BOTTOM OF THE 9th (2019)

July 18, 2019

 Greetings again from the darkness. For us baseball fans, seeing the sport on the big screen can be bliss (THE SANDLOT, 1993) or extreme torture (ED, 1996). Actually, with any sports movie, the pressure is on the filmmakers and cast to be respectful to the talent and athleticism required to play that game. When they succeed, it can be a wonderful blend of movie and sport. When they fail, it can be maddening … a cinematic version of fingernails on a chalkboard.

Director Raymond De Felitta delivered an excellent (and underappreciated) little gem in 2009 entitled CITY ISLAND. This time out he’s working from a script by Robert Bruzio (his first feature film screenplay). It begins with Sonny Stano (played by Joseph Manganiello) being released from Sing Sing Prison. He has served nearly two decades (since 1999) after accidentally killing someone just after signing a big contract with the New York Yankees right out of his Bronx high school … in the shadow of historic Yankee Stadium. See, Sonny was a baseball legend in the area – a “sure thing” to become the next Yankees legend. He even has a Mickey Mantle jersey mounted on the wall of his childhood apartment, alongside numerous pennants, trophies and sport photographs.

All those years ago, Sonny left behind not only baseball, but his high school sweetheart Angela (Sofia Vergara), who is now a single mom raising her young daughter. Of course, once Sonny and Angela bump into each other at the market, we know where this is headed. Just like we know where it’s headed when Sonny’s old Coach Hannis (Michael Rispoli) invites him to help out with the local Yankees minor league affiliate … in particular, a young hot shot player who is mouthy and uncoachable. Along the way, we also see Sonny’s Parole Officer (Denis O’Hare, in a “True Blood” reunion with Manganiello) and Angela’s less-than-welcoming cop/brother (Yancey Arias). They don’t call them stereotypes for nothing. It is nice to see Burt Young appear as a grizzled baseball scout, and fortunately Brian Cashman and Bernie Williams are the only Yankees who make a cameo appearance (awkwardly with no dialogue).

The idea is strong enough to work as an inspirational, second-chance-in-life sports movie; however, it all falls apart once Sonny hits the diamond. He moves like a weightlifter, not a ballplayer. His swing, supposedly capable of mashing pitches into the stratosphere, looks no different with a bat than with the sledge hammer he uses in one scene. The throwing motion is even more cringe-inducing. Still, we have been known to overlook such things in movies if there is a real life lesson. Unfortunately, despite his scenes reconnecting with Angela, we never find Sonny very likeable or easy to root for. Reading “King Rat” (James Clavell’s debut novel about his time as a POW) and wanting to take a business class is not enough to overcome the fact that he immediately quits the job that his friend gave him … the same friend who helped him get paroled. Plus, Sonny wears a constant scowl and tries to lecture, rather than lead, the prodigy he’s been assigned.

The fictional Staten Island Empires are a joke to watch, and it’s ludicrous to believe Sonny would catch the Yankees’ attention while taking BP for them. The scenes that do work are the quiet moments between real life husband and wife Mr. Manganiello and Ms. Vergara. Their scenes, while a nice reprieve from the clumsy baseball ones, are simply not enough to inspire us or give us reason to cheer the obvious and easy-to-predict developments. And another thing … why is it always the Yankees?

watch the trailer:


THE RUM DIARY

November 5, 2011

 Greetings again from the darkness. I suppose we are to give Hunter S Thompson the benefit of the doubt. Some of his writings are historically invaluable and models of brilliant writing. I doubt many would include The Rum Diary in that category. Director Bruce Robinson (Jennifer Eight, Withnail and I) does the best he can with enormous help from Thompson’s friend and biggest cheerleader, Johnny Depp.

The film plays as an autobiography supposing Thompson’s character Paul Kemp (Depp) would have been employed in 1960 at the San Juan Puerto Rico STAR, a newspaper run by English speaking Americans trying to report in Spanish speaking land. The editor is Lotterman (Richard Jenkins) who just wants simple human interest stories that the tourists will enjoy. When Kemp arrives, Lotterman asks him what kind of drinker he is. Kemp replies “the high end of social“. A greater understatement may never have been uttered. Kemp, and of course, the real life Thompson, ingested liquor at a pace and volume greater than a marathoner takes in water.

 Kemp finds a drinking buddy in Sala (Michael Rispoli) who is the paper’s photographer. He is drawn into a shady land development plot by Sanderson (Aaron Eckhart), an American looking to capitalize financially by raping the undeveloped beach front land. He needs the help of Kemp to “sell” the project to investors, tourists and locals. Not surprisingly, Kemp’s vision is a bit cloudy and he screws this up while also turning the head of Sanderson’s lady, Chenault (Amber Heard).  All the while, a shady, oddball figure played by Giovanni Ribisi is ALWAYS around.  Ribisi’s character is the guy who, if in prison, other inmates would come to for “supplies”.  Somehow, though, this character is free to roam about San Juan.

 Depp does a standout job as Thompson again (Fear and Loathing in Las Vegas) with his speech pattern and ever present sunglasses. The feel of the 1960’s is on display with fashion and autos, but this one just didn’t do it for me. I suppose the message from Thompson here is that he did what he always envisioned himself doing … he went hard after the establishment bad guys and brought them down hard. However, this story rings a bit hollow and there are just too many missing pieces and too many holes.

SEE THIS MOVIE IF: you never miss anything with Johnny Depp or written by Hunter S Thompson … there is really no other reason.

SKIP THIS MOVIE IF: you are looking for a real introduction to the Gonzo Journalism that Hunter S Thompson was best at

watch the trailer: