THE ROVER (2014, Australia)


rover Greetings again from the darkness. This is Australian writer/director David Michod’s follow-up to his excellent 2010 film Animal Kingdom – one of my favorite films that year. While that film took us inside an Australian gangster family, this one is set in a dystopian Outback ten years after what the film terms “the collapse”.

Michod’s script from a Joel Edgerton story goes pretty light on the details and depends heavily on the shared scenes with Guy Pearce and Robert Pattinson. Both deliver the goods, and Pattinson in particular is quite something to behold … his gun shot wound plays second fiddle to the most bizarre speech pattern and accent we have heard in awhile. Initially appearing somewhat flawed in his mental aptitude, Pattinson brings his character through a full cycle of emotions; which is the polar opposite of Pearce’s character who though quite stoic, leaves no doubt that he is angry at 3 goons for stealing his last possession – his car.

The mood of the film and the tone of the character keep us in suspense on why this blasted car is so important to Pearce, and it’s not until the final sequence that the mystery is solved. The more interesting scenes occur when Pearce and Pattinson are facing off – their relationship evolves from adversarial to something kind of oddly touching.

The usually dependable Scoot McNairy plays Pattinson’s brother, but really isn’t given much to do except for his final scene with Pattinson. The most interesting supporting role comes courtesy of screen veteran Gillian Jones as the inquisitive Grandma. She leaves the impression that a film about her would be much wilder than the minimalistic landscape and dialogue of our feature.

Michod’s latest is not at the level of Animal Kingdom but it does offer a couple of intriguing characters and vastly toned down Mad Max flavor. It’s beautifully photographed and the sparse soundtrack is the perfect compliment.

watch the trailer:

 

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