NOW YOU SEE ME (2013)


now you see1 Greetings again from the darkness. Come on … who wouldn’t get excited about a movie that mixes magic with the heist genre, and fills the cast with stars old and new? Director Louis Leterrier (The Transporter) is clearly engaged with the material, and maybe his vision of “just one more twist” is what keeps it from reaching the next level.

Magic is inherently a very difficult subject for movies. Why? Because with magic, human nature is such that we are always trying to “catch” the sleight of hand. With movies, we have come to accept the fact that any special effect is possible. We rarely ask “how”. That kind of takes away the mystique, eh? Maybe the best magic movie to date is The Prestige, but even that movie was made stronger by the story of its characters … something this latest lacks.

now you see2 Heist movies, on the other hand, have historically produced some of the most fun and thrilling times on screen. Ocean’s Eleven and The Italian Job are just two examples of clever, almost light-hearted heist films that are also thrillers.  Everyone loves a clever caper … so long as we aren’t on the wrong end. What doesn’t work in either genre, and especially when they are blended, is a story that defies logic. We don’t mind being tricked. In fact, it’s kind of fun getting to the end and realizing you are part of the “gotcha”. What we don’t like is being cheated.

This premise is terrific. An unknown benefactor secretly assembles The Four Horsemen – a hand-picked (by a hoodie dude) group consisting of Jessie Eisenberg, the smug super-illusionist; Woody Harrelson, the wise-cracking mentalist; tart escape artist now you see4(think Houdini with piranha) Isla Fisher; and street-hustler pickpocket (Artful Dodger type) Dave Franco. The group is bank rolled by industrial tycoon Michael Caine, and is soon enough headlining a giant Las Vegas extravaganza. Their first trick is to rob a French bank vault by transporting an audience member, video streaming the job, and showering the audience with the stolen cash. They do this under the watchful eye of magic naysayer Morgan Freeman, a huckster who earns a buck exposing the tricks of magicians.

Soon enough, an FBI agent (Mark Ruffalo) and Interpol agent (Melanie Laurent, so stunning as the theatre owner in Inglourious Basterds) are working together trying to stop the next job, which Morgan Freeman has warned them is really a set-now you see3up for a huge finale. The movie has some really fun moments, but with all of Morgan Freeman’s warnings that we (and Ruffalo) are always a step behind, we can’t help but think ahead … and there is only one super twist that makes all of this click.

In fact, I would argue that there are too many twists here. The basic story was enough and the movie would have benefited from us getting to better know the main characters. Instead, they are merely chess pieces who spout one-liners in order. In particular, the characters of Woody Harrelson and Melanie Laurent could have gone much deeper. But that clashes with what the filmmakers were after … big, fast, wild, glitzy, cute, clever, and twisty. Just don’t be tricked into thinking. Turn off your brain and take in the wild, twisty ride … even if it does defy logic, and remember … “it’s all part of the show”.

SEE THIS MOVIE IF: you can sit back and enjoy a wild cinematic ride without thinking too much OR you’ve always wanted to see Common play air-violin

SKIP THIS MOVIE IF: you enjoy solving the movie mysteries before the solutions are revealed OR in these tough economic times, you are looking for real bank heist tips (sorry to disappoint)

watch the trailer:

http://www.youtube.com/watch?v=KzJNYYkkhzc

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2 Responses to NOW YOU SEE ME (2013)

  1. John Raymond Peterson says:

    This time Dave, one of he rarest of things, I don’t quite feel the slight disappointment you review conveys. I thoroughly enjoyed this movie, from start to end, especially the end. We do share our likes for Melanie Laurent though, you in Inglorious Basters and I in The Concert.
    The director and cast from Mark Ruffalo to Michael Caine including James Franco’s,little brother Dave, are in no small part the reason I was awed; I have a artist loyalty thing that often shakes my bias.

    It’s probably a good thing that for one movie, now and then, we have a varied take; otherwise you and your readers/followers may think I’m creepy (I would think that). Good thing.

    • Ray, no worries at all that our movie tastes don’t always align. I really found the “young” cast members distracting and annoying, and unfortunately figured out the twist very early on (never a good thing). When someone enjoys a movie, I am always pleased – no matter my personal preference. And in regards to artist loyalty, I am equally afflicted … especially with my favorites. By the way, I really liked The Concert and only didn’t mention it because so few people actually saw it!

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