REAGAN (2024)

November 1, 2024

Greetings again from the darkness. The opening credits provide a brief visual reminder of the Cold War, a period mostly forgotten (or never really learned) by those under age 60. Unfortunately, the intro is about as complete as a tweet would be today, so it doesn’t work as a history lesson for those who don’t already know. The same could be said for this biopic from director Sean McNamara (VINDICTA, 2023). For those wondering why so many idolize former President Ronald Reagan and cherish those years under his leadership, McNamara’s film serves up a tribute to the man who was elected as the 40th President of the United States. Think of this as an airbrushed look back, as most of the blemishes have been erased.

Screenwriter Howard Klausner (SPACE COWBOYS, 2000) adapted Paul Kengor’s 2006 book, “The Crusader: Ronald Reagan and the Fall of Communism”. Dennis Quaid stars as Reagan and expertly captures some of the familiar mannerisms of the man who had numerous nicknames throughout his life: “Dutch” (from his mom), “The Gipper” (from his movie, KNUTE ROCKNE, ALL AMERICAN), “Rawhide” (his Secret Service handle), and “The Great Communicator” (for his ability to connect with folks during speeches). 

The film opens on Reagan’s 1981 speech to the AFL-CIO as he’s telling one of his patented jokes. He then proceeds out of the building where the sequence mixes in actual footage of him taking a bullet from close range … a shot that nearly took his life. The shooter (Hinkley) is not mentioned by name here. Not told in complete chronological order, McNamara does outline Reagan’s Midwest upbringing, including his stint as a lifeguard. Handsome and charming, we see how Reagan capitalized on both to become an actor, spokesperson, SAG President, and Governor of California before taking that biggest step to the White House.

Oscar winner Jon Voight plays Viktor Petrovich, a Russian KGB Agent, who provides the structure of the film by progressively debriefing rising Russian politician Andrei Novikov (Alex Sparrow) on the decades of observation and research conducted on Reagan. This runs us through Reagan’s first marriage to actress Jane Wyman (Mena Suvari) and subsequent marriage to his true love, Nancy Davis (Penelope Ann Miller). Ronnie and Nancy were devoted to each other and the movie emphasizes this, while not delving too deeply into Ms. Reagan’s propensity to get involved in many White House meetings.

The arms control negotiations between Reagan and the Russians are fairly interesting. First, it’s Leonid Brezhnev (Robert Davi) followed by a few Russian Premier deaths, until Mikhail Gorbachev (Oleg Krupa) arrives, leading to some colorful discussions culminating with Reagan’s “tear down this wall” speech. It’s through Voight’s character that we learn the Russians had their own nickname for Reagan: “The Crusader”. Many recognizable names of the era are present and played by familiar actors. These include Dan Lauria as Tip O’Neill, an unrecognizable and rarely seen these days Leslie-Anne Down as Margaret Thatcher, an unrecognizable and rarely seen these days Jennifer O’Neill as Nelle Reagan, Xander Berkeley as George Schulz, C Thomas Howell as Caspar Weinberger, and Pat Boone as Rev. George Otis (in a scene with an actor portraying singer Pat Boone).

There is no emphasis on either Bonzo the Chimp or the Iran-Contra affair, but it does touch on Reagan’s primary loss to Gerald Ford, the debates with Carter and Mondale, and we see the ever-present jellybeans. De-aging technology is used, especially obvious on Jon Voight, and the “Evil Empire” and Star Wars defense system have their moments. It’s a very favorable and complimentary look at a man who led a fascinating and interesting life before Alzheimer’s forced him to take a final horseback ride across his beloved ranch, and issue a statement to the public. While it won’t be mistaken as hard-hitting journalism, Ronald Reagan’s life is worthy of celebration and the film does just that.

Beginning November 1, 2024, it’s available Video on Demand, and on Blu-ray beginning November 19, 2024

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VINDICTA (2023)

October 5, 2023

Greetings again from the darkness. Sometimes low budget horror movies work, and sometimes they don’t. As a general guideline, the less complicated they are, the better the chance of successful entertainment. Director Sean McNamara (THE KING’S DAUGHTER, 2022) is one of the more prolific directors you’ll find. His work includes TV series, videos, short films, and feature films. He currently has 15 projects in the hopper. Sean is a busy man.

With a script by Ian Neligh and Steven Paul, this film offers moments of hope, but mostly it’s too ambitious … a rare criticism these days. Trying to tackle too many story lines creates a mess in the exact place a decent little genre film could have been born. Elena Kampouris (MY BIG FAT GREEK WEDDING 2 & 3) stars as Lou, a rookie paramedic just out of training. Fire Chief Rick (Sean Astin, THE LORD OF THE RINGS franchise) reluctantly assigns her to a first ride in the middle of riots, protests, and fires in a rough part of Seattle.

In addition to the mass chaos in the city, there is a masked killer on the loose – one who thrives on vicious and violent attacks. Suspicions arise when the same building burns that burned five years earlier, killing a mother and son. Fortunately, Lou is not a typical newbie. She possesses fighting skills and is fluent in Latin and Mandarin. Latin comes in quite handy since the killer scrawls his messages in Latin, leaving Lou to assist Detective Russo (Travis Nelson) with clues in the case.

In addition to her skills, Lou is also the idealistic daughter of retired cop played by Jeremy Piven (“Entourage”). The two are so close she even has a bobblehead of him on her car dash. Lou still blames her 9-year-old self for not saving her mother’s life, no matter how many times people remind her she was just a kid. Perhaps you are starting to sense the issues with the film, and I have yet to mention the corruption and greed at the heart of the killer’s mission of vengeance. One nice touch is the mask … it’s Michelangelo’s David, and it’s plenty creepy, even if most of the characters here don’t come across as real people. Elena Kampouris is to be commended for giving her all to the role, but the writers and the film likely would have benefited from the KISS approach,

Opening in select theaters and on digital beginning October 6, 2023

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THE KING’S DAUGHTER (2022)

January 21, 2022

Greetings again from the darkness. It happens sometimes where the most memorable part of a movie is its setting. Plenty of non-descript westerns (and also some really good ones) took place in Monument Valley. MAMMA MIA! was fine, but that Greek isle of Skopelos was dreamy. Even those who aren’t big fans of Wes Anderson movies would likely agree that his sets and filming locations are something to behold. Somehow, director Sean McNamara surpasses all of these by filming inside and on the grounds of the Palace of Versailles, a truly gorgeous and historical setting.

As for the movie, the 1997 novel “The Moon and the Sun” by Vonda N McIntire has been adapted for the screen by a list of screenwriters including Ronald Bass, Barry Berman, Laura Harrington, and James Schamus. Since it’s told in a storybook format, with narration from the great Julie Andrews, one must fight the urge to label this as ‘heavy-borrowing’ from the 1987 classic, THE PRINCESS BRIDE, and instead view it as a historical-adventure-fantasy attempting to appeal to most everyone, while likely not satisfying any particular demographic … despite some worthy elements.

Pierce Brosnan stars as King Louis XIV (who became the longest ruling monarch between 1638-1715), known as The Sun King. He has just returned from a victorious battle when an assassin’s bullet reminds him of his own mortality, spurring a plan from the weirdo royal doctor, Dr. Labarthe (Pablo Schreiber). The plan involves sacrificing a mermaid during a lunar eclipse in order to capture the “light” from her heart and provide immortality to the King … for the good of France, of course. So the King sends dashing Captain Yves De La Croix (Benjamin Walker, ABRAHAM LINCOLN: VAMPIRE KILLER, 2012) to find the lost City of Atlantis and capture one of the famed mermaids.

At the same time, the King has sent for his illegitimate daughter Marie-Josephe (Kaya Scoderlario, PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES, 2017). She has lived her life in a nunnery, and now is to use her musical talent to takeover as the royal composer – whilst not knowing who her father is. Adding to the confusion is the King’s ulterior motive. The kingdom is in dire financial straits, and in addition to his own immortality, he also plans to have his daughter marry the son (Ben Lloyd Hughes, DIVERGENT, 2014) of the richest merchant in France. A dandy plan were it not for the independent-minded non-Princess falling hard for the swashbuckling Yves. Another complication arises when Marie-Josephe befriends the captive mermaid (Bingbing Fan), pitting the daughter against the father … a scenario many parents have experienced (only not typically with mermaids).

It’s only fair when discussing this movie to mention its own history. Filmed in 2014, the reasons for a delayed release are many and varied. No need to go into the studio and distributor issues, but you may have heard about Bingbing Fan’s (the mermaid) saga. She’s the biggest star in China, and in 2018 she disappeared for a few months after a tax evasion scandal. Fortunately, she’s back working. Another oddity, is that co-stars Kaya Scoderlario and Benjamin Walker met on this set, married a year later and now have two children. That’s how long ago this was filmed! Oscar winner William Hurt adds a touch of class as Father La Chaise, and the talented Rachel Griffiths makes a brief appearance as the Abbess. The film is plenty watchable, yet nothing really stands out as distinctive or memorable … of course, other than the breathtaking sights of the Palace of Versailles, including the stunning Hall of Mirrors.

Opening nationwide in theaters on January 21, 2022

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