DYLAN (2015)


Cas Dylan Greetings again from the darkness. Jason Priestley is well known for his acting career, and his first feature film as a director combines two of the more familiar movie paths – the odd couple and the road trip. Writer Jessie Gabe jolts the screenplay with enough comedy and poignancy that we overlook the air of familiarity and instead concentrate on the mismatched titular characters. Ms. Gabe also makes a memorable onscreen appearance as a snippy receptionist.

Richard Dreyfuss plays Dr. Cas Pepper … yep, he is Dr. Pepper (I suspect that’s why he goes by Cas). Thanks to the narration and early scenes, we quickly learn Cas is a widower, a 30 year doctor, and recently discovered to be terminally ill. Cas has perfectly worked out a plan to “head west” and go out on his own terms … if only he wasn’t experiencing writer’s block on his suicide note.

Worlds collide as Cas agrees to give Dylan Morgan (Tatiana Maslany, “Orphan Black”) a ride to her boyfriend’s trailer. Cas wrongly assumes that the energetic and fast-talking Dylan was visiting a relative at the hospital, and soon learns that she was experiencing “suffering vicariously through patients”. See, Dylan fancies herself a writer and has developed a new genre, Action Romanture, which she is convinced will secure a publishing deal and rescue her from a world that doesn’t appreciate her in the least.

An unexpected turn leaves Cas and Dylan on the road together, and quibbling like an old (and odd) couple. Nothing that follows is especially ground-breaking, and in fact, is mostly quite familiar; yet the two leads somehow captivate us with their banter and the understanding that this is leading right where we know it must lead.

Director Priestley wisely utilizes the stunning landscapes of western Canada, and allows the two actors to go at each other in a way that two different generations must – all the while building a friendship that we see long before they do. There are some interesting and effective song choices, but it’s Ms. Maslany’s spunk and depth as Dylan that allows the interactions to click. The legacy note may be the goal here, but the lesson is that no one should be alone … no matter if they be a 22 year old social misfit, or a sixty-something doctor near the end of life.

watch the trailer:

 

 

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