Greetings again from the darkness. Fully deserving of a tip of the cap is Liam Neeson, who used the popularity of TAKEN (18 years ago) to create a new sub-genre: the annual Liam Neeson action film where he gets to be the hero. This latest is from director Nimrod Antal (PREDATORS, 2010) with Christopher Salmanpour adapting the screenplay from Alberto Marini’s 2015 original, EL DESCONOCIDO (Spain). This is actually the third remake of that film, including those from Germany and South Korea.
An artful assembling of a bomb takes place over the opening credits, and then we cut to Matt Turner (Neeson) getting his morning workout on the boxing bag hanging in his loft. Other than fast-driving, that’s the biggest action-hero moment Liam gets in the film, although he is in the middle of plenty of other explosive moments. We quickly recognize Matt Turner as a successful Financial executive living in Berlin who is too consumed with work to be an attentive husband to his wife (an underused Embeth Davidtz) or involved father to his kids, Zack (Jack Champion, AVATAR: THE WAY OF WATER) and Emily (Lilly Aspell, played young Diana in the two Wonder Woman movies). Of course, everyone recognizes his there-not-there approach except him.
Guilted into the rare task of taking the kids to school one morning, Matt takes a call from an “unknown caller” on an unrecognized cell phone located in the console of his car. The disguised voice informs Matt that there is a bomb in his car that will detonate if he gets out, and there is a remote device that will allow the bomb to be set off if Matt doesn’t do exactly what the caller says. The plan revolves around big money, and Matt’s kids begin to question if their father has cheated people. Matt’s awkward behavior doesn’t put them at ease. This ordeal involves other people as well, and soon a Europol detective (Noma Dumezweni, THE LITTLE MERMAID, 2023) is involved and assuming Matt is the real threat.
With no apologies, the film borrows heavily from SPEED (1994) and PHONE BOOTH (2002), as time becomes a crucial element, along with following precise instructions. As viewers, we are right there with the kids – trying to figure out what’s happening, why it’s happening, and who is behind it. Most of the time is spent in Matt’s Mercedes, and we see two other luxury vehicles (Maserati, Tesla) on the wrong end of bombs. There are some holes in how the story progresses, as well as some inconsistencies in the look of the vehicle – clean, dirty, damaged, undamaged – although the weakest point is Matt’s absurd call with a client early on. This was obviously written by someone with very little business acumen. Matthew Modine has a supporting role and one of the film’s producers is Jaume Collet-Serra, a frequent collaborator on the many Liam action-movies. This one should work for those who enjoy the thrill of the moment before moving on to the next one.
Opening in theaters on August 25, 2023
Posted by David Ferguson 
Greetings again from the darkness. When is it too soon to look back? We all experienced the pandemic, and yet, things aren’t quite normal again … at least not the ‘old’ normal. Talented writer-director Peter Hedges (the underrated PIECES OF APRIL, 2003) shows us the various ways in which the pandemic affected folks, and how zoom and other virtual connections became the lifeline to the outside world for many.
Movie Reviews from the Dark 