Greetings again from the darkness. British royalty is such easy pickings for film. The pomp and circumstance, colorful characters and dress, excessive everything, and especially the scandals provide an endless supply of material that can be twisted every which way. Director Tom Hooper who was responsible for fine work in the recent “John Adams” mini-series, takes the story of Prince Albert in a much different direction than one might think by reading history books.
Collin Firth does a masterful job of portraying Prince Albert, who falls directly into the role of King after the death of his father George V (Michael Gambon) and abdication of the throne by his brother Edward (Guy Pearce) when he, for some reason, must marry the love of his life – a thrice divorced woman named Wallis Simpson (Eve Best). Now from a perspective of scandal, Edward and Wallis aka Duke and Duchess of Windsor, would make a far more juicy movie. Heck, even the story of pending World War with Hitler’s Germany would have, and often has, made for a more juicy movie. But Mr. Hooper has chosen to deliver a human drama filled with frailty, doubt, tenacity and hope. Turns out, this was a very wise choice.
Prince Albert ascends the throne as King George VI, husband to Elizabeth (Helena Bonham-Carter) whom we knew as the Queen Mother until her death in 2002. The two were the parents of a daughter, who became Queen Elizabeth, the current Queen of England. Yes, we Americans do struggle with our Royalty and all the re-naming, yet remain fascinated by it. However, it’s important to note that this was a much different time. The film leads up to King George’s infamous 1939 speech in which he calmly and steadily explained to many nations that England was declaring war on Hitler’s Germany.
What many do not know is that George suffered a severe speech impediment that caused him to stammer excessively under pressure. As you might imagine, this is a horrible affliction for a war time King! The guts of this story is the relationship between King George and his peculiar speech therapist, Lionel Logue (Geoffrey Rush). There are so many dynamics in their relationship that each scene is like a skirmish between the two. Truly a fascinating progression to behold.
A deep friendship based on respect and trust develops and remains through the rest of their lives. More importantly for Britain and the world, Logue guided the King to a strong performance in the most crucial speech … thereby bringing strength to a nation and commitment from allies. Not sure which of these men was the better leader, but together they were proved very strong.
Firth, Rush, and Bonham-Carter are all excellent in their roles, and I also got a big kick out of Timothy Spall as a young Winston Churchill. Mr. Hooper does a remarkable job of creating a very human drama out of a historical period and event. The death march to the microphone is just excruciating in the climatic scene. We can feel the pain of the onlookers and supporters as they will their King to perform. I can only guess that the Queen Mother was instrumental in the development of Rolaids after so many trying moments!
SEE THIS MOVIE IF: you want to see a true Oscar contender OR you are looking for an inspirational, historically based story
SKIP THIS MOVIE IF: your idea of Royalty is a Royale Burger with cheese OR you don’t mind missing out on one of the best lead actor and one of the best supporting actor performances of the year.