CITIZEN ASHE (2021, doc)

December 4, 2021

Greetings again from the darkness. Growing up, I loved watching Jimmy Connors and John McEnroe play tennis. Their talent was unmistakable and they had a certain flair for dramatic moments. But even as a kid, I was more drawn to the personalities of Bjorn Borg and Arthur Ashe – two champions who carried themselves with a quiet dignity and respect for the game and their opponents. They acted like grown-ups, not petulant kids. It wasn’t until later that I really understood the obstacles Ashe faced, and co-directors Rex Miller and Sam Pollard expertly handle this remarkable man’s story.

Ashe’s championship at Wimbledon in 1975 was likely the peak of his tennis career, yet not of his impact on society. It took more than a trophy for him to be labeled “the Jackie Robinson of Tennis”. The film takes us back to his childhood in Richmond, Virginia, described here as ‘the heart of Confederacy’. Many of those memorial statues that stood when Ashe was young have now been removed, but at the time, he accepted that his tennis playing was limited to the court at the public park next to his house. It wasn’t until Althea Gibson’s mentor, Dr. Johnson, brought Ashe into the fold that he began to hone his talent, as well as his demeanor.

Against the odds, Ashe was awarded a tennis scholarship to UCLA in 1966, and there is some terrific footage and photographs of him on campus. Ashe later served in the US Army, and won the 1968 US Open. Some of the archival footage stands on its own, and especially insightful are the numerous interviews where we get to hear Ashe in his own words. Of course, others also have much to say, including his brother Johnnie, and Civil Rights activists Harry Edwards, (Olympian) John Carlos, and (US diplomat) Andrew Young. Tennis players Billie Jean King and John McEnroe also offer personal memories.

 This is not really a tennis documentary, but it’s quite interesting to hear Ashe reveal the “why” behind his strategy against the aggressive Jimmy Connors at Wimbledon. Ashe was also a dynamic supporter of the Davis Cup and believed playing for one’s country was an honor. Of course, Arthur Ashe is remembered as a tennis player and Human Rights Activist. He pushed to play in South Africa while Nelson Mandela was imprisoned to show the population what a free black man could do. He and Mandela later became friends. The personality contrast is also distinct between Ashe and fellow sports activists like Muhammad Ali and Lew Alcindor/Kareem Abdul-Jabbar, and it’s pointed out that although the approaches differed, Ashe’s words carried significant weight. This is quite apparent in the clip of the roundtable discussion featuring Ashe, Harry Edwards, and Jackie Robinson, amongst others. The respect for Ashe is evident.

Genetics caused a heart attack at the early age of 36, and blood transfusions during his medical procedures led to his being HIV-positive. As you would expect, Ashe turned his attention to raising money and awareness for AIDS research, all while never losing his elegance and grace. It seems fitting that the story of Arthur Ashe is being told at the same time KING RICHARD is playing in theaters. Ashe clearly opened the door for black athletes like Venus and Serena Williams, and also inspired their activism, as well as that of athletes in other sports. The video footage and interviews allow this story to be told, and it leaves us with the message that Ashe never forgot his race … the human race.

In theaters and On Demand beginning December 3, 2021

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MLK/FBI (2021, doc)

January 14, 2021

 Greetings again from the darkness. “Free at last.” Martin Luther King, Jr’s speech at the 1963 March on Washington is partially shown, yet documentarian Sam Pollard’s film proves that MLK was never really free, and still isn’t, even 50 plus years after his death. Based on David J Garrow’s 2015 book, “The FBI and Martin Luther King, Jr: From “Solo” to Memphis”, the film looks at FBI documents detailing what can only be described as FBI Director J Edgar Hoover’s crusade to destroy the man some viewed as “the moral leader of our nation”, and others viewed as “the most dangerous Negro in America”.

Most anyone who has a general knowledge of US history in the 1960’s is aware that Hoover was focused on knocking the revered MLK off his pedestal. What the new documents and the film show is that Hoover was not a free-wheeling rogue (at least as far as King was concerned), but rather a tool of the informed administrations he served. Phone taps, surveillance, and undercover agents were all utilized and authorized in the campaign to discredit King’s credibility and expose him as morally compromised. The extra-marital affairs are no revelation, but the letter sent encouraging King to kill himself, along with the audio tape recordings of consensual affairs comprise what former FBI Director James Comey labels, “the darkest part of bureau history”.

Rather than the usual talking heads, the film plays the interviews over the non-stop archival footage and photographs. Those we hear from include diplomat and activist Andrew Young, King speechwriter Clarence B Jones, Yale historian Beverly Gage, retired FBI agent Charles Knox, and author David Garrow. The film goes back to 1956 when King was a Montgomery, Alabama preacher and takes us through his assassination in 1968 Memphis … a 13 year non-violent movement for Civil Rights, Voting Rights, and Poverty.

We learn that Hoover and William Sullivan (Head of FBI Intelligence) first thought that King’s downfall would be his connection to communism via his advisor Stanley Levison. When that failed, they decided to expose King’s non-monogamous activities which they felt would surely cause him to lose followers. The connection between King and the LBJ administration seemed strong right up until it wasn’t – due to King criticizing the money going to the Vietnam War, rather than to solve poverty in this country. Mahalia Jackson’s beautiful singing over the opening credits leads us right into the quandary of whether releasing the secret recordings and documents is a further invasion of privacy, or is it reasonable historical research? Pollard wisely doesn’t play any of the recordings during the film. More FBI documents and recordings are scheduled for release in 2027, and that same question will be pertinent then as well. Surely by now we’ve learned that people can accomplish great things, while themselves being imperfect.

Available January 15, 2020 Video on Demand (VOD)

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