THE GREEN HORNET


 Greetings again from the darkness. There was much uproar when Tim Burton rolled out his 1989 feature length BATMAN film. He took the campy TV series, turned it inside-out, and created a dark brooding Batman … more in-line with the tone of the comics. In a near polar opposite move, writers Seth Rogen and Evan Goldberg took the dead-pan humor and straight-laced characters of the Green Hornet TV series and have delivered a slacker version for their Gen Y fans.

Being a fan of the mid-60’s TV series, but too young to have experienced The Green Hornet radio series which ran from the 1930’s through the 1950’s, I will readily admit that I am not a fan of Mr. Rogen’s re imagined Hornet. However, I will also admit that Kato-vision and the new Black Beauty are very cool. And Jay Chou as Kato works very well. He exudes cool and brilliance and an understanding of his role.

 Where this film fails miserably is every time Seth Rogen utters a line of dialogue. Yes, EVERY SINGLE TIME. The film has no chance to build momentum through action or bad guy story line despite the presence of Christoph Waltz. Rogin slobbers through another line of dialogue and it’s like the air brakes on a semi locking up on icy roads. It’s just brings the flow to a standstill.

Besides Chou and Waltz, who are both very good, other supporting work is provided by Cameron Diaz, Tom Wilkinson, Edward James Olmos and Edward Furlong. Diaz, Olmos and Furlong have little to do and Mr. Wilkinson was the perfect choice as Britt Reid’s dad … if only Britt Reid weren’t Seth Rogen! While adaptation can be a good thing, I doubt creator George Trendle had this in mind when he wrote the original Green Hornet character as the great nephew to the Lone Ranger. Rogen seems to think the Green Hornet is a spin-off of PINEAPPLE EXPRESS.

I am going very easy on director Michel Gondry because it appears he did all he could visually, while making do with a weak script and a lame lead actor.  Mr. Gondry has directed such feasts as ETERNAL SUNSHINE OF THE SPOTLESS MIND and BE KIND REWIND, so he gets credit for the good parts of this one. 

If you see this film in 3-D, you can play with the glasses and easily identify which scenes were filmed that way and which weren’t. I would encourage you to only use the glasses when necessary, because the colors are definitely muted through the lenses.

My final complaint is the minimal use of the iconic Green Hornet theme song (Flight of the Bumble Bee) made famous by the great Al Hirt (link below). We get only a taste of it in the final scene. So, realizing I sound like an old geezer, I will say that I enjoyed Kato, Black Beauty and the action scenes, but desperately miss Bruce Lee, Van Williams and the uber-coolness of the original.

SEE THIS MOVIE IF: you have little or no experience with the TV series or the comic book line OR you believe Seth Rogen is a comedy genius.

SKIP THIS MOVIE IF: you are dedicated Green Hornet purist OR you suspect that Seth Rogen and Pauly Shore are related.

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