WONKA (2023)

December 15, 2023

Greetings again from the darkness. It appears as though I’m one of the few early viewers who walked away without having been beguiled or enraptured with this musical prequel to Roald Dahl’s 1964 story, “Charlie and the Chocolate Factory”. Full disclosure requires me to admit that I actually found it a bit dull, and that’s mostly due to the lead performance by Timothy Chalamet. I understand that he’s the hottest young actor working today, and brings along an entire fan base, but for me, Willy Wonka should have a twinkle in his eye, a spring in his step, and enough charm to draw folks in … even at a younger age.

Writer-director Paul King and co-writer Simon Farnaby collaborated on the thoroughly entertaining PADDINGTON 2 (2017) and are back at it in this third film from Dahl’s classic children story. Most recently, there was Johnny Depp in Tim Burton’s CHARLIE AND THE CHOCOLATE FACTORY (2005), and it’s been more than 50 years since Gene Wilder bounded between charming and menacing in Mel Stuart’s WILLY WONKA & THE CHOCOLATE FACTORY (1971). King and Farnaby deliver a musical origin story which allows for a much nicer (or should it be sweeter) Willy Wonka, and instead sprinkles the menace on a few supporting characters, ensuring some dark themes are present.

A ”deal” with Willy’s mother (Sally Hawkins) has the illiterate Wonka arriving in town with only a few coins in his pocket, and a dream to build his chocolate factory. His innocence and naivety soon leave him penniless and contracted into indentured servitude, along with some others, at a shady laundry establishment run by the dentally challenged Mrs Scrubbitt (Oscar winner Olivia Colman) and her baritone behemoth assistant Bleacher (Tom Davis). Willy bonds with the others being held captive, including young orphan Noodle (Calah Lane), who somehow holds the same optimistic outlook as her new friend. Willy soon discovers that he has landed in the town with a chocolate cartel led by Slugworth (Paterson Joseph), Prodnose (Matt Lucas), and Fickelgruber (Mathew Baynton), the local chocolatiers who bribe the Police Chief (Keegan-Michael Key) with none other than … chocolate, in order to keep the new kid from selling his superior goodies.

Willy has even more challenges to deal with, including a knee-high, orange-faced Oompa-Loompa (Hugh Grant), who seeks restitution by stealing from Willy Wonka while he sleeps. Grant’s Oompa-Loompa is a definite highlight here (just as he was in PADDINGTON 2), especially during his song. The other familiar song in the film is “Pure Imagination”, though none of the new songs by Neil Hannon are particular catchy or memorable.

In addition to Grant’s sarcastic Oompa-Loompa, another highlight is certainly Nathan Crowley’s Production Design, ranging from Scrubbitt’s grungy basement to the picturesque town square and ultimately, the chocolate store sequence. The decision to have the young, idealistic Willy overflowing with optimism and lacking the grumpiness and menace of the grown Wonka makes sense for an origin story … I simply didn’t find it as magical, as entertaining, or as interesting.

Opens in theaters nationwide on December 15, 2023

WATCH THE TRAILER


PADDINGTON 2 (2018)

January 11, 2018

 Greetings again from the darkness. The sequel to the hit 2014 PADDINGTON movie reunites most of the cast, as well as the director Paul King and his co-writer Simon Farnaby. Unfortunately, Michael Bond, Paddington Bear’s creator and author of more than 150 affiliated books passed away in 2017, and was not able to see this most charming follow-up. The beloved little bear first hit UK bookstores in 1958 and has been part of the childhood of every generation of kids since. Now the movies have given life to the little bear with the red hat, blue coat and tiny suitcase.

The entirety of the Brown family returns: Sally Hawkins as Mary, Hugh Bonneville as Henry, Madeleine Harris as Judy, Samuel Joslin as Jonathan, Julie Walters as Mrs. Bird, and Jim Broadbent as Mr. Gruber. Also back are Imelda Staunton and Michael Gambon as the voices of Paddington’s “aunt” and “uncle”, and of course, Ben Whishaw returns as the familiar voice of the adored and oh-so-polite bear.

Most notable among the new faces are Brendan Gleeson as Nuckles (that’s with a capital N), and Hugh Grant as Phoenix Buchanan, this story’s two-faced (and maybe more) villain. You’ve likely never seen the usually reserved and proper Mr. Grant in a role quite so colorful and flamboyant. He seems to be having a devilishly good time.

As the movie begins, we are quickly assimilated into the community where Paddington has made such a difference. The core element to this bear is that he treats all with kindness and finds the best in each person. The results of this approach are clear in how his neighbors enthusiastically greet him each morning … it’s a reminder of the power of kindness. Only when Phoenix Buchanan’s dastardly deed and actions catch Paddington in the crossfire does the film take an abrupt left turn from his blissful life.

If the film has a flaw, it’s in a story that is likely too complex and intricate for the youngest viewers to follow. However, it’s that story that older kids (and grown-ups) will most appreciate and relate to. Younger kids may be lost at times, but there are enough visual pratfalls and bear hijinks to keep them oohing and aahing and laughing – I witnessed these reactions in a theatre that was about half-filled with kids.

This sequel will probably be viewed as an improvement to what was a pretty entertaining original. There is enjoyment for all ages, and it’s a rare combination of cuteness and charm with a strong message of kindness. If that’s not enough for you, stay for the credits and take in the Bollywood-style musical number that will erase any doubts you might have had about Hugh Grant’s commitment to the mission.

watch the trailer: