CLEMENCY (2019)

December 28, 2019

 Greetings again from the darkness. You surely complain about your job. Most everyone does. But what if your career path had led you to oversee a dozen court-mandated executions, and the next one was already scheduled? In her first feature film, writer-director Chinonye Chukwu takes us inside the world of Warden Bernadine Williams, who manages a maximum-security prison, including inmates on death row. It’s the rare film in this sub-genre that doesn’t preach anti-death penalty politics, and instead focuses on the emotional toll it takes on those who must carry out the sentence.

Warden Williams (Alfre Woodard) is a seasoned prison professional who keeps her emotions in check, while sticking to policies and procedures. She is a restrained, often stoic person – both at work and at home. Early in the film, a lethal injection goes awry, and the warden finds this inexcusable. She wants answers and she prepares to make sure the next one scheduled … for inmate Anthony Woods … goes smoothly. Aldis Hodge plays Mr. Woods, a death row inmate for 15 years. His execution date is fast approaching despite his claims of innocence and the evidence showing he was not the one who killed the police officer. Woods’ attorney (Richard Schiff) has informed him that his last strand of hope is a decree of clemency by the governor.

Bernadine’s job involves dealing with family members, protestors, lawyers, media, guards, medical staff, procedures, final statements … and even the search for veins. The stress is obviously taking a toll, and even her home life is a wreck. Husband Jonathan (Wendell Pierce) is frustrated at her aloofness. He’s a high school teacher and reads a passage of “Invisible Man” to his class – words that hit home for him. Bernadine must also deal with the prison priest (Michael O’Neill) and the two share a powerful moment that relays the strain on both. Bernadine speaks matter-of-factly to Mr. Woods as she outlines the procedure of his execution. In another powerful moment, Mr. Woods attempts to exercise his last bit of control over his life and death. It’s brutal to watch.

Even though the death sentence is for convict Anthony Woods, most every other person involved expresses some desire to retire or walk away. This speaks clearly to the burden associated with taking the life of another human being. In a meeting with his former partner Evette (Danielle Brooks), Woods is given hope of a legacy outside of crime, while Evette expresses what she needs to him. This life is no fairy tale, and hard edges and difficult moments are around every corner.

Ms. Woodard has long been an underrated actress. Her only Oscar nomination came in 1983, and she has been outstanding in most roles since TV’s “St Elsewhere” in the 1980’s. She manages to convey humanity and realism in most every character she plays. Mr. Hodge starred in the title role of BRIAN BANKS earlier this year, and in both roles, he possesses a strength of character that allows the audience in. In Ms. Chukwu’s film, both are isolated in some way and struggling with how to deal.

Although the film spends very little time on the question of guilt or innocence, or whether the death penalty is a law of morality that fits within society, the approach of examining the psychological impact of those involved proves worthy of discussion. We do wish the script had not delivered such stand-off characters … ones so difficult to connect with. But perhaps that’s the inevitability of the environment – one that cuts much deeper than following the ritual of preparing for the next execution.

watch the trailer:


DALLAS BUYERS CLUB (2013)

November 11, 2013

dallas1 Greetings again from the darkness. It’s not unusual for an actor or actress to alter their physical appearance for a movie role. Sometimes those changes become the story: Robert DeNiro in Raging Bull, Christian Bale in The Machinist and Charlize Theron in Monster are a few that come to mind. Regardless of the transformation or make-up, what really matters is the performance and the character. Just ask Eddie Murphy (Norbit) or Gwyneth Paltrow (Shallow Hal). In Dallas Buyers Club, we actually get two incredible transformations that lead to two stunning performances.

dallas2 Matthew McConaughey and Jared Leto each lost approximately 40 pounds for their respective roles as Ron Woodroof, the redneck, three-way loving, alcoholic, drug-addicted electrician/rodeo cowboy; and Rayon, the sensitive, street-savvy, would-be transsexual so desperate for a kind word. Their physical appearance will startle you more than once, but is quite effective in getting across the struggles of those infected with HIV virus in the 1980’s. The number of victims impacted exploded and the medical profession was ill-equipped to properly treat the patients.

This is based on a true story and a real life guy (Woodroof) who became a most unlikely beacon of hope for AIDS patients. Woodroof fought the medical industry, Pharmaceutical companies and the government (FDA, DEA, IRS). It’s impossible to miss the message and accusations that most of these had a single goal of increasing profits, rather than dallas3curing the disease. And that’s where the story lags a bit. Michael O’Neill and Dennis O’Hare are the faces of greed and bureaucracy, while Jennifer Garner, Leto, and Griffin Dunne represent the side with a heart (though Ms. Garner is clearly out of her class here). Woodroof seems to be a guy who just doesn’t want to die, sees a business opportunity, and even learns a little bit about humanity along the way.

There have been numerous other projects that deal with AIDS, including: Philadelphia with Tom Hanks and the recent documentary How to Survive a Plague. This may be the first with a protagonist who is distinctly unlikeable, despite his passion and strong survival instincts. McConaughey doesn’t shy away from the homophobic personality and cruel manner of speech that Woodroof possesses. We never doubt his frustration at those controlling the big picture, but we never really see him connect with those his brash tactics help.

dallas4 McConaughey is on a dream run as an actor right now, and it certainly wouldn’t be surprising to see him garner an Oscar nomination. But it would be a mistake to chalk that up to his losing so much weight – he really delivers a character that we won’t soon forget. And let’s not overlook Mr. Leto, who has been away from acting for 4 years touring with his band. He is a remarkable talent and a true screen presence. Compare this role to his Mark David Chapman in Chapter 27. It’s not just the range of weight, but moreso the range in acting that so impresses.

Also worth noting here is the outstanding cinematography of Yves Belanger. This movie is shot in a way that brings out the intimacy of the moment, while not losing the big picture. Director Jean-Marc Vallee (The Young Victoria) and co-writers Craig Borten and Melisa Wallack work together for a solid foundation, but it’s McConaughey and Leto that we will most remember … and of course, the pics of the great Marc Bolan on the wall.

**NOTE: for you baseball fans, that is in fact slugger Adam Dunn as a bartender.  He was also an investor in the film.

SEE THIS MOVIE IF: you want to see two of the best and most startling acting performances of the year OR you want a glimpse at the confusion and panic that the AIDS epidemic brought to the mid 1980’s.

SKIP THIS MOVIE IF: you are looking for an elegant treatment of AIDS … this one will make your skin crawl.

watch the trailer:

http://www.youtube.com/watch?v=fvMPU0WaPcc