SITTING IN BARS WITH CAKE (2023)

September 8, 2023

Greetings again from the darkness. By coming clean up front, my hope is that forgiveness and understanding is in order, and maybe others will be diverted from the same path I took. Between the film’s title, the trailer, and knowing it was based on Audrey Shulman’s book and true story, my assumption was that this was going to be a straightforward, good old fashioned chick flick. And although comparisons to BEACHES (1988) are not without merit, director Trish Sie (PITCH PERFECT 3, 2017) serves up additional layers (yes, pun intended).

Jane (Yara Shahidi, “Blackish”, Ticker Bell in PETER PAN & WENDY, 2023) and Corinne (Odessa A’zion, HELLRAISER, 2022) are lifelong friends, roommates and polar opposite twenty-somethings. Jane is an introvert who is pleasing her parents by studying for the LSAT in order to become a lawyer. Corinne is an extroverted party girl hoping to move up at the creative agency where she works for a tough boss played by Bette Midler.

Jane is really committed to two things: her friendship with Corinne and baking desserts, especially cakes. Corinne comes up with a strategy to help Jane meet more men. The plan is for Jane to bake 50 cakes over the next year, and the group will take each cake to a different bar to meet new people. They map out the bars geographically by stereotypes of local guys, and hang it on the wall. Corinee calls this “Cake-barring”, and Jane reluctantly agrees to participate, and we are along for the ride and an introduction to the beautiful SoCal people. The plan is progressing swimmingly until Corinne is diagnosed with a life-threatening disease.

Taking care of her friend becomes Jane’s focus, going against the preferences of Corinne’s parents, a bearded Mr. Fix-it played by Ron Livingston, and a deadpan mom played by Martha Kelly (“Baskets”). Corinne insists that the cake-barring continue, even as her health declines. Jane does find a boyfriend (Rish Shah), and during all of this, learns quite a lot about herself.

Cancer plays a more substantial role than the trailer would lead us to believe, and at the core, this film is about friendship and self-discovery. Corinne remains steadfast with cake-barring because she understands her friend Jane needs to build her confidence in social settings – and her delicious cakes are just the ticket.

Audrey Shulman’s book is based on her experiences of a similar year, and though it’s not a cookbook, it does contain 35 recipes. Here, director Sie uses very creative counters/chapters to keep us up to speed on the latest flavor, and the film admits to a year of “hospitals and bars”, It’s also the first time I recall hearing the phrase “underwear bully”, so kudos for that! The additional layers mentioned above are quite satisfying despite some of the unavoidable cliches. It’s a pleasure to see grown women in a true friendship built on doing the right thing for the other, and also for themselves.

Releasing exclusively on Prime Video on September 8, 2023

WATCH THE TRAILER


PETER PAN & WENDY (2023)

April 28, 2023

Greetings again from the darkness. In 1904, J.M. Barrie finished “Peter Pan, or the Boy who wouldn’t Grow Up”, and since then the story has been re-imagined on stage, on the silver screen, and even with a live TV production. Every generation gets their version (sometimes more than one), and the most famous (or infamous) are the 1953 animated Disney classic, the 1991 Steven Spielberg live action version HOOK, the 2003 live action version that never really captured a wide audience, and the fairly recent 2015 flop PAN from Joe Wright. At the core of the story is that none of us really want to grow up and take on the responsibilities of adulthood, and to avoid such a wretched future, we’d be willing to fly off in the middle of the night to a place called Neverland and fight an evil pirate while chasing great adventures.

If you want to explore the optimistic and playful aspects of the story, then Walt Disney animation and director Steven Spielberg are your best bets. On the flip side, you wouldn’t expect the director of A GHOST STORY (2017) and THE GREEN KNIGHT (2021) to follow suit. Writer-director David Lowery and his co-writer and collaborator Toby Halbrooks (Polyphonic Spree) on those projects wouldn’t be expected to dwell on the cheery aspects of the story, and they certainly don’t. Instead, we get exactly what they expertly deliver in their work – lush photography and a slightly twisted perspective on what makes people (young and old) tick.

We first meet Wendy (the talented Ever Anderson, offspring of Milla Jovovich and director Paul WS Anderson) as she frets over being shipped off to boarding school, while still finding the energy to stage sword fights with her younger brothers in all corners of the upstairs bedroom they share. Yet another piece of broken furniture results in the parents (Alan Tudyk, Molly Parker) lecturing Wendy about how her time for fun has passed and she should set an example for her brothers. This is the same evening (and very early in the film) where Tinker Bell (Yara Shahidi) and Peter Pan (newcomer Alexander Molony) show up to whisk the three kids away from drudgery and towards adventure and fun.

What to say about Neverland … the “lost boys” aren’t really living a carefree, desirable life, and fun seems to be a bit hard to come by. Their leader, Peter Pan, is certainly a moody dude. Adventure does strike every time Captain Hook and his band of pirates attack. Jude Law seems to relish the role and his handlebar mustache, gravelly voice, and grumpy demeanor is one of the film’s highlights – along with comedian Jim Gaffigan (underrated as an actor) as first mate Smee.

In this iteration, Peter Pan is a bit of a blah character, as the focus is on Wendy and Captain Hook. We do get the origin story for Peter and Hook, and the visuals (Newfoundland, Faroe Islands) from cinematographer Bojan Bozelli are matched by composer Daniel Hart’s score. Director Lowery has modernized the tale by having the Lost Boys include boys and girls of multiple nationalities, a biracial Tinker Bell, and a heroic Tiger Lily played by Alyssa Wapanatahk. Kids will enjoy the flying scenes, sword fights, and the giant crocodile, however, it’s fair to wonder if the film is too dark and joyless for youngsters … plus the focus on Hook’s disenchantment is more for grown-ups than kiddos. In fairness to Lowery and Halbrooks, they were also behind the excellent and underappreciated PETE’S DRAGON (2016).

We have come to accept that Disney classics are being re-made and re-imagined as live action flicks, and it’s no surprise that some are better than others.

Now streaming on Disney+

WATCH THE TRAILER


THE SUN IS ALSO A STAR (2019)

May 16, 2019

 Greetings again from the darkness. Taking star-crossed lovers to a new dimension, director Ry Russo-Young (BEFORE I FALL, 2017) presents Nicola Yoon’s best-selling YA novel as a traditional love-at-first-sight romance augmented with contemporary twists and issues. Tracy Oliver (GIRLS TRIP, 2017) adapted the story for the screen and enhances the familiar trope with racial, cultural, economic and political aspects – resulting in a romance meant to both charm and influence. If only those enhancements had played a larger role, this little film might really have had something to say.

The film certainly succeeds with its charm. Yara Shahidi (“Black-ish”) and Charles Melton (“Riverdale”) star as Natasha and Daniel, respectively. These are two beautiful young people blessed with electric smiles to complement their great hair and world class cheek bones. She is a Jamaican immigrant and a scientific prodigy as a high school junior, whereas he is a first generation U.S. born Korean who writes poetry while prepping for his Dartmouth admission interview. His family long ago christened him as the one who would be doctor.

Loosely based on the courtship of author Nicola Yoon and her husband, even the meet-cute for Natasha and Daniel has a theme: Deus Ex Machina – God from the Machine, where magical powers or destiny bring the two together. Not only does Natasha wear a jacket with the Latin phrase, but the conductor on Daniel’s subway even counsels the delayed passengers to “Open up your heart to destiny.” OK, by now you know if this is your type of movie or not. I would offer a mild caution to naysayers with this – Natasha and Daniel are fun to watch as they get to know each other, and there are some breath-taking shots of New York City interspersed throughout the film courtesy of cinematographer Autumn Durald. These two things make the film watchable no matter how deep your allergy to cuteness runs, although the tour of NYC sometimes has the feel of (a well photographed) tourist brochure.

The political side of the story comes courtesy of Natasha’s ‘last hope’ meeting at the immigration office to postpone her family’s deportation scheduled for the next day. We only get to see quick glimpses of the process, but it’s enough to understand the red tape she has tried to maneuver in order to keep her family in NYC after 9 years. More of immigration attorney John Leguizamo would have contributed a bit of substance to the film. The immigration topic is also broached in Daniel’s family as his parents came to the country and started their own business. The American Dream giveth and taketh away. The immigration bits work as plot devices, but the film is most comfortable as a story of star-crossed lovers accompanied by “Crimson and Clover” in a karaoke bar. However the film’s biggest mystery might be how the couple survived sleeping all night in a New York park without getting mugged or even needing to brush their teeth before their crucial meetings. The magic of love.

watch the trailer: