Greetings again from the darkness. Ever since Training Day became a hit, director Antoine Fuqua has been one of the director’s that escape harsh criticism from the Hollywood elite. He is a master of intense moments in time, but I believe many of his movies lack continuity to the point where the story seems to come second to adrenaline rushes. Brooklyn’s Finest is no exception.
The film follows the unconnected stories of three cops. Richard Gere is the stereotypical veteran cop who is one week from retirement, and begins the film with a gun in his mouth. Ethan Hawke is the desperate young cop whose family just keeps growing (his wife Lili Taylor is pregnant with twins) and he longs to provide better living arrangements. Don Cheadle is the undercover cop who, if he hasn’t already crossed the line, is dangerously close.
The best scenes are with Cheadle and Wesley Snipes, who plays a just released from prison hardened criminal. Their dialogue rings true for an undercover cop trying to play both sides and hold on to what’s “right”. If not for Ellen Barkin‘s histrionics, the worst scenes would be watching Richard Gere show off his full repertoire of three different facial expressions. Poor Ethan Hawke looks like no one let him eat or shower for 2 months prior to filming. The boy looks sad.
Even though we know it’s coming, the final act where the three stories intersect is pretty interesting and make for a satisfying shoot-em-up ending. Brace yourself for some hardcore street violence and language and a meandering soundtrack. The film seems to funnel to the point that there is a very fine line between right and wrong for those in law enforcement. I prefer to cling to the belief that this is a serious exaggeration.