THE DUFF (2015)

February 18, 2015

duff Greetings again from the darkness. I was never a teenage girl, and for that, I am quite thankful. By comparison, being a teenage guy was a breeze. No filmmaker was better than the great John Hughes at capturing the challenges of high school … especially for girls. The mysteries of adolescent social hierarchy has long been a favorite movie target, and director Ari Sandel (Oscar winner for his short film West Bank Story) and screenwriter Josh Cagan loosely base their film on the novel from Kody Keplinger.

Mae Whitman (from TV’s “Parenthood”) stars as Bianca, a very smart student who enjoys hanging with her two best friends Casey (Bianca Santos, Ouija) and Jess (Skyler Samuels). That all changes one evening at a party when Bianca’s neighbor, and the school’s alpha-jock, Wesley (Robbie Amell, Firestorm in TV’s “The Flash”), informs her that she is the titular “DUFF” … Designated Ugly Fat Friend. The term itself is quite offensive, but the movie does its best to soften the blow by explaining that it doesn’t necessarily mean ugly or fat – a confusing turn, but fortunate since Ms. Whitman is neither.

As you might imagine, the familiar terrain of teen angst movies is covered and any hope of real insight is dashed pretty early on. However, it does spend a significant amount of time driving home the point that social media plays a dominant role in every aspect of teen life these days, including cyber-bullying. It’s no wonder that insecurities abound … one never knows when their trip to the mall or make-out session with a mannequin will become a viral video.

There are familiar aspects of such classics as Pretty in Pink, She’s All That, and Mean Girls. Robbie Amell even looks very much like Michael Schoeffling from Sixteen Candles. However, the film features two of my movie pet peeves. First, Mae Whitman and Robbie Amell are both in their mid-20’s – entirely too old to be playing high school students. Secondly, Mr Amell plays a jock but clearly cannot throw a football like one – and he does it three cringe-inducing times.

Mae Whitman has excellent screen presence and comes across as a blend of Janeane Garofalo, Ellen Page, and Aubrey Plaza. That’s pretty high praise, but she elevates a script that needs it, and holds her own with screen vets like Allison Janney (as her distracted mom) and Ken Jeong (as her slightly loopy journalism teacher).

The film is a commentary on today’s high school life, but the predictability and obvious gags prevent it from ever going too deep or appealing to any audience other than “tweeners”. Still, any film that smacks down the nasty people (here played by Bella Thorne) and advises to be true to one’s self, can’t be all bad.

watch the trailer:

 


THE PERKS OF BEING A WALLFLOWER (2012)

August 31, 2012

 Greetings again from the darkness. Brace for gushing. Upon attending a screening that included a fascinating Q&A with writer/director Stephen Chbosky, I was reminded of how personal and intimate and observant and incisive a well-made film can be. A well written script is so refreshing, and an exceptional script can be truly breath-taking. Mr. Chbosky takes the most unusual step of directing his own screenplay based on his own novel (a 1999 bestseller), and he left me stunned and enthralled, both onscreen and off.

The popularity of the novel would typically make the film version a disappointment for its fans. Not so this time. Mr. Chbosky remains true to the spirit despite the need to edit for the sake of pacing and brevity. The key characters spring to life thanks to the outstanding script and the four strong performances from young actors: Logan Lerman (Percy Jackson, The Three Muskateers) plays Charlie, Emma Watson (Harry Potter films) is Sam, Ezra Miller (We Need to Talk About Kevin, City Island) is Patrick, and Mae Whitman (“Arrested Development“) is Mary Elizabeth.

If you have read the book, you know the story … you know the characters … you know the themes. If you haven’t read the book, I will spoil nothing. The brilliance is recognized only as you get to know these characters and slowly uncover their stories. What we discover is that, regardless of our age, we recognize these characters from our high school days. We know the introverted, observant Charlie who so desperately needs a support system. We surely recognize the attention-starved, lacking in self-esteem Sam who is the epitome of “We accept the love we think we deserve“. And we all knew a Patrick … the flamboyant one who sheaths his pain with an over-the-top act of public confidence. What Chbosky does is shine the spotlight on these characters to ensure that we really SEE them this time.

The themes reminded me a bit of a darker John Hughes film (that’s a compliment). There were also pieces of two other really good films: Stand By Me and Almost Famous. The formative years of a writer determine the depths to which his or her work will reach later in life. Admittedly, the film is substantially autobiographical, so when Mr. Chbosky says it’s a personal story, we begin to understand the foundation of his remarkable writing style.  He even utilizes music to help us get a better feel for this period of time … especially “Asleep” by The Smiths and “Heroes” by David Bowie.  Watching the impact of the songs reminds us just what a powerful bookmark a particular song can be at a given moment in our life.

Welcome to the island of misfit toys.” When this line is spoken, we realize that most every high school kid has thought the same thing at some point. These are painful and difficult times and as Mr. Chbosky stated, we should encourage kids to fight through this stage and get on to the next … then work to find their true self. Clearly, the film made a strong impact on me. My favorite reaction to a movie is profound thought, and this one caused it in waves. The decision to release as PG-13 was wise. There is no excess of profanity or nudity to divert attention from what really matters … the characters. I can think of no finer compliment to a writer and filmmaker than to cite them as the cause of my internal discussions related to their film. My hope is that you have the same reaction.

SEE THIS MOVIE IF: you are a fan of the book OR you believe that the high school years, in spite of how painful they might be, are formative years for helping us start the path to self-discovery

SKIP THIS MOVIE IF:  you prefer teen movies be doused in slapstick rather than reality

watch the trailer:

http://www.youtube.com/watch?v=n5rh7O4IDc0