Greetings again from the darkness. This is one of those little indie flicks that will probably get lost in the shuffle. Director and co-writer Yaron Zilberman delivers a twist to the familiar life lessons and substitute family story lines, and is wise enough to let his outstanding cast do what they do best.
It is by no means a great movie, but there are some terrific and wonderful moments thanks mostly to some top notch acting. Philip Seymour Hoffman, Catherine Keener, Mark Ivanik and Christopher Walken make up a famed string quartet who are approaching their 25th year together. All heck breaks loose within this group that thrives on precision when the patriarch (Walken) is diagnosed with Parkinson’s. This announcement is followed immediately by a battle of egos between the two violinists (Hoffman and Ivanek), a falling out between the married couple (Keener and Hoffman) when he has an affair, and a break in trust when Ivanek starts a relationship with the much younger daughter (Imogen Poots) of Keener and Hoffman. It’s kinda like Peyton Place with classical music.
If this sounds like a dysfunctional family, that’s a very accurate description. These four people are outstanding musicians who made the decision to forgo solo careers and build something even better with the quartet. It’s a life lesson that four people working in harmony are both much stronger and more fragile than any one person going it alone. The music is what drives these four despite their other issues. Watching them battle through the challenges is quite similar to any film based on familial shenanigans, but the actors are so good that a few moments really resonate.
The chamber music is a joy to listen to, though the plot devices are often quite familiar and predictable. Christopher Walken has a couple of scenes that are alone worth the price of admission. Ivanek expertly captures the ego-maniacal first violinist, and Keener is perfectly cast as the one who can’t help but wonder how her life turned out so. Mr. Hoffman may be up for an Oscar thanks to his performance in The Master, but it’s these “small” roles which I find so complimentary of his talent.
Kind of off topic, there is a scene featuring Wallace Shawn drinking wine as he converses with Walken. Wallace Shawn drinking wine will forever remind me of The Princess Bride and the lesson of going up against a Sicilian when death is involved! To summarize, the individual pieces here are much stronger than the overall film … just the opposite of a world class quartet.
**Note: that’s the real Nina Lee (world class cellist) who steals the scene near the end
SEE THIS MOVIE IF: you enjoy “little” films with great acting
SKIP THIS MOVIE IF: a soap opera disguised as top notch chamber music has you longing for the next Bond film
watch the trailer: