Greetings again from the darkness. It’s easy to understand how frequent movie goers develop an affinity for certain directors, however, it’s important to not blindly praise based on a name. Korean auteur director Joon-ho Bong has previously delivered a couple of artistic and interesting genre movies with The Host and Mother. His first (mostly) English language film is a sci-fi, politically-oriented action thriller that is based on a French graphic novel, and utilizes well known actors from the U.S. and U.K. This is definitely “world cinema”.
The basic premise is that a man-made experiment to “fix” severe global warming change goes bad, leaving the earth as an uninhabitable frozen tundra … even worse than Green Bay. The only survivors are those aboard a perpetual motion train that circles the earth year after year. Onboard is a class-segregation system (ala The Hunger Games) with the richest 1% at the front (first class) of the train and the 99% lower class bringing up the rear (steerage). This case of haves vs have-nots leads to the expected rebellion by the oppressed lower class.
As the rebels make their way towards the front of the train, each car brings new obstacles … in fact, each car plays like a new level in a video game – each different and more challenging than the previous. In between are a wide variety of creative fight scenes that allow the director to show off his visual acumen in close-quarter battles – some quite violent.
Comic relief is provided by a near clown-like Tilda Swinton. Her appearance and delivery are hilarious and seem better fit for a Wes Anderson movie … well, if not for the fact that I found the entire movie works better as a comedy than the political commentary it’s meant to be. Each of the main characters provide a bit of interest on their own: Chris Evans as the main rabble-rouser, Jamie Bell as his right-hand man, John Hurt as the old-timer and Octavia Spencer as the wronged-mother. Actually the best story line involves Nam and Yono (Song Kang-ho and Ko Ah-sung respectively) as a father-daughter team with skills integral to the rebellion, as well as their own agenda.
While the fight scenes were well-staged, I couldn’t help but think of beer commercials every time the camera provided an exterior shot of the train. Luckily these shots and the abundance of posturing and lame dialogue kept me chuckling enough that it overshadowed the high number of ridiculous sequences … not the least of which is the final introduction to the Wizard of Oz-like train engineer in the front car.
Director Joon-ho Bong continues his technical advancements in visual and action effects, but he will need to deliver much tighter stories to capture a large U.S. audience. In fact, more drama was delivered by his real-life “final cut” battles with Harvey Weinstein than the on screen uprising.
***NOTE: I think having Ed Harris wear his beret from The Truman Show would have been a nice effect.
SEE THIS MOVIE IF: you want to see a true “world cinema” production featuring talent from Korea, France, the United States and the United Kingdom.
SKIP THIS MOVIE IF: you believe class warfare (even with a stop off at a sushi bar) is a topic best suited for real life
watch the trailer: