Greetings again from the darkness. Sometimes the line between reality and fantasy is blurred. In the moment, daydreams can feel like real life. Such is the existence of Walter Mitty, the milquetoast main character of James Thurber’s 1939 “New Yorker” short story. This is no remake of Danny Kaye’s 1947 movie, and thank goodness for that … no one wants to see Ben Stiller singing and dancing. Mr. Stiller not only takes on the role of the zoned out Mitty, but he also directs.
Walter is a quiet, photo lab geek at Life Magazine, the long time publication that is closing its doors. Of course, in real life, those doors closed years ago, but the magazine name makes for the perfect contradiction to Mitty’s humdrum existence. The transition team is in place led by the snide, bearded corporate presence of Adam Scott. Photographer extraordinaire Sean O’Connell (played by Sean Penn) has delivered the perfect shot for the final cover. Only one problem: Walter has misplaced the negative (yes, O’Connell still shoots on FILM).
This gaffe leads Walter to cross paths with a co-worker played by Kristen Wiig, whom he has secretly admired both across the office and by staring at her eHarmony profile online. Their investigative work leads Walter on the first real journey of his life. He even breaks free of the family stranglehold of his mom (Shirley MacLaine) and sister (Kathryn Hahn) and gets a pep talk and well timed boost from Patton Oswalt.
Walter’s expedition leads him to Greenland, Iceland, the Himalayas, and Afghanistan by way of Yemen. He also encounters a wild helicopter pilot and ride, sharks, an erupting volcano, drinking beer from giant glass boots, a sad and aggressive Karoke singer, and takes an accelerated ride via skateboard. Rather than changing Walter, these experiences just bring out a lust for life that was previously only flashed through his periods of fantasy zone outs.
The acting is very strong in this one, and that comes from a guy who is not much of a Stiller fan. His beaten down demeanor and stone-faced expressions are spot on for the Mitty role. Ms. MacLaine, Ms. Hahn, Mr. Oswalt and Mr. Scott all add very nice comedic touches and Sean Penn captures the rugged fearlessness of a world weary photographer who recognizes the depth within Mitty.
If you are a fan of Thurber’s short story then you must know artistic license is taken to turn it in to full length feature. Screenwriter Steven Conrad provides Life magazine as a foundation, and sends Walter to some of the most beautiful places on earth during the journey. He even gives us a “poetry falcon” (my first) and a curious parody of “Benjamin Button” (a bit out of place). Cinematographer Stuart Dryburgh delivers these locations to us in stunning fashion. The film is beautiful to look, and thanks to the score from Theodore Shapiro, it’s complimented by well fitting music.
This is one of those crowd-pleasing movies filled with sentimentality and charm. Critics will bash it, but most of us can relate to the underdog lead and his delusions of grandeur.
**NOTE: the opening and closing credits are works of art in their own right … so be seated early and hang around a few extra minutes.
SEE THIS MOVIE IF: you are looking for a feel good, slightly quirky movie for the grown-ups over the holidays
SKIP THIS MOVIE IF: you are expecting the next Citizen Kane (in other words, many critics are going to bash it despite it being a crowd pleaser).
watch the trailer: