THE WAY WAY BACK (2013)

July 13, 2013

way way1 Greetings again from the darkness. This is one of those indies that has all the pieces in place to be not just a terrific “little” movie, but also a surprise box office hit.  It played well at festivals, critics love it, it has a very talented cast, it mixes humor with human emotion, and the co-directors and co-writers won an Oscar (with Alexander Payne) for writing the script to The Descendants.  It even offers the often effective coming-of-age story line in regards to Duncan (played by Liam James) as a miserable 14 year old stuck at a beach house with him mom, her obnoxious boyfriend and his snobby daughter.

The movie has a touch of “The Wonder Years” (without the narrator), but it’s a bit more caustic thanks to Steve Carell, who plays Trent, the condescending and bullying boyfriend who has no redeeming qualities that we can see (other than an inherited beach house and a nice tan).  It’s very unusual to see Carell in the “bad guy” role, but once you accept it, his lines and way way3lies cut through each scene.  Duncan’s mom is played by Toni Collette, and her character Pam is a divorced, insecure single mom trying to balance her own happiness with that of her teen-angst-filled son. Pam and Duncan are the outsiders in this beach community as we quickly learn when next door neighbor Betty (Allison Janney) barges across property lines (and personal space) with drink in hand and gossip flying.

Feeling further humiliated by his encounters with Betty’s cute daughter, Duncan finally gains a ray of hope thanks to Owen, the man-child manager of the Water Wizz park.  Sam Rockwell plays Owen, and quickly becomes a mentor to him by offering him a job and what I call … Water Wizzdom.  Of course, Duncan keeps the job a secret from the others in his life, and since they are mostly oblivious to his long absences, it proves again how self-centered the adults are in this little would-be family.

way way2 The well worn movie signs are all here … we recognize the characters and their struggles, in fact, we all know someone like each of the people that co-writers and co-directors Nat Faxon and Jim Rash present to us. We understand quickly that this is yet another coming-of-age tale with mostly clueless adults, and kids trying to cope on their own. Despite that, this one still mostly works. The writing and acting are such high quality that even though we are living in movie cliché-land, we still find ourselves caring about Duncan and Pam, laughing at Owen, and tossing tomatoes at Trent (Carell).

Special recognition to Sam Rockwell. Even though Duncan is the key character, it’s Rockwell’s Owen who recognizes that a little faith and encouragement goes a long way. Behind the facade of rapid-fire banter and laugh-inducing one-liners, Owen is coming to grips with a life of reality and shattered dreams. While never stooping to the typical Hollywood “win one for the Gipper” speech, Owen manages to instill a bit of confidence in Duncan … to the point where he refuses to let his mother pretend everything is OK with Trent.

way way4 AnnaSophia Robb plays the cute girl-next-door who recognizes potential in Duncan, but the filmmakers never allow this to turn into some ridiculous fairy tale. Instead we get characters who are each flawed, but real and recognizable. While all the typical pieces are present, there is enough crackle to the dialogue and quality acting to help this one rise above the usual muck. It’s a nice “little” alternative to the giant summer blockbusters. Nat Faxon and Jim Rash have shown again that they have a gift for dialogue and now a talent for guiding actors.  In this, their directorial debut, they prove that they also have skills as filmmakers. We should expect the next one to be even better!

**NOTE: you may think this looks like another Little Miss Sunshine, but it really flips the percentages in comedy vs drama

SEE THIS MOVIE IF: quirkiness and caustic dialogue mixed with some humorous and familiar coming-of-age moments are what you are looking for this summer movie season OR you want to see Steve Carell play something other than a nice guy

SKIP THIS MOVIE IF: if you are seeking light-hearted summer fluff … this one is filled with uncomfortable family drama

watch the trailer:

http://www.youtube.com/watch?v=6qoaVUdbWMs


HITCHCOCK (2012)

December 5, 2012

hitch Greetings again from the darkness. Here goes: John J McLaughlin wrote this Hitchcock screenplay based on Stephen Rebello‘s book “Alfred Hitchcock and the Making of Psycho”, which was based on the filming of the Psycho screenplay from Joseph Stefano, which was loosely based on Robert Bloch’s book, which was based on the grizzly real life crimes of Ed Gein. Whew!

It’s kind of interesting that Alfred Hitchcock is hot again some 36 years after his final movie.  His Vertigo recently displaced Citizen Kane as the all-time greatest film. HBO is still running their recent production of The Girl, which is based on Hitchcock’s making of The Birds and his unhealthy connection to Tippi Hedren. And now, we get this Hollywood production, supposedly based on the master of suspense. I say supposedly, because this film plays like it was written by the heirs of Alma Reville, Hitch’s long time wife and collaborator. We all knew she worked on his films and hitch2contributed ideas, but the film wants us to believe she was the real genius behind the public genius.

The movie is entitled “Hitchcock” and is based on the making of Psycho, but in fact, it’s more the story of Alma and her husband. While there is nothing wrong with that story … in fact, it is quite interesting and entertaining … it’s also a bit of false advertising.

Helen Mirren portrays Alma, and instead of the mousy woman who usually faded into the background, we see a fairly strong and talented woman who goes toe-to-toe with Hitch in her best scene. Sir Anthony Hopkins dons some facial appliances and a fat hitch3suit and does a solid job of capturing the odd, creepy, leering, disturbed, insecure genius we recognize as Alfred Hitchcock. He comes across as louder and more in-motion than what we have previously seen. And while director Sacha Gervasi makes it clear that Hitch is not a “normal” guy, he doesn’t dwell too much on the blond fixations.

The emphasis on the skills and importance of Alma would be fine were it not so exaggerated. Surely every great director and writer and artist has a muse and/or support system; and, there is no question Alma was a very talented lady, but her strength here bordered on distracting to the overall picture. Especially needless was the storyline of Alma being attracted to screenwriter Whitfield Cook (Danny Huston), who wrote Strangers on a Train for Hitchcock.

hitch4 The Hitchcock humor is allowed to shine through (“call me Hitch, hold the cock”) and his battles with Paramount Studio head Barney Balaban (Richard Portnow) and the censorship board (Kurtwood Smith) are excellent. Hopkins finds the humanity under the fat suit and is especially good in his work with Scarlett Johansson (as Janet Leigh) and Jessica Biel (as Vera Miles). I also got a kick out of James D’Arcy as the affected Anthony Perkins and all his quirky mannerisms.

Though this barely qualifies as a story on the making of Psycho, it was chilling to watch the addition of Bernard Herrmann’s iconic score added to the shower scene. In fact, Danny Elfman does a nice job of subtly adding a Herrmann-type score to this film. I’m not sure if the film will play well with all Hitchcock aficionados, but if you can forgive the Alma slant, it’s actually quite interesting and entertaining and kind of a sweet film at its core.

SEE THIS MOVIE IF: you want to see what would happen if Alfred Hitchcock took personal advice from serial killer Ed Gein OR you want to see two great actors (Mirren, Hopkins) having a really good time OR you want to see Scarlett Johansson play Jamie Lee Curtis’ mother.

SKIP THIS MOVIE IF: you expect to learn much about the making of Psycho

watch the trailer:

http://www.youtube.com/watch?v=3rQuRLERl6A


FRIGHT NIGHT (2011)

August 22, 2011

 Greetings again from the darkness. We can’t really discuss this movie without referencing the 1985 original. Writer Tom Holland was involved with both (including directing the original) and gets credit for updating the story while maintaining the look and feel. It seems as if vampires are everywhere these days, but the Fright Night recipe expertly mixes suspense, danger and campy humor.

Charley (Anton Yelchin) and his single Mom (Toni Collette) live in a quiet Las Vegas suburb. Charley’s nerdy friend Ed (Christopher Mintz-Plasse) notices the place is getting quieter everyday … people are disappearing! These disappearances correspond with the arrival of Charley’s new neighbor Jerry (Colin Farrell). Yep … Jerry the Vampire.

 Charley at first ignores Ed’s investigative skills and concentrates on Amy (Imogen Poots), the out-of-his-league girlfriend whom he desperately wants to get to know better. And then … Ed disappears. Charley tries to push Amy aside and solve this mystery. It doesn’t take long since he breaks into Jerry’s house and discovers where he stores the bodies of his victims. As you might expect, Jerry doesn’t take well to the invasion.

Charley goes to Vegas showman Peter Vincent (David Tenant) to seek help in destroying Jerry. See, Peter Vincent’s crazy Vegas show is all about fighting the evil dead among us. Of course, Vincent isn’t quite as tough off stage.

 There are plenty of moments of campy fun as Charley pursues Jerry. Not the least of which is a fender bender which includes Chris Sarandon, who played Jerry in the original. While it’s a nice homage, it just made me miss Roddy McDowall, who originated the role of Peter Vincent. Still, watching McLovin as a tough-talking vampire is quite a bit of fun as are the few moments of doubt from Collette and Poots.

Craig Gillespie directs the film, and his success a few years ago with the indie hit Lars and the Real Girl brings an added touch of class to the film. He really does a nice job of balancing the terror of the story with the humor necessary to make this one enjoyable and a bit different.

 A tip of the cap to the casting of the movie. Yelchin (Star Trek, The Beaver) is a real up and comer. Ms. Poots was very effective in Jane Eyre and it will be interesting to follow the direction of her career. Collette is a real pro. Colin Farrell seems to really enjoy his turn as a vampire and adds some subtleties and quirks that make it fun. David Tenant (“Dr. Who”) really captures the Vegas Peter Vincent. Mintz-Plasse is one of the few who can effectively bounce from high school nerd to powerful vampire. Must also mention some hidden gems: singer Lisa Loeb makes a quick appearance as Ed’s mother, Charley’s friend Mark is played by Dave Franco – brother of James (you will spot the resemblance), and Peter Vincent’s girlfriend Ginger is played by Sandra Vergara, sister of Sofia from “Modern Family” (again, you can’t miss the resemblance).

In this day and age, it isn’t easy to assemble such a strong cast, script and director for a movie that isn’t centered around alien action, terminal disease or toilet humor. If you enjoy campy horror films done with an acknowledged tongue planted in cheek, then I recommend this one. It delivers exactly what you hope and expect.

SEE THIS MOVIE IF: you enjoyed the 1985 original OR you get a kick out of campy vampire flicks

SKIP THIS MOVIE IF: you prefer your vampire movies to be dark and mysterious OR you are convinced no one can ever be a better vamp than Robert Pattinson

watch the trailer: