CORPORATE ANIMALS (2019)

September 19, 2019

 Greetings again from the darkness. Filmmaker Patrick Brice is building a career on films that leave us with an unsettled, even conflicted feeling on whether we should “like” them or not. He certainly has little time for ‘normal’ characters, and heroic behavior rarely enters a scene. His latest is written by Sam Bain (PEEP SHOW, and son of Emmy winning director Bill Bain), and it fits perfectly into the offbeat comedy realm of Mr. Brice’s previous two CREEP films (with Mark Duplass) and THE OVERNIGHT (2015).

The film kicks off was an advertisement (in the pre-production stage) for Incredible Edibles, a bio-friendly company that produces edible cutlery (a comical visual). Featured in the ad is the company’s ruthless CEO Lucy, played by Demi Moore. Lucy has arranged a Team Building outing for her employees in the mountains of New Mexico. The expedition is led by Brandon (Ed Helms, THE HANGOVER), a Bear Gryllis type who easily evaluates the team’s incongruent pieces. After advising against Lucy’s demand for the “Advanced” trail, Brandon gives in since ‘the check has cleared’. He proceeds to lead the team on a repelling adventure down into a stunning cavern.

Just when it looks like the “advanced” trail was the right call, a cave-in occurs, trapping the team with no escape route, and little food or water. It’s at this point when we realize that most of Lucy’s management style seems to have originated in a ‘get tough’ management book from the 1960’s. She has no real instinct on how to treat people, and mostly just bullies and tricks them. Ms. Moore’s character and performance could easily be viewed as a spoof of her DISCLOSURE role with some uncomfortable laughs. We even get a Harvey Weinstein punchline.

Noticeable right away is the terrific comedic cast. Lucy’s team consists of Jess (Jessica Williams, BOOKSMART), Freddie (Karan Soni, DEADPOOL), Derek (Isiah Whitlock Jr, CEDAR RAPIDS), Gloria (Martha Kelly, “Baskets”), Billy (Dan Bakkedahl, SWORD OF TRUST), May (Jennifer Kim, “The Blacklist”), Suzy (Nasim Padrad, ALADDIN), and intern Aidan (Calum Worthy, “American Vandal”). This is an exceptionally talented group of funny people who know how to deliver a line. Some of the funniest moments are the ‘throwaway’ lines being uttered in between the main dialogue. That’s where the real comedy gold is buried, so listen closely.

Although the film is a comedy, it also boasts some elements of horror and suspense. Lucy’s twisted idealism is the basis for some of this, as is the team’s situation as things become more dire (think ALIVE blended with any workplace comedy). We learn the company is teetering on financial failure, and as one might expect in a confined area, workplace resentments and true feelings begin to rear up. The script never quite takes on business satire, focusing instead on personal reactions to a bleak situation. Even Gary Sinise and Britney Spears are included in the comic elements, and while some will find this to be a fitting midnight movie, others will once again be left wondering what to make of Patrick Brice’s films. And maybe that’s the point.

watch the trailer:

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Posted by David Ferguson

THE OVERNIGHT (2015)

June 27, 2015

overnight Greetings again from the darkness. For kindergartners, making friends is as easy as a bag of gummy worms on the playground. For adults, it’s a bit more complicated.  According to writer/director Patrick Brice (Creep, 2015) making adult friends can involve rectum paintings and penis prosthetics … at least after a lot of wine and too many bong hits.  While this is not my wheelhouse for humor, it’s clearly a bold cinematic step and pushes the boundaries even further than other recent Duplass Brothers projects (they are Producers here).

Emily (Taylor Schilling) and Alex (Adam Scott) have recently moved to L.A. from Seattle with their young son. Emily and Alex are good parents, good people, and a solid couple – except for some sexual incompatibility. While at the park, their son (and his gummy worms) befriends the son of Kurt (Jason Schwartzman), one of the endless oddballs that populate L.A. Kurt charms Emily and Alex into visiting his home for an adult dinner party/kid playdate.

Greeted at the door of the mansion by Kurt’s French wife Charlotte (Judith Godreche), Emily and Alex are clearly wooed by the worldliness and sophistication of their new friends. Kurt is a bit of a renaissance man and he and Charlotte also appear to be a solid couple … though as the evening unfolds, we soon enough discover their own sexual incompatibility. And therein lies the core and conflict of the film – relationship dynamics impacted by sexual tension explored through raunchy humor.

It’s interesting to compare Brice’s film with Paul Mazursky’s 1969 Bob & Carol & Ted & Alice, and analyze the cultural and cinematic differences brought on by the 46 year difference. What was shocking then, is nothing compared to what this film has us believe that most young adult couples are struggling with now. Emily and Alex spend the evening exploring their boundaries as individuals and as a couple, while being softly pushed by the more adventurous Kurt and Charlotte. Were it not so raunchy, the theme would be more interesting … though significantly less appealing at the box office.

All four lead actors are strong, but Schwartzman and Scott handle the more challenging roles with aplomb. Given my preferences, I could have used a safe word on a couple of occasions, but the real test will be whether audiences find the film a bold step forward, or whether it is judged to be shock for shock’s sake.

watch the trailer:

 

 

 

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Posted by David Ferguson