Greetings again from the darkness. Starting out with a typical marriage counseling session, director Charlie McDowell and writer Justin Lader lull us into a movie-going comfort zone based on our experience with such Hollywood fluff as Hope Springs and Couples Retreat. All that should be said at this point is … not so fast, my friends!
A crumbling marriage and the subsequent lack of success with communication, leads the therapist (Ted Danson) to recommend a weekend alone at a private country estate. The twists and turns that await Ethan (Mark Duplass) and Sophie (Elisabeth Moss), take marriage counseling to an entirely new spectrum. Sophie wants to reignite that early relationship spark and Ethan just wants things back to normal.
The setting does justice to the legend of beautiful California real estate, but things aren’t all they seem as Ethan and Sophie bounce back and forth between the main house and guest house. It’s in these moments where the big relationship questions are addressed … and the script is smart, funny, creative and dark. It’s not likely anyone can watch this without having some inner dialogue, and probably even some real discussion afterwards.
Mark Duplass (“The League“, Safety Not Guaranteed) and Elisabeth Moss (“Mad Men“) not only carry the film, but also take on significant responsibility with wide-ranging personality traits and subtle physical changes. Duplass is exceptional and easy for most guys to relate to in how he handles the challenges. While I’ve never been a big fan of Ms. Moss, her performance here is quite impressive. Whether “together” or “apart”, they complement each other nicely.
The closest comparison I have for this one is Ruby Sparks (2012), but this one will have you questioning what makes a relationship work and what should we really expect from our partner. The idea of recapturing that initial spark is absurd and immature, but that doesn’t lessen the need for realistic expectations. For the first feature from director Charlie McDowell (son of Malcolm McDowell and Mary Steenburgen) and writer Justin Lader, the unique and creative approach to such a complex topic make them filmmakers to keep an eye on.
**NOTE: I found the film very well done and quite thought-provoking until the last 15 minutes or so. One of the twists kind of knocked me off the rails and raised too many questions that this little film just couldn’t address, much less answer. Still, that doesn’t stop me from recommending it to my fellow indie movie lovers. During the Q&A after the screening, director McDowell admitted that they completed filming in 15 days, and that most of the sound and dialogue was recorded live. The unusual and effective score was, of course, added later.
watch the trailer: