ROGUE AGENT (2022)

August 11, 2022

Greetings again from the darkness. Co-written with Michael Bronner (THE MAURITANIAN), co-writers and co-directors Declan Lawn and Adam Patterson base their first feature film on a remarkable true story … one whose final chapter may not yet be written. We are surrounded by fraud on a daily basis – emails from a Nigerian Prince and spam calls for an expired car warranty that never existed, to name a couple of mainstream schemes. But the real life saga of Robert Freegard takes fraud and the long con to a whole new level.

We begin in 1993 as Freegard (James Norton, “Happy Valley”) is working as a barkeep in a pub. He bewitches three college kids with the story that he’s an undercover MI5 agent, and that he needs their help to infiltrate an Irish Republican Army (IRA) group working on campus. Known for their bombings at the time, this is a dangerous and important mission, and he convinces the students that they are field spies in training and serving their country … though nothing is more important than their loyalty to him. Of course, Freegard is not MI5.

The film leaps forward nine years, and we find Robert working as a car salesman. He identifies local attorney Alice Archer (Gemma Arterton, TAMARA DREWE, 2010) as his next target. After some initial skepticism, she falls hard for his charms and his stories. Alice also serves as the film’s narrator and explains how Robert will look people in the eyes, holding the gaze just the right amount of time to gain trust. We watch as their relationship plays out, costing Alice so much of her life. But Robert underestimates Alice’s resolve. She doesn’t appreciate being played like a fool. She performs her own investigative work, and enlists the help of a police detective (Shazad Latif, “Penny Dreadful”) in an attempt to track down Robert, as well as Sophie (Marisa Abela), one of the original college students who is still missing.

A Private Investigator informs Alice that scammers are either mad, sad, or bad. We readily know which category Robert belongs in. He’s a master of hiding in plain sight and reading people. He believes “everyone has a story they want to hear” and he exposes that vulnerability. It appears his only cause was to line his own pockets with other people’s money. But it’s not that simple. He also seemed to thrive on the perverse power trip in keeping people isolated and under his control – a form of psychological warfare. The film shows us how Robert was caught, but it also details what’s happened since 2009. If there is a lesson here, it’s put the past in the past, once you make peace with it – and don’t believe swindlers who are interested in your money. The film offers some excellent drama, strong performances from Ms. Arterton and Mr. Norton, and a short course in psychology of the sociopath. For more information on Freegard, check out the Netflix docuseries, “The Puppet Master: Hunting the Ultimate Conman”.

Opens August 12, 2022

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THE MAURITANIAN (2021)

February 13, 2021

 Greetings again from the darkness. September 11, 2001 will be always remembered in history books, and seared into the memories of those who were there or watched the horrifying events unfold on television. As Americans, we were stunned and felt vulnerability for the first time in years. Also as Americans, we demanded justice for those responsible (or at least closure). Oscar winning director Kevin Macdonald (ONE DAY IN SEPTEMBER, 1999) working from a script by co-writers Michael Bronner, Rory Haines, and Sohrab Noshirvani, brings us the true story of Mohamedou Ould Slahi, based on his best-selling 2015 memoir, “Guantanamo Diary”.

Tahar Rahim (so good in A PROPHET, 2009) stars as Slahi, and we first see him in November 2001 (2 months after the attack) as he’s returned from Germany to Mauritania, West Africa for a family wedding. He’s told, “The Americans want to talk to you”, as he’s taken into custody. The movie skips to 2005 where we find Defense Attorney Nancy Hollander (2 time Oscar winner Jodie Foster) and her associate Teri Duncan (Shailene Woodley) in the courtroom. These two are crusaders for the law, and take on the case of Slahi, who has bounced first from a prison in Jordan and now to Guantanamo. Four years with no hearing, no trial, and no charges brought against him.

The film jumps around from Slahi in Gitmo, to the two sides prepping their cases: Hollander for the defense, and Stuart Couch (Benedict Cumberbatch) for the military. Couch had a friend on one of the 9/11 planes, and he’s instructed that this is a death penalty case – the only outcome that will deliver justice to the American people. Director Macdonald includes flashbacks to Slahi’s arrival at Gitmo, and even further back (1988) to his earning a scholarship to Germany. We also see the reenactment of the documented torture and “enhanced interrogation” procedures used against Slahi. It’s difficult to watch even these snippets of what he endured.

It’s 2009 before a judge even hears Slahi’s case, and 7 more years before he’s released. A total of 14 years captive with no charges, on top of the well-documented torture. Was Mohamedou Ould Slahi in some way responsible for the terrorist act of September 11, 2001?  Did he recruit others to join the cause? The fact that we don’t really know the answers goes to the heart of what went wrong at Gitmo, and how the American need for justice caused a horrific detour in the legal process.

Unlike some, I have no issues with “agenda movies”, and it seems as though director Macdonald set out to make this one. The problem is that the multiple pieces and characters are just too much to juggle for one film. At times, it seems to highlight Hollander as a crusader. Other times it wants us to understand the struggles of Couch. And then there are times when the attention is on Slahi. The fragmented approach leaves us lacking in all aspects, especially for teasing a courtroom drama that never occurs. The actual footage included at the conclusion leaves us wondering whether the intention all along was to tug on our heartstrings, rather than expose the wrongs that transpired.

In theaters February 12, 2021

WATCH THE TRAILER