THE KILLING OF TWO LOVERS (2021)

May 13, 2021

Greetings again from the darkness. The film opens with a man pointing a gun at a sleeping couple. We hold our breath in anticipation until the tense moment abruptly passes. At its most extreme moments, life can push people to their emotional and physical limits, and that’s what we see with David, played exceptionally well by Clayne Crawford (TV series: “Lethal Weapon”, “Rectify”).

The foreboding of that opening scene cloaks the entire film with an inevitability that we never shake. David is living with his ailing father (Bruce Graham) right down the street from Niki (Sepideh Moafi, “The Deuce”), his high school sweetheart, and the mother of his teenage daughter and three younger sons. David and Niki are in the midst of a trial separation, in which they’ve agreed to see other people while also trying to work things out. They even try “date night”, which is where it becomes painfully clear to us that Niki not only has a new boyfriend (Chris Coy), but she’s doing well at her job, and is looking to the future. It’s likely she agreed to the separation to make the transition easier on David, whose pride will not allow him to accept the break-up of his family.

David’s a loving father, but he lacks the emotional maturity to handle the situation. The strain of it all has him simmering with rage – even as he hustles for manual labor jobs and tends to his dad. His dream of being a singer-songwriter is in the distant past and now he’s in crisis mode. Even his daughter Jesse (Avery Pizzuto) advises him of Niki’s situation. This is a small town with wide open spaces, but David can barely breathe, and this is perfectly captured by cinematographer Oscar Ignacio Jimenez.

Robert Machoian is the writer-director-producer-editor, and he keeps the characters and situation grounded in reality and familiarity. He was co-director with Rodrigo-Ojeda Beck of GOD BLESS THE CHILD, a film I saw at the 2015 Oak Cliff Film Festival in Dallas, and he possesses a distinct feel for the little things that seem big in life. Crawford expertly captures the essence of a man caught in a grim situation. I would have liked to have seen another interaction between he and Chris Coy, but what we do see is chilling. Take special note of the sound effects from Peter Albrechtsen – highly unusual, but effective in helping us understand the chaos inside David’s head. Mr. Machoian is a filmmaker to follow.

Available in select theaters and VOD on May 14, 2021

WATCH THE TRAILER


GOD BLESS THE CHILD (2015)

June 14, 2015

god bless Greetings again from the darkness. Given its success at other film festivals, I was anxious to catch up with this one it at my hometown Oak Cliff Film Festival. What I can report is that my reaction to the film is not in line with that of others. While I recognize the purity and genuine emotions of the characters, and appreciate the cinema verite’ style, I could never shake the feeling that I was simply watching someone babysit.

The first movie from co-directors Robert Machoian and Rodrigo Ojeda-Beck begins with young Eli diligently practicing his trampoline flips. His tenacity is admirable, as is his commitment to the goal. We next see his mom speeding off down the street, and we come to realize she has deserted Eli and his 4 siblings – 3 younger brothers and an older sister.

What follows is “a day in the life” of five kids who clearly have received less-than-stellar parenting throughout their lives, and have adapted by 13 year old Harper taking on the role of surrogate mother as the boys do what boys do … playing, fighting, eating, washing the dogs, exploring the area and arguing over Superman vs Spider-man.

Each of the boys has their own distinct personality, but it’s Harper whom we most feel for. She is caring, loving, funny and strong in an unwelcome role to which she has resigned herself. Any chance at being a normal teenager was lost years ago, though a somewhat heavy-handed scene in the park ensures no viewer misses this point.

The five actors share the same last name (Graham) and I read somewhere (though unconfirmed) that they are co-director Machoian’s real family. There is no denying that we feel for kids and understand that their future is as bleak as their present. The film does bring notice to the relentless challenges of parenting, and how desertion of said responsibility is inexcusable. The film ends with a very touching scene – one that only makes us hope that somehow these kids experience better days in the future.

watch the trailer:

https://www.youtube.com/watch?v=PKBPqlkak8o