THE WRECKING CREW (doc, 2008/2015)

March 15, 2015

wrecking crew Greetings again from the darkness. The music business has always been a bit of a mystery – not just to the average record buyer, but even to those within the industry. History is filled with singers, band members, and songwriters missing out on the pot of gold due to slick legal maneuvering from some less-than-upstanding agent, producer or label. This documentary details the prolific recordings from a core group of studio musicians responsible for the sounds heard as rock and roll music exploded on the scene … their stellar performances marketed to the public as the work of popular bands.

Lest you think this is limited to an obscure genre or style of music, the two dozen (or so) musicians known as The Wrecking Crew were responsible for the album music for such groups and performers as The Beach Boys, Frank Sinatra, The Righteous Brothers, Elvis Presley, The Mamas and the Papas, Sonny and Cher, Sam Cooke, The Byrds, and The Monkees. And we can’t leave out Phil Spector’s “Wall of Sound” which dominated the charts for years. Director Denny Tedesco set out to make a documentary short about his father, guitarist extraordinaire Tommy Tedesco, but quickly realized the story was much bigger than just his dad.

In addition to the very talented (and funny) Tedesco, we get interviews with such talented musicians as Hal Blaine, Earl Palmer, Don Randi, Al Casey, Plas Johnson (The Pink Panther sax soloist), Carol Kaye, and Bill Pittman. There is also insight from producers Lou Adler and Snuff Garrett, American Bandstand’s Dick Clark, songwriter Jimmy Webb, plus icon Herb Alpert. Micky Dolenz and Peter Tork explain the business rationale in having the professionals take care of the recordings, while Roger McGuinn spills the beans that other members of The Byrds (including David Crosby) were pretty miffed at the process.

The personal importance of telling this story is quite obvious in the work of the director, and is especially clear in the segments featuring his father. In addition to the popular music he was involved with, the senior Tedesco’s work is heard in such well-known TV themes as “Bonanza“, “MASH“, “Batman“, and “The Twilight Zone” … plus many movie scores. Archival footage is available for Q&A roundtables and some of the seminar work Tedesco did in the later stages of his career (he passed away in 1997). There is also footage of Phil Spector working in the studio, and some audio from Frank Sinatra as he works on recording, and early Brian Wilson creating the magic of Pet Sounds with the Wrecking Crew.

Glen Campbell and Leon Russell are the two big breakout performers from this group of studio musicians and both speak so highly of these unpublicized artists. Their interviews, and that of Dick Clark, highlight the confusion of timeline in the making of the film. It began making festival rounds in 2008 before running the age old issue of “musical rights” brought distribution to a screeching halt. So now, in 2015, the film is finally getting some theatre time, and with it comes the recognition and appreciation that is long overdue for the members of this very secret club … few of whom seem to hold any type of grudge. They were just happy to make a living doing what they love.

This film instantly becomes one of four documentaries highly recommended for those who want to better understand the music biz. Group it with Standing in the Shadows of Motown (2002), Muscle Shoals (2013), and Oscar winner Twenty Feet from Stardom (2013) to form an 8 hour education and history of popular music over the past three generations.

**NOTE: Kent Hartman released a book entitled “The Wrecking Crew” that provides additional detail; however, it is not affiliated with Denny Tedesco’s film.

watch the trailer:

 


THE MONKEES – a tribute

March 1, 2012

 Hey, Hey … When the announcement came down that Davy Jones had passed away on Wednesday, fond memories flooded back for many in my age group (the optimal demographic of 20 to 85).  For the last 4-5 years, my “ideas” list has included writing a tribute to The Monkees, and I feel guilty that it took this sad event to motivate me to finish.  Despite my procrastinating, this story deserves to be told, as their impact should not be ignored (yes, I am serious).

Going back to the mid-60’s, there was an entertainment revolution occurring that impacted TV and music.  In 1964, the Beatles while at their chart-topping peak, released their first movie … A Hard Day’s Night.  Caught up in Beatle-mania, producers Bert Schneider and Bob Rafelson were inspired to capture that same frenetic pace for a TV show, with comedic elements enveloped by pop songs.  Schneider later produced Easy Rider, and Rafelson directed the 70’s classic Five Easy Pieces.  With this idea, the “pre-fab four” was born as The Monkees, what some people call the first boy band.  After a huge casting call, three Americans (Mike Nesmith, Micky Dolenz, Peter Tork) and one Englishman (Davy Jones) were cast as the musical group.

 The series had strong ratings and ran for three years (1966-68) in Monday primetime.  Re-runs then became a fixture on Saturday morning TV until 1973, keeping the group in front of an audience for eight total years.  James Frawley directed 28 of the 58 episodes, and the series would lead to 11 albums (over 65 million sold), a TV special, a feature film (Head 1968), and numerous reunion tours.  It all began with the ground-breaking TV series that really clicked with kids.  The offbeat series seemed to prove that different personalities could do more than co-exist.  Mickey was the class clown.  Mike was the quiet, soulful one.  Peter was the hyper-dork.  Davy was the cool popular one.  This disparate group managed to have fun as friends and make great sounding music together.  Kids could relate to these misfits and it provided hope, as well as some  popular music.

Ahh … the music.  The music is what caught everyone by surprise. The four lads had limited musical backgrounds, so the plan was to use mostly studio musicians.  What music producer Don Kirshner discovered was that, at least vocally, there was plenty of talent in the group.  With harmony groups very popular at the time (The Beatles, Beach Boys, Crosby Stills Nash, The Hollies), The Monkees created a smooth, distinctive sound without the edge or political statements that were all over the radio. Despite being surrounded by the constant claims that they weren’t real musicians, their first album “The Monkees” (1966) stayed number one for 13 weeks, and was the first of four consecutive number one albums for the group.  Here is a brief recap of the four actors:

 DAVY JONES was born in England and at 5’3, had intentions on become a jockey.  He stumbled into stage acting and was nominated for a Tony, as The Artful Dodger in a Broadway production of “Oliver!”.   As a matter of fact, when The Beatles made their U.S. debut on “The Ed Sullivan Show” on February 9, 1964, Davy Jones was also on that same show as a member of the acting troupe performing a scene from “Oliver!”   Jones had four daughters and continued acting and singing throughout his life.  He had performed just two nights prior to his fatal heart attack.

 MICKY DOLENZ was a child star on the TV series “Circus Boy” (1956-58).  When he was cast in The Monkees, he learned the drums well enough to play on some of their albums.  He has since managed to grind out a pretty successful showbiz career with acting, singing, voice acting (cartoons), directing, and even as a radio DJ.  Toni Basil’s 1982 hit “Hey Mickey” was named after Dolenz, as she had choreographed The Monkees’ movie Head (1968).

 MICHAEL NESMITH was a self-described “do-nothing” teenager. He was very involved in the production of music for The Monkees, and was the driving force behind the group’s break with music producer Don Kirshner. After leaving the group, Nesmith invented and sold the concept of 24-hour Music Television to Time Warner, and it eventually evolved into MTV.  His mother, Bette, invented Liquid Paper, from which stemmed a $50 million inheritance for Michael when she passed away.  Nesmith has stayed active in music production and has even written a couple of novels.

 PETER TORK – was a Greenwich Village folk musician and Stephen Stills’ roommate prior to being cast in The Monkees.  He was the most gifted musician of the four and played multiple instruments across various music styles.  Peter was diagnosed with a rare form of head and neck cancer, and in 2009 had successful surgery to remove the growth from his tongue.

After the series ended, Rafelson teamed with Jack Nicholson (credited as co-writer) to create a feature film with The Monkees.  Head was released in 1968 and featured cameo/pop-in performances by such well known personalities as Annette Funicello, Dennis Hopper, Teri Garr, Victor Mature, Sonny Liston and Frank Zappa. Though not a box office success, the film has developed quite a cult following, and the soundtrack has fared very well with critics over the years.  Nesmith still claims the movie was designed to “kill off” The Monkees.

 Throughout the years since, there have been numerous incarnations of reunion tours and special appearances that featured 2-4 of the original group.  The 1996 “Justus” album was the first since 1968 on which all four members performed, produced, wrote and played all instruments (thus the name Justus = Just Us).

The Monkees’ music remains a staple on “oldies” radio, and has been recorded and covered by numerous bands over the years, including: Run DMC, Smash Mouth (for Shrek), The Replacements, and Susan Boyle.  Many of their songs were written by the Boyce-Hart team, but also such well known songwriters as Neil Diamond, Carole King and Harry Nilsson.  Despite all the controversy, the group has numerous songs that have held up well over 45 years.  Their influence is clear and they deserve a place in TV and musical history.

**NOTE: The rumor that Charles Manson auditioned for the show was false, as he was in prison at the time.

Here is a list of some of The Monkees’ finest songs.  Some of these are live links so you can see the early music videos while you listen to the pleasant sounds of The Monkees:

A Little Bit Me, A Little Bit You

Daydream Believer

Girl

I’m a Believer

I’m Not Your Steppin’ Stone

Last Train to Clarksville

Listen to the Band

Look Out (Here Comes Tomorrow)

Mary Mary

Monkees theme

Pleasant Valley Sunday

Shades of Grey

She

Sometime in the Morning

The Day We Fall in Love

Valleri

When Love Comes Knockin’ at Your Door

Your Auntie Grizelda – Ok, not one of their best, but certainly one of the funniest

Your Auntie Grizelda