Greetings again from the darkness. One of the most anticipated films of the year is the first from director Tom Hooper since his Oscar -winning The King’s Speech. It also happens to be based on one of the true literary classics by Victor Hugo (first published 1862). And yes, it is presented as a true musical … the dialogue is sung and story advanced through forty-something songs. The latter feature gives it more of an opera feel than the stage version I saw more than 20 years ago.
The biggest question and curiosity going in was whether the cast of top notch movie stars could hold their own vocally. Sure, Hugh Jackman (Jean Valjean) is a Tony winner, Anne Hathaway (Fatine) has some Broadway chops of her own, Amanda Seyfried (Cosette) sang in Mamma Mia, and Russell Crowe (Javert) has toured with his own band. But this is a whole new challenge, as director Hooper decided to have the actors sing “live” during filming, providing a more intimate feel to the film. Throw in two exceptionally strong vocal performances from Eddie Redmayne (Marius) and Samantha Barks (Eponine) and only the harshest critics will claim the singing disappoints.
“Seinfeld” fans will enjoy the comic relief from thieving innkeepers Sacha Baron Cohen and Helena Bonham Carter as they take advantage of their customers while belting out “Master of the House“. And it’s pure joy to hear Colin Wilkinson‘s wonderful voice as The Bishop who offers Valjean his chance for redemption. Mr. Wilkinson is legendary as the original Valjean in the London and New York stage versions from the mid-80’s. The historical relevance of the material includes the 1832 student-led June Rebellion and it’s adequately staged here.
There were a few things that distracted me at times. The most annoying being the incessant facial close-up on every song. This is typically a device to cover-up weak set design, but here the sets are spectacular and really capture the nastiness of 19th century France. And while I certainly enjoyed Ms. Hathaways’ show-stopping “I Dreamed a Dream“, I found her overall acting to be quite distracting during her few scenes. Russell Crowe’s physical presence perfectly captures the omnipresent Javert, though the lack of punch in his vocals prevented the boom needed in a couple of songs. Lastly, Mr. Jackman seemed to strain on the high notes in my favorite “Bring him Home“, though again, none of these things ruined the experience for me.
As with most film musicals, the best approach is just to allow the story and songs to wash over you … don’t dwell on the minor issues. Keep in mind that this is a powerful and interesting production thanks to Victor Hugo’s source material. It’s a privilege to enjoy a first rate presentation seen through new eyes and heard through new vocalists.
SEE THIS MOVIE IF: you are a fan of the stage version OR you enjoy well made movie musicals
SKIP THIS MOVIE IF: you are expecting the movie stars to have operatic voices OR nearly three hours of close-ups is more than you can take
watch the trailer: