BLUE VALENTINE

January 13, 2011

 Greetings again from the darkness. OK, so I was extremely surprised to be the only male in a theater with 30 plus viewers. I had not previously thought of this as a chick flick. In fact, it is quite a weighty relationship expose’ and that probably explains the lack of present men. What is surprising is that while the film is about the ever-so-slow crumbling of a marriage, the Hollywood staple of “men are slime” is missing and  no one person is saddled with the blame.

You might have already guessed that this is no upbeat, loosie-goosie rom-com. Rather, it is a bleak look at a marriage that starts with good intentions and fades into misery. On the plus, we witness an acting clinic by two of today’s absolute best … Ryan Gosling as Dean and Michelle Williams as Cindy. Young Dean is quite the oddball romantic as he strums his ukulele and quivers “You Always Hurt the Ones You Love” in a bit of foreshadowing. Young Cindy, on the other hand, is a bit more ambitious and has dreams of medical school.

The two meet by happenstance in the hallway of a nursing home when Cindy is visiting her grandmother. Immediately, there are sparks and after Cindy’s macho boyfriend proves his true rotten self to her, she becomes more enamored with Dean. When an unexpected pregnancy occurs, Dean is pretty quick to stand up for Cindy and they set off to build a life together.

 Flash forward 6 years and Dean has changed very little … except his initial charm now comes across as a bit of a slacker.  On the other side, Cindy just seems totally beaten down by her situation.  They both cherish their precious daughter Frankie (played by newcomer Faith Wladyka) but their relationship is nowhere, gone, kaput. Even an attempted one-night getaway to a themed hotel doesn’t provide the relief they need. Instead, it’s the final straw. When Cindy repeats “I’m done” … we don’t doubt her at all.

Many other movies have dealt with failing marriages – most recently Revolutionary Road.  This one lacks the anger of that one.  Director and co-writer Derek Cianfrance does a tremendous job with the details and creating the personalities of these two people. Every relationship requires work, and failure can be predicted when one gives up and the other pretends all is fine. This one probably won’t save any marriages, but it is worth seeing just to watch Ryan Gosling and Michelle Williams in action.

SEE THIS MOVIE IF: you can appreciate fine acting performances and wonderfully detailed writing despite a less-than-upbeat tone OR you just enjoy a rare ukelele performance!

SKIP THIS MOVIE IF: after seeing a downbeat film, you carry the weight with you for awhile.


SHUTTER ISLAND (2010)

February 20, 2010

(2-19-10)

 Greetings again from the darkness. Ahh yes, the psychological thriller is my favorite movie genre. Not sure what that says about me. There are so few good ones, at least since Alfred Hitchcock passed on. Director Martin Scorsese often includes some psychological warfare in his films, but with Shutter Island, he leaps feet first into the world of the criminally insane.

This is a very difficult film to comment on because it is crucial that the viewer watch with a clean slate … in other words, don’t let someone toss out some spoilers if you plan to see the film. All I will say regarding the story is that it’s fun to watch and my brain was working non-stop the whole time (that’s a good thing!).  Scorcese uses many different camera angles, close-ups and bright red to go with they island storm.  The film has some of the style of his Cape Fear, but even more darkness to the story, as here, EVERY character is a bit off center.

Scorsese has, as usual, assembled an excellent cast. Leonardo DiCaprio takes the lead as Teddy. His partner is played by Mark Ruffalo and they “investigate” the disappearance of a patient from Shutter Island – a treatment center for the criminally insane. This is no vacation island and at the center is a civil war fort that houses the worst of the worst. The creepy place is run by Ben Kingsley and Max von Sydow, who could both make afternoon English Tea seem downright ominous.

The cast is so strong that Emily Mortimer and Patricia Clarkson are basically limited to one scene each and Jackie Earle Haley continues his resurgence with a wicked one on one scene with Leo. Michelle Williams makes her appearances via flashbacks, visions and sweaty, late night dreams. By the end of the film, her ugly yellow dress was itself a frightening prop.

To cap off the mental and emotional turmoil, Scorsese adds an unusual score that at first seems overbearing at odd times, but later reveals itself to have been “right” all along. My favorite shot of the film is at the very beginning when the ferry first breaks through the fog. Funny enough, it was ME in a fog for the next 2 hours!